Sequels are increasingly popular these days – especially within the fantastical or speculative genres of science fiction and fantasy.
Among this year’s recently announced five Prometheus Best Novel finalists are two sequels: Alliance Unbound and Beggar’s Sky.
Of the 11 2024 SF/fantasy novels nominated for this year’s 45th Best Novel award, four are sequels – including Shadow of the Smoking Mountain and Machine Vendetta.
Each sequel navigates a tricky balance between the fresh and the familiar.
Each can be enjoyed by newcomers as a stand-alone book. Yet, each is enriched by previous world-building and continuing characters that makes them rewarding for the author’s ongoing fans.
How each novel builds on its predecessors, or in some cases departs from them, varies in ways that help illuminate the appeal of sequels and their challenges.
This year’s five Prometheus Best Novel finalists plausibly imagine everything from dystopian Earth scenarios sparked by authoritarian true-believer cults to more positive but challenging interstellar futures for humanity.
C.J. Cherryh, left, and Jane Fancher (Photo courtesy of Jane Fancher)
Works published in 2024 by C.J. Cherryh & Jane S. Fancher, Michael Flynn, Danny King, Wil McCarthy and Lionel Shriver will be competing for the 45th Prometheus Award for Best Novel.
Two-time Prometheus winner Michael Flynn (File photo)
First presented in 1979, the Prometheus Awards have recognized hundreds of authors and a dizzying variety of works. This year’s slate of finalists embrace the old and the new.
Of these authors, British writer Danny King is new to our award, being recognized for the first time as a Best Novel finalist.
British writer Danny King (Creative Commons license)
Lionel Shriver, a Portugal-based American writer who’s lived in Nairobi, Bangkok, Belfast and London, is being recognized for the third time as a Best Novel finalist.
Wil McCarthy, and writing partners Cherryh and Fancher, each previously won a Prometheus Award, while Flynn (1947-2023) is a two-time previous Best Novel winner being recognized posthumously for what may be his last work.
Novelist Wil McCarthy (Photo courtesy of Baen Books)
In brief, here are this year’s Best Novel finalists, in alphabetical order by author:
* Alliance Unbound, by C.J Cherryh and Jane S. Fancher (DAW)
* In the Belly of the Whale, by Michael Flynn (CAEZIK SF & Fantasy)
* Cancelled: The Shape of Things to Come, by Danny King (Annie Mosse Press)
* Beggar’s Sky, by Wil McCarthy (Baen Books)
* Mania, by Lionel Shriver (HarperCollins Publishers)
Eleven 2024 novels have been nominated for the next Prometheus Award for Best Novel.
Writer Howard Andrew Jones (Photo courtesy of Baen Books)
Broadly embracing many forms of speculative fiction including science fiction, fantasy, dystopian cautionary tales and near-future political-tech thrillers, the diverse slate offers a wide variety and blends of genres, styles and themes – from the serious to the darkly satirical.
Two-time Prometheus winner Michael Flynn (Creative Commons license)
Most poignantly, this will be the last time that two authors are nominated for Best Novel because they’ve sadly passed away: Michael Flynn and Howard Andrew Jones.
Flynn, a two-time Prometheus winner for Best Novel, died in 2023 at 75.
While most reviewspublished on the Prometheus blog tend to focus on our Best Novel or Best Classic Fiction finalists or winners, other works deserve attention, too.
As time permits, and when nominated (or nominatable) works capture our attention and stimulate both enjoyment and further thoughts, we strive to bring it to the attention of Libertarian Futurist Society members and the wider public by writing about it – hopefully, in ways that make it clear how the work is relevant to Prometheus Award themes.
Here are excerpts from four such novels of note that we reviewed in 2024 – and that continue to deserve recognition and wide readership:
Wil McCarthy’s novel Beggar’s Sky is a first-contact story.
The actual contact, though, is more picturesque than philosophical in this sequel to Poor Man’s Sky, itself the sequel to Rich Man’s Sky, McCarthy’s 2022 Prometheus winner for Best Novel.
The 2024 sequel – which has been nominated for the next Prometheus Award for Best Novel – takes place within the larger context of an ongoing space race sparked by four Earth billionaires pushing to expand space industry and humanity to new frontiers beyond our solar system.
This was an excellent year for interesting and informative interviews with a variety of authors, all worth reading (or rereading.)
Dave Freer with his 2023 Prometheus Awards Best Novel plaque for Cloud-Castles (Photo courtesy of Freer)James P. Hogan (Creative Commons license)
The Prometheus Blog boasted more posted interviews in 2023 than ever before – most notably, with Australian sf writer Dave Freer, the first individual from the Southern Hemisphere to win a Prometheus award; and with the late great James Hogan, a two-time Prometheus winner for Best Novel.
Happy new year! If you didn’t have a chance to catch up in 2022 with every post published last year on The Prometheus Blog, you missed some fascinating and illuminating reading.
On average, the LFS posted a fresh article on the blog about every five days – a little more often than our initial weekly publication goal, when establishing the Prometheus blog years ago.
Among the 67 blog posts of 2022 were a wide range of reviews, essays, author interviews and Prometheus-Award-winner appreciations – not to mention a variety of timely news updates and links to interesting international articles referencing past Prometheus winners.
Second chances don’t always occur in life, but the start of 2023 offers an opportunity to look back and enjoy some of the best Prometheus blog reviews, essays, interviews and appreciations of the past year.
Before 2022 ends, it’s worth noting that the Prometheus Awards reached a pretty big milestone this year.
It involves a nice round number, too: 100 – the total number of works recognized by the Prometheus Awards in all three categories since the award was established more than four decades ago.
From 1979, when the very first Prometheus Award was presented to F. Paul Wilson’s novel Wheels Within Wheels, through 2022, 90 works of fiction have been recognized in the Libertarian Futurist Society’s two annual categories for Best Novel and Best Classic Fiction.
That includes 44 novels that have won a Prometheus for Best Novel, including this year’s newest winner: Rich Man’s Sky by Wil McCarthy.
And it includes 46 works – novels, novellas, stories, a graphic novel, an anthology and a TV series – that have been inducted into the Prometheus Hall of Fame for Best Classic Fiction.
Plus, 10 works have received Special Prometheus Awards – including three libertarian sf anthologies, two films, two graphic novels, a novella, a filk song and (most recently in 2017) a webcomic series.
Here is the third and final part of the Prometheus interview with Wil McCarthy, the 2022 Prometheus Best Novel winner for Rich Man’s Sky.
Will McCarthy (Photo courtesy of Baen Books)
Q: Talk about the impetus for your first novel Antediluvian, once you returned from your recent writing hiatus. I recently read and enjoyed it as an ingenious twist on the standard time-travel novel, offering a genetic-memory approach to experiencing what really might have happened millennia ago to our “cave man” ancestors. Your novel plausibly reimagines key events – like the massive flooding 12,000 to 14,000 years ago that’s the reality behind the story of Noah’s Ark – that gave rise through generations of oral history to our inherited (and likely highly distorted) mythologies about ancient history.
Here is the second part of the Prometheus Blog interview with Wil McCarthy, the 2022 Best Novel winner for Rich Man’s Sky.
SF author Will McCarthy in command of some sort of starship (Photo: Baen Books)
Q: Were you aware of the Prometheus Awards before receiving your first Best Novel nomination this past year?
A: I have been aware of the award, yes. I used to think of it as a purely political award, which I think perhaps it was in the early days. But when you see it going to people like Cory Doctorow (Little Brother)and Charles Stross (Glasshouse) — both excellent, thoughtful writers, and clearly not Libertarians in any traditional American sense — I think it’s easier to see it as a genuine literary prize that rewards great ideas and great storytelling.
