With the annual Sept. 30 deadline coming up soon for LFS members to nominate works for the Prometheus Hall of Fame for Best Classic Fiction, this is a good time to remind ourselves what makes this annual category special.
LFS President William H. Stoddard did just that when he presented the Prometheus Hall of Fame category for Best Classic Fiction at the recent 43rd annual Prometheus awards ceremony. Here are Stoddard’s remarks:
Unlike the Best Novel Award, the Prometheus Hall of Fame can be given to works in any narrative or dramatic form — short fiction, narrative verse, plays, movies, television and video episodes or series, graphic novels, songs, and so on.
It’s restricted to works that first appeared at least twenty years ago.
A great many of our award winners are older than that, often dating to before the LFS was founded.
“When we started our writing career we never dreamt of winning the Prometheus Award. … Of all the awards in Science Fiction, … The Prometheus Award, above all others, became the one we truly wanted. [because] liberty must be championed and valued — of the myriad awards out there, only the Prometheus recognizes this essential fact. And the authors we respect the most have all won it.”
– Eytan and Dani Kollin, co-authors of The Unincorporated Man, the 2010 Prometheus Awardwinner for Best Novel, from their Prometheus acceptance speech
One of the things I do in my spare time is bring old issues of Prometheus onto the web. Prometheus, the LFS’ former print quarterly, was published from 1982 to 2015, and there are lots of articles of lasting value in this collection. Well more than half the issues are now available on the web.
One thing I noticed a little while ago is that we have transcripts of many of the Prometheus Award acceptance speeches that have been given over the years, and they are worth reading again. We also have recordings of several of the ceremonies, but uploading those will be a separate project.
Here’s a quick guide to all the speeches that appeared in Prometheus:
If beauty is proverbially found in the eye of the beholder, then a sense of humor may be located in our funny bones.
Yet everyone’s sense of humor is a bit different. What you find hilarious may leave me cold (or at least lukewarm), while what fills some bellies with laughs may leave others with barely a smile on their faces.
Given how personal a sense of humor tends to be, it may be provocative but should be interesting to ask: Which Prometheus Award winners do you find most amusing?
Which are designed to make you smile, and laugh out loud – and achieve their goal?
Before 2022 ends, it’s worth noting that the Prometheus Awards reached a pretty big milestone this year.
It involves a nice round number, too: 100 – the total number of works recognized by the Prometheus Awards in all three categories since the award was established more than four decades ago.
From 1979, when the very first Prometheus Award was presented to F. Paul Wilson’s novel Wheels Within Wheels, through 2022, 90 works of fiction have been recognized in the Libertarian Futurist Society’s two annual categories for Best Novel and Best Classic Fiction.
That includes 44 novels that have won a Prometheus for Best Novel, including this year’s newest winner: Rich Man’s Sky by Wil McCarthy.
And it includes 46 works – novels, novellas, stories, a graphic novel, an anthology and a TV series – that have been inducted into the Prometheus Hall of Fame for Best Classic Fiction.
Plus, 10 works have received Special Prometheus Awards – including three libertarian sf anthologies, two films, two graphic novels, a novella, a filk song and (most recently in 2017) a webcomic series.
With our recent 2022 awards ceremony, the Libertarian Futurist Society has now presented the Prometheus Awards for 40 years.
Why do we do that? What keeps us going? What basic ethical and cultural values are at the foundation of our awards program? And why are the Prometheus Awards so important?
LFS President William H. Stoddard succinctly answers such key questions in his eloquent and thoughtful introductory speech at the start of the Aug. 13 Zoom awards ceremony, which can be viewed on YouTube.
His concise comments seem worth publishing on the Prometheus Blog for posterity:
In his apt introduction and presentation of the Prometheus Hall of Fame category at the recent 2022 Prometheus Awards ceremony, LFS President William H. Stoddard explains why this annual awards category is such an important part of the Libertarian Futurist Society’s awards program – and why this year’s inductee by Robert Heinlein is so deserving of recognition.
Two graphic novels.
A related novella and filk song.
Plus, a webcomic about a sentient robot and his pals.
If you’ve ever wondered why the Libertarian Futurist Society’s Special Prometheus Awards have recognized all of the above, then wonder no longer.
You can check it out on the LFS website’s Prometheus Awards page, which now has convenient links to Appreciation review-essays about all 10 works that have won recognition since the occasional Special Awards category of was established in 1998.
A rock song, a linked collection of stories, a classic sf juvenile novel and the culmination of a trilogy of novels will be considered for induction into the Prometheus Hall of Fame for Best Classic Fiction.
Four works have been selected as finalists for the 2022 award, to be determined by Libertarian Futurist Society members over the next half year.
Moreover, this year’s slate of finalists reflects a good deal of change and variety, compared to last year slate of finalists, with only one of those five finalists reappearing on this year’s ballot. In addition, one of this year’s finalists was nominated for the first time, while two others had not been nominated in quite a few years.
Here are this year’s finalists, in alphabetical order by author, along with their and their author’s history in the Prometheus Awards: