The alien Tralfamadorians surely won’t be the only sentient beings celebrating the 100th anniversary Nov. 11, 2022, of Kurt Vonnegut’s birth.
Anyone who appreciates a blend of humor with social commentary in novels and stories that often incorporate science fiction should celebrate the memory of one of the most influential and popular American writers and novelists of the 20th century.
Tor.com, a leading online sf magazine, has published an intriguing article about bestselling writer C.S. Lewis. That’s welcome news to Lewis’ fans, including sf readers and Libertarian Futurist Society members.
The positive attention comes as LFS members are considering the 2022 Prometheus Hall of Fame finalists – which include That Hideous Strength, the third and final novel of Lewis’ Space Trilogy.
(For the record, the three other Hall of Fame 2022 finalists are Robert Heinlein’s novel Citizen of the Galaxy, Barry B. Longyear’s collection of stories in Circus World, and the Rush song “The Trees.”)
The above photo from the site shows Smith, left, with another person at the 2004 Freedom Summit in Phoenix. Cathy Smith asks, “Can anyone identify the gentleman that Neil is pictured with?”
Would anyone like to help?
* Read the introductory essay of the LFS’ 40th anniversary retrospective series of Appreciations of past Prometheus Awards winners, with an overview of the awards’ four-decade-plus history, that was launched in 2019 on the 40thanniversary of the awards and continues today.
* Other Prometheus winners: For a full list of winners – for the annual Best Novel and Best Classic Fiction (Hall of Fame) categories and occasional Special Awards – visit the enhanced Prometheus Awards page on the LFS website, which now includes convenient links to all published appreciation-reviews of past winners.
* Read “The Libertarian History of Science Fiction,” an essay in the international magazine Quillette that favorably highlights the Prometheus Awards, the Libertarian Futurist Society and the significant element of libertarian sf/fantasy in the evolution of the modern genre.
* Join us! To help sustain the Prometheus Awards, join the Libertarian Futurist Society (LFS), a non-profit all-volunteer association of freedom-loving sf/fantasy fans.
Libertarian science fiction writer L. Neil Smith has died, leaving a legacy of high-spirited libertarian sf adventure and of the Prometheus Award itself.
Smith, who died at 75 on Aug. 27, 2021 in Fort Collins, Colo., is best known for his explicitly libertarian novel The Probability Broach and its rambunctious alternate-history sequels in his The North American Confederacy series.
During his writing career from the 1970s into the 2010s, Smith wrote 31 books, including 29 novels, and many essays and short stories.
Quite a few of his works were nominated for Prometheus Awards because of their freewheeling adventure, sense of humor, imaginative alternate-reality scenarios and strong libertarian/individualist themes.
Ray Bradbury, a soulful romantic and ardent lover of American civil liberties, was one of the most celebrated American writers of the 20th century.
Perhaps best known for his dystopian novel Fahrenheit 451, one of the earliest and most deserving works inducted into the Prometheus Hall of Fame, and the many film and TV versions of his stories and novels, Bradbury continues to rank high in the pantheon of the greatest short-story writers and leading golden-age sci-fi/fantasy authors.
Yet, how long might his well-deserved reputation as a storyteller last amid the dismaying anti-liberal and authoritarian worldwide trends of the early 21st century?
A just-published essay in The Spectator, a British weekly magazine on politics, culture and current affairs, asks that worrisome question – while also making a powerful case for Bradbury as an enduring writer and champion of liberty.
Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.
Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Libertymagazines to the Cato Institute) – have understood that for a long time.
Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.
Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.
According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”
Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.
The lifelong libertarian idealism of Neil Peart, the Rush songwriter-drummer who died Jan. 7 and whose passing the LFS noted in a previous blog, has been highlighted in several of the major media essays and obituaries that have followed his death at 67 after struggling privately for three years with cancer.
“Fan polls routinely agreed he was the greatest rock drummer of his time (or indeed of all time, I would argue, though some would go with Keith Moon). I’m not sure any rock track boasts drumming that can match Peart’s breathtaking work on the 1981 song “Tom Sawyer.”
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards and moving forward to today.
Here’s the first Appreciation for F. Paul Wilson’s Wheels within Wheels, which won the first Prometheus Award in 1979.
At the end, we also include a few recent comments by Wilson, looking back 40 years at the very-different era and context in which he wrote his novel.
By Michael Grossberg An sf murder mystery hailed by the Library Journal for its “cleverly planted clues” and “all the satisfaction of a good Agatha Christie,” this 1978 novel was the first work of fiction to receive the Prometheus Award, initially established by writer L. Neil Smith to recognize more libertarian sf fiction.
With the benefit of hindsight, looking back at Wilson’s work from the perspective of the 40thanniversary of the Prometheus Awards in 2019, one appreciates this novel even more as part of a fascinating larger whole: Wilson’s LaNague Federation series, set in an interstellar future in which an imperialist central State is toppled by a decentralized libertarian social order that unleashes an era of peace, prosperity, progress and broad respect for individual rights.
To highlight and honor the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are providing a reader’s guide with capsule Appreciations of past Prometheus Award-winners, starting with the Best Novel category.
If you’ve ever wondered why a particular work of fiction has been recognized with a Prometheus Award and what libertarian sf fans see in these award-winning works, then our upcoming series of Appreciations should be must reading – as well as informative and illuminating!
Or, if you’re simply looking for something enjoyable and stimulating to read within the realm of science fiction and fantasy, which also illuminates abiding questions about the perennial tensions between Liberty and Power, an excellent place to begin is with this recommended reading list of award-winning fiction (to be published here on a regular weekly (or biweekly) schedule, starting now (September 2019).
These capsule appreciations are being written and edited by LFS members (including LFS founder Michael Grossberg, LFS President William H. Stoddard, and veteran LFS leaders and board members Chris Hibbert, Tom Jackson, Anders Monsen, Eric Raymond, and others). In a few cases, the Appreciations will be based in part on reviews printed in the Prometheus quarterly (1982-2016) or the Prometheus blog (2017-today). Since 1979, a wide array of novels, novellas, stories, films, TV series and other works of fiction have won Prometheus awards by highlighting in fascinatingly different ways the value of voluntary social cooperation over institutionalized State coercion, the importance of respecting human rights (even for that smallest minority, the individual), and the evils of tyranny (whether on the Left or the Right).
Kurt Vonnegut’s cautionary fable “Harrison Bergeron” was inducted into the Prometheus Hall of Fame at the 2019 Worldcon in Dublin, Ireland – where acceptance statements by the late Vonnegut’s family and by the Vonnegut Museum and Library were read.
In ‘Harrison Bergeron,’ first published in 1961 in the Magazine of Fantasy and Science Fiction, Vonnegut blends a satirical and tragic tone in depicting a dystopian future in the United States where constitutional amendments and a Handicapper General mandate that no one can be stupider, uglier, weaker, slower (or better) than anyone else. Vonnegut dramatizes the destruction of people’s lives and talents and the obliteration of basic humanity via a denial of emotions and knowledge that leaves parents unable to mourn a son’s death. ‘Harrison Bergeron’ exposes and mourns the chilling authoritarian consequences of radical egalitarianism taken to an inhuman and Orwellian extreme that denies individuality, diversity and the opportunity to excel.