Prometheus Hall of Fame – Prometheus Blog

LFS President: Prometheus Hall of Fame honors reflect passages of time, recognition of merit

With the annual Sept. 30 deadline coming up soon for LFS members to nominate works for the Prometheus Hall of Fame for Best Classic Fiction, this is a good time to remind ourselves what makes this annual category special.

LFS President William H. Stoddard did just that when he presented the Prometheus Hall of Fame category for Best Classic Fiction at the recent 43rd annual Prometheus awards ceremony. Here are Stoddard’s remarks:

By William H. Stoddard

Unlike the Best Novel Award, the Prometheus Hall of Fame can be given to works in any narrative or dramatic form — short fiction, narrative verse, plays, movies, television and video episodes or series, graphic novels, songs, and so on.

It’s restricted to works that first appeared at least twenty years ago.

A great many of our award winners are older than that, often dating to before the LFS was founded.

Continue reading LFS President: Prometheus Hall of Fame honors reflect passages of time, recognition of merit

Final call for 2023 Prometheus Hall of Fame nominations (LFS members have nominated 6 novels, 2 stories, a song and a film so far)

With less than two weeks left until the Sept. 30 nominating deadline, Libertarian Futurist Society members have nominated ten works for the next Prometheus Hall of Fame for Best Classic Fiction.

Among the Hall of Fame nominees so far this year: six novels, two stories, a film and a song. That includes novels by Poul Anderson, Cecilia Holland, C.S. Lewis, Terry Pratchett and E.C. Tubb; both a novel and a story by Harry Turtledove; a story by R.A. Lafferty; a song by the Canadian art-rock group Rush; and, for the first time, a feature film written and directed by and starring Woody Allen.

Such varied forms of art and fiction reflects the broad scope of the Hall of Fame – an annual Prometheus Awards category that incorporates stories, novellas, novels, graphic novels, songs, albums, musicals, operas, plays, poems, films, TV episodes/series, anthologies or trilogies.

Read on to see the current list of nominees so far and how to nominate works (if you’re an LFS member) or submit works for consideration by members (if you’re an author, publisher or non-member).

Continue reading Final call for 2023 Prometheus Hall of Fame nominations (LFS members have nominated 6 novels, 2 stories, a song and a film so far)

2023 induction of “Free Men” into Hall of Fame confirms Robert Heinlein as a Prometheus Award all-time favorite

By Michael Grossberg

Quite a few writers have won more than one Prometheus award since the awards were launched in the 1970s, but nobody has won more than the late great Robert Heinlein.

Robert Heinlein, a drawing (Creative Commons license)

Libertarian Futurist Society members proved anew how much they remain ardent fans of Heinlein (1907-1988) by voting his 1966 novelette “Free Men” the 2023 Best Classic Fiction winner and thereby inducting it into the Prometheus Hall of Fame.

That marks the ninth novel, novelette or story by Heinlein to be recognized with a Prometheus Award – a record.

Continue reading 2023 induction of “Free Men” into Hall of Fame confirms Robert Heinlein as a Prometheus Award all-time favorite

Remembering Rush, and paying tribute to libertarian lyricist Neal Peart’s democratic individualism

By Michael Grossberg

Rush, the Canadian art-rock group, stopped touring in 2015 and retired three years later, but still has legions of admirers around the world.

Many are science fiction fans, who appreciate their sf- or fantasy-themed songs (“The Trees”) and albums (2112). And quite a few are libertarians, who appreciate their themes affirming individualism and individual liberty (such as “Free Will” and “Tom Sawyer.”)

Those and other Rush fans should appreciate a recent Law and Liberty article paying tribute to Neil Peart, Rush’s late great drummer.

“Early on, Peart’s lyrics reflected a devotion to individualism, and his protagonists in songs such as “2112,” “Red Barchetta,” and “Tom Sawyer,” are driven primarily by their desire for free expression,” Jordan T. Cash writes in his essay.

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Making ‘em laugh: Which Hall of Fame winners best incorporate comedy?

By Michael Grossberg

Everyone has their favorites among the fiction works that have won the Prometheus Hall of Fame for Best Classic Fiction.

And by everyone, I mean virtually everyone – since at least some of the 46 winning works are enjoyed by libertarians and non-libertarians alike, and by both science fiction/fantasy fans and those who don’t often read that genre.

But how many rank the comedies that high?

Continue reading Making ‘em laugh: Which Hall of Fame winners best incorporate comedy?

Cultivating virtue, respecting liberty & remembering history: Author J. Daniel Sawyer on the “new censorship” and bowdlerization of Roald Dahl and James Bond

By Michael Grossberg

Censorship, suppression of literature and “bowdlerization” of our culture has a long, harmful and shameful history – and is anathema to libertarians, who favor full freedom of expression and artistic liberty.

The Prometheus blog has posted several articles recently about the disturbing recent spate of efforts to suppress or change the original wording and author’s intent of Roald Dahl in his children’s fantasy classics.

Similar suppression sadly has been reported about efforts to shove down the Orwellian memory hole some wording in the original editions of Ian Fleming’s James Bond novels.

It’s even extended to the Goosebumps children’s horror-comedy series, many books of which were changed by the publisher without the knowledge or consent of the series’ still-living author R.L. Stine.

This is a troubling time for libertarians, classical liberals and all lovers of liberty and art – which is why it’s important to seek out, read and digest the best insights about the roots of this anti-authoritarian trend and how we might strive to better support both liberty and literature that reflects the intent of its creators.

Perhaps the most illuminating, historically aware and wisest commentary I’ve come across about this disturbing modern recurrence of bowdlerization was written recently by J. Daniel Sawyer as a guest post on the Substack blog of Holly Math Nerd.

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The unsung central role of engineers: An illuminating new perspective on Atlas Shrugged and Rand’s other novels

Just how important are the engineers in Atlas Shrugged?

More vital – and central to Rand’s novel (and her other fiction) – than even her fans might imagine.

According to a well-researched essay published online in The Savvy Street, Rand’s bestselling magnum opus is in many ways a “literary celebration” of engineering.

Writer Peter Saint-Andre argues persuasively that virtually every significant character is an engineer of some kind in Rand’s epic novel about the role of the mind and the importance of rationality and liberty in sustaining human civilization.

Even those who believe they are fully familiar with Atlas Shrugged – inducted into the Prometheus Hall of Fame in the very first year of that award category in 1983 – are likely to find the essay both surprising and compelling in adding a crucial dimension of understanding about Rand’s classic work.

Continue reading The unsung central role of engineers: An illuminating new perspective on Atlas Shrugged and Rand’s other novels

A Study in Subtexts: Freedom, slavery and control in Prometheus winner Lois McMaster Bujold’s Sharing Knife series

“What Bujold has done is to come up with a concept of an aristocratic society that isn’t based on coercion — and from a libertarian perspective, that’s an interesting and novel theme.”

By William H. Stoddard

After bringing the Vorkosigan series (including Prometheus Hall of Fame winner Falling Free) to an apparent conclusion, Lois McMaster Bujold turned to fantasy in two series: the loosely connected World of the Five Gods novels, and the Sharing Knife series, an actual tetralogy.

Lois McMaster Bujold (Photo by Kyle Cassidy; Creative Commons license)

Both are set in invented worlds, where real-world political issues don’t arise, sparing the reader the sort of heavy-handed allegory that J.R.R. Tolkien famously objected to.

No book in either series was ever considered for a Prometheus Award. Indeed, the Sharing Knife series started out as a love story, seemingly reflected Bujold’s acknowledged fondness for authors such as Georgette Heyer. But having read it several times since its publication, I’ve come to feel that it has less obvious depths, some of which are potentially of interest to members of the Libertarian Futurist Society.

Continue reading A Study in Subtexts: Freedom, slavery and control in Prometheus winner Lois McMaster Bujold’s Sharing Knife series

Lafferty, Heinlein stories and Pratchett novel make it as first-time nominees onto this year’s Prometheus Hall of Fame finalist list

Most years tend to see at least some continuity in the annual Prometheus Hall of Fame , since any eligible work can be renominated if it doesn’t win.

Since 1983, when the first classic works were inducted into the Prometheus Hall of Fame, it’s become common for works to be nominated repeatedly, often with returning nominees dominating the list of selected finalists.

Not this year, notable for several fresh contenders.

Continue reading Lafferty, Heinlein stories and Pratchett novel make it as first-time nominees onto this year’s Prometheus Hall of Fame finalist list

Science fiction’s prophetic dystopias: Niall Ferguson Spectator essay sheds light on Prometheus winners Bradbury, Orwell, Stephenson and Zamyatin while drawing timely comparisons to Huxley

How can science fiction be used to explore and perhaps take steps to prevent the darker possibilities of the future?

Writer-historian Niall Ferguson examines the benefits and prophetic classics of science fiction in an intriguing essay in The Spectator magazine.

Several Prometheus-winning authors – including Ray Bradbury (Fahrenheit 451), Sinclair Lewis (It Can’t Happen Here), George Orwell (Nineteen Eighty-Four), Neal Stephenson (The System of the World, Snow Crash) and Yevgeny Zamyatin (We) – are discussed with intriguing and incisive commentary in Ferguson’s recent article, “How Science Fiction Novels Read the Future.”

Continue reading Science fiction’s prophetic dystopias: Niall Ferguson Spectator essay sheds light on Prometheus winners Bradbury, Orwell, Stephenson and Zamyatin while drawing timely comparisons to Huxley