By Michael Grossberg
The sympathetic character at the center of Klara and the Sun is profoundly human in her caring, determination, curiosity, loyalty and observant intelligence.
And yet, Klara is an artificial being, an android branded and sold as an Artificial Friend in Kazuo Ishiguro’s acclaimed novel, one of five 2022 Prometheus Best Novel finalists.
Set a generation or two into the future and strictly told from the highly limited point of view of Klara, the novel never fully answers the question of whether Klara has achieved full self-awareness (and thus should be treated as a person with rights.)
Yet, Ishiguro carefully drops enough clues and hints to make Klara and the Sun both a tantalizingly ambiguous mystery about the threshold of full consciousness and a haunting meta-libertarian parable about the foundations of rights and the tragedy that can occur when basic “humanity” and basic rights go unrecognized.
