Star Wars – Prometheus Blog

A 2022 Prometheus Best Novel finalist heads to the silver screen

Prometheus Award winners or finalists don’t make it to the screen that often, so it’s promising news when another is reported to be on its way.

Director Taika Waititi (Creative Commons license)

Deadline.com recently reported that Oscar-winning film director Taika Waititi is is in talks to direct a film adaptation of Klara and the Sun, by Nobel-prize-winning author Kazuo Ishiguro.

Klara and the Sun, a poignant near-future fable about an A.I. robot tasked with caring for and befriending a human child, was one of five Best Novel finalists for the 2022 Prometheus Award.

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R.I.P., L. Neil Smith: Sf writer, best known for libertarian classic The Probability Broach, leaves a lasting legacy of liberty-loving sf adventure

Libertarian science fiction writer L. Neil Smith has died, leaving a legacy of high-spirited libertarian sf adventure and of the Prometheus Award itself.

Smith, who died at 75 on Aug. 27, 2021 in Fort Collins, Colo., is best known for his explicitly libertarian novel The Probability Broach and its rambunctious alternate-history sequels in his The North American Confederacy series.

During his writing career from the 1970s into the 2010s, Smith wrote 31 books, including 29 novels, and many essays and short stories.

Quite a few of his works were nominated for Prometheus Awards because of their freewheeling adventure, sense of humor, imaginative alternate-reality scenarios and strong libertarian/individualist themes.

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Futures in Collision: Firefly’s Divided Society

Actor Nathan Fillion, who played Captain Malcolm “Mal” Reynolds. Creative Commons photo by vagueonthehow.

By William H. Stoddard

In the decade and a half since Firefly came on the air, it’s emerged as one of the high points of television science fiction, both for its characterization, and for the unusual depth in which its setting is imagined. In fact, that depth helps explain the characterization. The crew and passengers of the Serenity come from different places in a complex world, and their motives and relationships reflect this.

On a first viewing, they’re inevitably two-dimensional, inviting the watcher to see them as dramatic stereotypes. Fitting the description of Firefly as a “space Western,” they often seem like Western stereotypes: the cynical veteran, the glamorous dance-hall girl, the preacher, the naïve city dweller out of his depth. But over the course of the first (and only) season, viewers came to know their backstories, and to see their actions in more depth, in relation to their pasts as well as their presents.
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Freedom in the Future Tense: A Political History of SF

By Eric S. Raymond

The history of modern SF is one of five attempted revolutions — one success and four enriching failures. I’m going to offer a look at them from an unusual angle, a political one. This turns out to be a useful perspective because more of the history of SF than one might expect is intertwined with political questions, and SF had an important role in giving birth to at least one distinct political ideology that is alive and important today.

Robert Heinlein (Photo courtesy of the Heinlein Trust)

CAMPBELL AND HEINLEIN

The first and greatest of the revolutions came out of the minds of John Wood Campbell and Robert Heinlein, the editor and the author who invented modern science fiction. The pivotal year was 1937, when John Campbell took over the editorship of Astounding Science Fiction. He published Robert Heinlein’s first story a little over a year later.
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