Appreciations – Page 7 – Prometheus Blog

Prometheus Blog progress: The LFS Appreciation series about past winners is now complete and accessible

If sci-fi fans or anyone else ever wants to know why the Libertarian Futurist Society presented a Prometheus Award to any work of fiction, and how that work reflects libertarian, classical liberal and anti-authoritarian themes, they now have an easy, quick and enjoyable way to find out.

Just visit the LFS website’s Prometheus Awards page, scroll down to any particular past winner of interest – for Best Novel, Best Classic Fiction or Special Awards – and click on the “Appreciation” link added next to its title.

To highlight and honor the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society celebrated in 2019, LFS members began writing review-essays about each past winner that summer.

Today, more than three years later, that series of informative essays is now complete:
Continue reading Prometheus Blog progress: The LFS Appreciation series about past winners is now complete and accessible

A Study in Subtexts: Freedom, slavery and control in Prometheus winner Lois McMaster Bujold’s Sharing Knife series

“What Bujold has done is to come up with a concept of an aristocratic society that isn’t based on coercion — and from a libertarian perspective, that’s an interesting and novel theme.”

By William H. Stoddard

After bringing the Vorkosigan series (including Prometheus Hall of Fame winner Falling Free) to an apparent conclusion, Lois McMaster Bujold turned to fantasy in two series: the loosely connected World of the Five Gods novels, and the Sharing Knife series, an actual tetralogy.

Lois McMaster Bujold (Photo by Kyle Cassidy; Creative Commons license)

Both are set in invented worlds, where real-world political issues don’t arise, sparing the reader the sort of heavy-handed allegory that J.R.R. Tolkien famously objected to.

No book in either series was ever considered for a Prometheus Award. Indeed, the Sharing Knife series started out as a love story, seemingly reflected Bujold’s acknowledged fondness for authors such as Georgette Heyer. But having read it several times since its publication, I’ve come to feel that it has less obvious depths, some of which are potentially of interest to members of the Libertarian Futurist Society.

Continue reading A Study in Subtexts: Freedom, slavery and control in Prometheus winner Lois McMaster Bujold’s Sharing Knife series

Real-world entrepreneurship advancing humanity across our solar system: An Appreciation of Wil McCarthy’s Rich Man’s Sky, the 2022 Prometheus Best Novel winner

By Michael Grossberg

Rich Man’s Sky, the 2022 Prometheus winner for Best Novel, brims with the excitement, adventure, uncertainties and anxieties of real-world entrepreneurship.

Wil McCarthy’s kaleidoscopic novel, which thrillingly ventures beyond our Earth to chart the exploration, colonization and industrialization of our solar system, realistically and insightfully portrays the inevitably messy and risky progress of free men and women pursuing various goals through the cooperation of free markets.

Yet, the 291-page Baen Books novel – which launches a projected trilogy – also perceptively contrasts markets, warts and all, with the grimier and darker realities of politics – which unlike the voluntary transactions of the marketplace, unavoidably involves various forms and degrees of coercion, outright violence or the threat of violence and thus leads to some benefiting unjustly at the expense of others.

Continue reading Real-world entrepreneurship advancing humanity across our solar system: An Appreciation of Wil McCarthy’s Rich Man’s Sky, the 2022 Prometheus Best Novel winner

A probing work of “social sf” and libertarian praxis: An appreciation of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner

By Michael Grossberg

Many people have viewed science fiction as all about futuristic technology – starships, robots, interstellar travel, space habitats, vast mega-engineering feats, etc.

Yet, some of the best so-called “sf” of the past century has been what is sometimes called “social science fiction.”

Such works may incorporate various speculative forms of advanced technology, especially to work out how such technology affects people and changes culture.

Yet the most interesting aspects of such “social sf” is how it illuminates the various socio-political, economic and cultural implications of new ideas, different attitudes or fundamental changes in how a society’s norms, laws and system of government work.

In the rare and exemplary case of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner, the dramatic and fascinating focus is on what happens to a society when its government is abolished – but other governments continue to threaten its freedom and independence.

Continue reading A probing work of “social sf” and libertarian praxis: An appreciation of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner

Reason highlights fresh aspects of Tolkien’s anti-statism reflected in new TV series “The Rings of Power”

After watching just the first few episodes, fans of “The Lord of the Rings” may still be making up their minds whether the Amazon-Prime prequel “The Rings of Power” is a worthy successor to the three LOTR films and most important, whether it does justice to J.R.R. Tolkien and his powerful anti-authoritarian themes.

But Reason magazine has weighed in with an insightful column that offers a nuanced answer to the question of how faithful is the epic new series to “Tolkien’s Anti-Statism.”

The answer, fans of the Prometheus Hall of Fame-winning trilogy will be happy and relieved to hear, is mostly yes.

Like the LFS members who voted to induct Tolkien’s fantasy trilogy into the Prometheus Hall of Fame in 2009, Reason columnist Christian Britscchgi seems well aware of the ways in which The Lord of the Rings celebrates “freedom against arbitrary government interference.”

Continue reading Reason highlights fresh aspects of Tolkien’s anti-statism reflected in new TV series “The Rings of Power”

Slavery, family, and a fight for liberty in a “juvenile” for all readers: An appreciation of Heinlein’s Citizen of the Galaxy, the 2022 Prometheus Hall of Fame winner

By William H. Stoddard

From his first stories published in Astounding Science Fiction to such late novels as Friday and Job, Robert Heinlein was recognized as an outstanding science fiction writer.

For many of us, though, our introduction to his writing, and often to science fiction as a genre, came from the twelve novels he published through Charles Scribner’s Sons.

Categorized as “juvenile” and aimed at an audience ranging from boys in junior high school to young men in the armed forces, these books in fact speak to a far wider audience, and are more sophisticated both in literary technique and in the ideas they present, than almost any other boys’ books and indeed than many books for adults.

And those ideas are often relevant to libertarian concerns.

Continue reading Slavery, family, and a fight for liberty in a “juvenile” for all readers: An appreciation of Heinlein’s Citizen of the Galaxy, the 2022 Prometheus Hall of Fame winner

Liberty vs. equality: International magazine highlights timeless warnings of “Harrison Bergeron,” Vonnegut’s Prometheus-winning fable

By Michael Grossberg

Some Prometheus-winning fiction imagines a better, freer future for humanity, one that libertarian futurists yearn to see come true in some form.

Other Prometheus-winning fiction is more dystopian, offering cautionary warnings about totalitarian tendencies that their authors portray with hopes of preventing them from materializing.

“Harrison Bergeron,” Kurt Vonnegut’s now-classic 1961 short story, which falls into the latter category, satirically but seriously extrapolates the coercive, absurd and even monstrously inhuman possibilities of radical egalitarianism taken to extremes.

Read the Prometheus Blog Appreciation to appreciate why Vonnegut’s story deserved to be recognized by the Libertarian Futurist Society as the 2019 Prometheus Hall of Fame winner.

Overall and at least in theory, it’s a good thing to see outstanding fiction continue to resonate within the broader American and world culture – especially when it’s pro-liberty or anti-authoritarian sf/fantasy and has been recognized through the Prometheus awards.

Unfortunately, “Harrison Bergeron” is becoming all too timely.

Continue reading Liberty vs. equality: International magazine highlights timeless warnings of “Harrison Bergeron,” Vonnegut’s Prometheus-winning fable

Remembering Tolkien – and his cautionary theme about the lure of power – as Rings of Power series debuts opposite House of Dragons

“Power tends to corrupt; and absolute power corrupts absolutely.”
– Lord Acton (1834-1902)

“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings

Few Prometheus Award winners incorporate an anti-authoritarian theme with more haunting power than J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction.

With Amazon Prime recently unveiling its mega-budgeted and long-awaited prequel to Lord of the Rings, this is an apt moment to recall that theme – summed up so well in Lord Acton’s famous dictum and symbolized so archetypically by Tolkien in his “One Ring to rule them all.”

That’s especially timely when Rings of Power offers such a vivid contrast to House of the Dragon, the other super-expensive prequel to another landmark television-adapted fantasy, but one with a much different and more cynical view of power.

Continue reading Remembering Tolkien – and his cautionary theme about the lure of power – as Rings of Power series debuts opposite House of Dragons

Appreciation series update: Review-essays of Special Prometheus Award fiction winners now available, linked

Three anthologies.
Two films.
Two graphic novels.
A related novella and filk song.
Plus, a webcomic about a sentient robot and his pals.

If you’ve ever wondered why the Libertarian Futurist Society’s Special Prometheus Awards have recognized all of the above, then wonder no longer.

You can check it out on the LFS website’s Prometheus Awards page, which now has convenient links to Appreciation review-essays about all 10 works that have won recognition since the occasional Special Awards category of was established in 1998.

Continue reading Appreciation series update: Review-essays of Special Prometheus Award fiction winners now available, linked

Seize What’s Held Dear: Karl Gallagher’s Best Novel finalist explores cultural clash of customs, battle for freedom against novel interstellar tyranny

Note: This is the latest Prometheus-blog review of our 2022 Best Novel finalists, following previously posted reviews of Kazuo Ishiguro’s Klara and the Sun and Lionel Shriver’s Should We Stay Or Should We Go.

By William H. Stoddard

In Seize What’s Held Dear, the third volume of Karl Gallagher’s The Fall of the Censor series, the action returns to Corwynt, a planet controlled by the Censorate that the Fieran protagonists visited in the first volume. Much of the story develops in parallel tracks following the situation on the planet’s surface and the continuing struggle in space.

The primary conflict grows out of the Censorate’s basic rule that access to information is to be restricted as much as possible. In a fashion similar to China’s Qin Dynasty, access to historical works is prohibited, and their mere possession is a capital crime.

The result is a totalitarian society of a novel sort, different from those in classic dystopias. Fiera, the planet that opposes the Censorate after a hyperspatial route between them has reopened, has no such prohibition — and for that very reason the Censorate cannot tolerate its survival. Fiera doesn’t offer a model for a libertarian society, but it’s comparatively free and is struggling to preserve that freedom.

Continue reading Seize What’s Held Dear: Karl Gallagher’s Best Novel finalist explores cultural clash of customs, battle for freedom against novel interstellar tyranny