Has the “cancel culture” trend peaked, or will it continue in 2024?
With Shakespeare increasingly in disfavor among some elite precincts of academia and popular authors like Roald Dahl and Ian Fleming posthumously having their classic fiction bowdlerized and edited to be politically correct, what artists and authors will be next?
Will 2024 deepen disturbing trends undermining artistic freedom and other civil and economic liberties? Or will a new year bring fresh hope for civility, voluntarism, tolerance and respect for other people’s rights?
Such questions continue to linger in the back of my mind as I recall some of my favorite posts in 2023 on the Prometheus Blog.
Although it’s now the start of 2024, it’s not too late to look back again at the past year to savor (and perhaps reread) a few especially timely and relevant favorites from the blog – beyond the three already highlighted last week.
Although 2023 has ended, it’s interesting and illuminating to look back at the highlights of the past year – and perhaps read an article that you may have overlooked. For the Prometheus Blog, there were quite a few memorable posts.
Among my personal favorites:
* author Karl Gallagher’s tribute to Robert Heinlein and appreciation for his 2023 Hall of Fame winner, “Free Men.”
* William H. Stoddard’s illuminating essay on “Economics in Science Fiction” (along with a critique of the common “overproduction” myth), and
* a commentary on one of the most unheralded firsts of the year: basically, the first libertarian-individualist-themed sci-fi film to ever win the Oscar for best picture.
Science fiction has mainly been based on the natural sciences, from astronomy to biology; economics and the other social sciences come on stage less often.
Certainly, social science fiction was one of Isaac Asimov’s three categories of science fiction (along with gadget stories and adventure stories—as TV Tropes puts it, “Man invents car” can be followed by “lectures on how it works,” “gets into car chase,” or “gets stuck in traffic”).
But the premise for social science fiction was commonly a discovery or invention in the natural sciences, whose social and economic consequences are explored. It’s not so common for science fiction to be inspired by an economic theory.
Nonetheless, some theories have been the basis for science fiction stories. Economic issues are a major concern for libertarians; how science fiction deals with such issues is worth exploring.
Happy new year! If you didn’t have a chance to catch up in 2022 with every post published last year on The Prometheus Blog, you missed some fascinating and illuminating reading.
On average, the LFS posted a fresh article on the blog about every five days – a little more often than our initial weekly publication goal, when establishing the Prometheus blog years ago.
Among the 67 blog posts of 2022 were a wide range of reviews, essays, author interviews and Prometheus-Award-winner appreciations – not to mention a variety of timely news updates and links to interesting international articles referencing past Prometheus winners.
Second chances don’t always occur in life, but the start of 2023 offers an opportunity to look back and enjoy some of the best Prometheus blog reviews, essays, interviews and appreciations of the past year.
To highlight the Prometheus Awards’ four-decade history, the Libertarian Futurist Society since 2019 has been publishing a series of Appreciations of all past award winners that make clear why they were recognized. Here is our Appreciation for J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction:
“Power tends to corrupt; and absolute power corrupts absolutely.” –Lord Acton (1834-1902)
“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings
The Lord of the Rings is not only one of the greatest works of fantasy but also a cautionary libertarian fable about the inevitable temptations of power.
J.R.R. Tolkien’s classic trilogy – a three-part novel (The Fellowship of the Ring, The Two Towers and The Return of the King) published in 1954-1955 – charts a social, political, personal and supernatural struggle between freedom and absolute tyranny.
Few individuals have made more of a difference to the Libertarian Futurist Society and the Prometheus Awards in the 21st century than William H. Stoddard.
Bill, as he’s known to friends and fellow LFS members, has led the nonprofit, all-volunteer group of freedom-loving sf fans for more than a decade as president of the board of directors.
But Stoddard has done far more for many years, writing reviews of sf/fantasy for the Prometheus newsletter and more recently, this blog, and serving for decades as a key judge on both finalist-judging committees for the Best Novel and Best Classic Fiction categories of the Prometheus Award.
Here is LFS Secretary Michael Grossberg’s interview with Stoddard about how he became an sf fan, a libertarian and an active LFS member and what are some of his favorite writers and Prometheus-winning works.
Q: What Prometheus Award winners especially excited you or pleased you when they won for Best Novel?
A: For the Best Novel Award, I’d name two.
Michael Flynn’s In the Country of the Blind (1991 award) asked “what if Charles Babbage’s Analytical Engine had come into use in the nineteenth century?” in the form, not of an alternate history, but of a hidden history where multiple secretive groups used predictive social science (made possible by Analytical Engines) to create the actual history of the twentieth century from behind the scenes; it was one of my main influences when I wrote GURPS Steampunk for Steve Jackson Games in 2000.
CoNZealand, the 78th World Science Fiction Convention and the first Worldcon in history to be presented entirely online, pulled off the unprecedented feat with impressive organization and the dedication of countless volunteers and organizers.
In the process, the July 29 to Aug. 1 event offered the annual Hugo Awards ceremony and a dizzying variety of interesting panel discussions – including one suggested by the Libertarian Futurist Society to honor the Prometheus Awards’ recent 40thanniversary.
With a vast and potentially larger worldwide online audience watching from many countries on Zoom and Discord platforms but avoiding direct physical contact for safety during the pandemic, the New Zealand Worldcon seized the potential to be seen more widely. One happy consequence was raising the visibility worldwide of the Libertarian Futurist Society and the Prometheus Awards.
Ayn Rand’s magnum opus, a millions-selling bestseller that has remained in print since its original 1957 publication, offers the combined satisfactions of mystery, science fiction, romance and suspense thriller.
Yet Atlas Shrugged, in setting up and solving its intricate and interrelated mysteries, also resonates as an innovative, unconventional and philosophical novel about the power of ideas, for good and bad. Its fierce and noble focus is on the distinctive role played by free minds, free markets and free women and men in sustaining society and genuine life-affirming progress based on cooperation, not coercion.
Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.
Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Libertymagazines to the Cato Institute) – have understood that for a long time.
Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.
Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.
According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”
Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.
Here’s the fifth Appreciation, for No Award (1985), following recent appreciations for novels by F. Paul Wilson, L. Neil Smith, James Hogan and J. Neil Schulman:
By William H. Stoddard
When the Libertarian Futurist Society started giving regular awards for Best Novel, ballots mailed to members offered the option of voting for None of the Above.
In 1985, None of the Above won, for the first and – up to now – the only time.