Category: Comic works

Making ‘em laugh for the sake of liberty: Which Best Novel winners best incorporate comedy?

By Michael Grossberg

If beauty is proverbially found in the eye of the beholder, then a sense of humor may be located in our funny bones.

Yet everyone’s sense of humor is a bit different. What you find hilarious may leave me cold (or at least lukewarm), while what fills some bellies with laughs may leave others with barely a smile on their faces.

Given how personal a sense of humor tends to be, it may be provocative but should be interesting to ask: Which Prometheus Award winners do you find most amusing?

Which are designed to make you smile, and laugh out loud – and achieve their goal?

Continue reading Making ‘em laugh for the sake of liberty: Which Best Novel winners best incorporate comedy?

Liberty vs. equality: International magazine highlights timeless warnings of “Harrison Bergeron,” Vonnegut’s Prometheus-winning fable

By Michael Grossberg

Some Prometheus-winning fiction imagines a better, freer future for humanity, one that libertarian futurists yearn to see come true in some form.

Other Prometheus-winning fiction is more dystopian, offering cautionary warnings about totalitarian tendencies that their authors portray with hopes of preventing them from materializing.

“Harrison Bergeron,” Kurt Vonnegut’s now-classic 1961 short story, which falls into the latter category, satirically but seriously extrapolates the coercive, absurd and even monstrously inhuman possibilities of radical egalitarianism taken to extremes.

Read the Prometheus Blog Appreciation to appreciate why Vonnegut’s story deserved to be recognized by the Libertarian Futurist Society as the 2019 Prometheus Hall of Fame winner.

Overall and at least in theory, it’s a good thing to see outstanding fiction continue to resonate within the broader American and world culture – especially when it’s pro-liberty or anti-authoritarian sf/fantasy and has been recognized through the Prometheus awards.

Unfortunately, “Harrison Bergeron” is becoming all too timely.

Continue reading Liberty vs. equality: International magazine highlights timeless warnings of “Harrison Bergeron,” Vonnegut’s Prometheus-winning fable

Robot rights, practical autonomy and character-driven comedy: An appreciation of Mark Stanley’s webcomic Freefall, the 2017 Special Prometheus Awardwinner

With this review-essay of the 2017 Special Prometheus Award winner, we complete the Appreciation series of past Prometheus winners, launched in 2019 with the Best Novel category, continued in 2020 with the Hall of Fame category and concluded* in 2022 with this final appreciation of our Special Prometheus Award-winners.

By William H. Stoddard

As the Libertarian Futurist Society began giving awards to works other than novels, one of the questions we faced was how to decide if a series was eligible.

It obviously wasn’t appropriate to give an award to an open-ended series, or to one that hadn’t been completed yet (though we might recognize a single volume, story, or episode). We were prepared to recognize a series that had been completed, such as Patrick McGoohan’s The Prisoner. We also decided that we were prepared to recognize a bounded part of a series, such as one season of a television show. This decision proved applicable in 2017, when after nearly 20 years of publication, Mark Stanley announced that the first chapter of his webcomic Freefall had been completed with installment 2834.

Libertarian fiction’s philosophical or ideological content makes a lot of it serious, or even didactic, with characters discussing politics and economics in long speeches. Freefall, 2017 winner of a Special Prometheus Award, proved to be a happy exception.

Continue reading Robot rights, practical autonomy and character-driven comedy: An appreciation of Mark Stanley’s webcomic Freefall, the 2017 Special Prometheus Awardwinner

Bold imagination and wit, colorful visuals, dystopian tyranny and a libertarian alternate-reality: An appreciation of The Probability Broach: The Graphic Novel, a 2005 Prometheus Special Awardwinner

The Libertarian Futurist Society’s ongoing Appreciation series of Prometheus winners continues in 2022 with review-essays about the fiction recognized with Special Awards.

By Michael Grossberg

Adaptations of classic or popular literature into graphic novels have become increasingly popular. Reflecting this modern trend, the Prometheus Awards recognized its first graphic novel when The Probability Broach: The Graphic Novel (published in 2004 by Big Head Press) received a Special Prometheus Award in 2005.

Visually colorful and boldly imaginative, this accessible and fun version of one of the most explicitly libertarian sf novels achieves its distinctive style and stirring impact from the fertile collaboration between libertarian author L. Neil Smith and libertarian artist Scott Bieser.

The deft combination of words and visuals helps bring to life Smith’s zestful and suspenseful sf adventure novel, which imagines alternate time lines accessible through the probability broach, a portal to many worlds.

Continue reading Bold imagination and wit, colorful visuals, dystopian tyranny and a libertarian alternate-reality: An appreciation of The Probability Broach: The Graphic Novel, a 2005 Prometheus Special Awardwinner

Butter, eggs and the taste of freedom: An Appreciation of F. Paul Wilson’s “Lipidleggin’”, the 2021 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.

Here is a review essay about F. Paul Wilson’s story “Lipidleggin’,” the 2021 Prometheus Hall of Fame winner for Best Classic Fiction. With this appreciation for this year’s winner, our Appreciation series for the Hall of Fame category of the Prometheus Awards is now complete.

By Michael Grossberg

Once you taste freedom, it’s harder to live your life without it.

Once you learn to enjoy the taste of something good, you naturally tend to want more of it.

The mouth waters, remembering how wonderful some things taste… like liberty…. and frying eggs in butter. Mmmm… yummy.

(Also, wouldn’t it be nice if petty bureaucrats and aspiring tyrants could be seduced by the mere taste of freedom?)

Such are my immediate thoughts after rereading “Lipidleggin’,” the 2021 Prometheus Hall of Fame winner for Best Classic Fiction.

Continue reading Butter, eggs and the taste of freedom: An Appreciation of F. Paul Wilson’s “Lipidleggin’”, the 2021 Prometheus Hall of Fame winner

Egalitarianism taken to coercive extremes in attacks on excellence: Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as anti-authoritarian or pro-freedom, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.

Here is an Appreciation for Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg
The government’s Handicapper General enforces new constitutional amendments mandating that no one can be stupider, uglier, weaker, slower – or in any way better – than anyone else.

To enforce this authoritarian and radical egalitarian edict, perfectly capable people are forced to accept and wear various disabling devices that handicap their capabilities and basic humanity.

Leave it to the great American novelist Kurt Vonnegut Jr. to come up with such a classic cautionary fable about a dystopian future in the United States in which coercive egalitarianism – a close cousin of progressivism – is taken to such radical and inhuman extremes in a perverse authoritarian revolt against personal excellence.

Continue reading Egalitarianism taken to coercive extremes in attacks on excellence: Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner

Civil disobedience challenging repressive authority: Harlan Ellison’s subversive and satirical story “Repent Harlequin!’, Said the Ticktockman,” the 2015 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade-plus history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 a series of Appreciations of past award-winners.

Here is an Appreciation of Harlan Ellison’s “Repent Harlequin!’, Said the Ticktockman,” the 2015 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg

The ticking of a clock and a tight schedule controls the future world in “Repent Harlequin!’, Said the Ticktockman,” one of Harlan Ellison’s best and most iconic stories.

The satirical and dystopian tale, which opens with quotes from Henry David Thoreau’s classic work on Civil Disobedience, lampoons the excesses and absurdities of regimentation.

Continue reading Civil disobedience challenging repressive authority: Harlan Ellison’s subversive and satirical story “Repent Harlequin!’, Said the Ticktockman,” the 2015 Prometheus Hall of Fame winner

An allegorical fable about the beastly consequences of communism and coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

 To highlight the Prometheus Awards’ four-decade-plus history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work of sf/fantasy, the Libertarian Futurist Society has been publishing since 2019 a series of Appreciations of all past award-winners.

Here is an Appreciation of George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Michael Grossberg

The title of the allegorical work may make Animal Farm sound like a children’s fable, but it isn’t.

Oh, the short novel certainly can – and probably should – be read by teenagers and more mature younger readers, who likely will enjoy it and also grasp its perennial theme about the corruptions of power and the absolute corruption of absolute power.

Yet, the cautionary themes of George Orwell’s enduring 1945 work truly are aimed at adults.
Continue reading An allegorical fable about the beastly consequences of communism and coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

Freedom and free will in a dystopian welfare-state: Anthony Burgess’ darkly humorous A Clockwork Orange, the 2008 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ impressive and diverse four-decade track record, the Libertarian Futurist Society is publishing an Appreciation series of all of our award-winners. Here’s an Appreciation for Anthony Burgess’s A Clockwork Orange, the 2008 Prometheus Hall of Fame winner for Best Classic Fiction.:

“When a man cannot choose he ceases to be a man.” – Anthony Burgess

By Michael Grossberg

A Clockwork Orange may not be remembered or read as widely today as some other dystopian novels, but it arguably ranks among the best-written, most shocking and most plausible works of that seminal 20th century genre.

Today, British writer Anthony Burgess’ 1962 novel is far better known from director Stanley Kubrick’s vivid 1971 film. Yet, the nightmarish novel rightly was included on Time magazine’s 2005 list of the 100 best English-language novels written since 1923.

Even if you’re a fan of the controversial film version (as I am), Burgess’ novel is well worth reading for its own sake – especially for its imaginative style, dark humor, inventive slang language, and insightful portrait of a disturbing future in a culture corrupted by a bloated and obtrusive welfare state.

Continue reading Freedom and free will in a dystopian welfare-state: Anthony Burgess’ darkly humorous A Clockwork Orange, the 2008 Prometheus Hall of Fame winner

Speaking truth to power in a funny fable: Hans Christian Anderson’s “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why winners deserved our recognition as notable pro-freedom and/or anti-authoritarian works, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.
Here is an Appreciation for Hans Christian Anderson’s fable “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner for Best Classic Fiction:

By Michael Grossberg

It’s not just for kids.

Nor is Hans Christian Anderson’s “The Emperor’s New Clothes” merely another children’s fable.

Few stories have resonated so deeply with all ages for so many generations that they become an integral part of international culture.

This sly libertarian fable has become so emblematic in folk wisdom that it’s inspired a common catchphrase: “The emperor has no clothes.”

Continue reading Speaking truth to power in a funny fable: Hans Christian Anderson’s “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner