A good number of Prometheus-winning works have been adapted into graphic novels, from Ayn Rand’s Anthem and L. Neil Smith’s The Probability Broach to the TV series The Prisoner.
One I discovered recently is Brave New World: A Graphic Novel – which is timely to mention here because Aldous Huxley’s novel is one of this year’s Best Classic Fiction finalists for the next Prometheus Hall of Fame award.
Fred Fordham adapted and illustrated Huxley’s dystopian cautionary tale into a 240-page graphic novel, published in 2022 by Harper.
The Guardian described the graphic novel as “brilliant” in its review.
War by Other Means, a Prometheus Best Novel finalist, is the seventh volume in Karl K. Gallagher’s future history series Fall of the Censor. After several volumes focused on military conflict, War by Other Means changes its focus to diplomatic relations among the worlds fighting against the Censorate.
In doing so, it brings Wynny Landry, the wife of Marcus Landry, the protagonist of several previous books, as a new protagonist, in the role of the ambassador from her native planet, Corwynt.
The 2026 Prometheus Best Novel finalists have been announced – and Libertarian Futurist Society members are reading them, with the ultimate verdict and winners to be selected by July 4 on the final ballot.
To spark thought and discussion, raise the visibility of these works and the award and hopefully serve as a helpful guide, the Prometheus Blog is publishing thoughtful, in-depth reviews by Prometheus judges of each finalist. Some LFS members may wish to read them right away; others may prefer to wait until they’ve finished a finalist before reading the review.
Meanwhile, to whet your appetite to read each finalist and vote in the final stage of the Prometheus Awards, here are roughly equal 200-word capsule descriptions of each finalist.
And we’ve striven to avoid revealing any spoilers, so it’s safe to read them now!
Dave Freer’s Storm-Dragon, one of 14 works nominated for the next Prometheus Award for Best Novel, has been receiving some nice reviews from readers.
One of the most appreciative reviews has come from science-fiction novelist John C.A. Manley, himself nominated in the same Prometheus category this year for All the Humans Are Sleeping. Exploring issues of consent, freedom and technocracy,Manley’s dystopian SF novel focuses on a man who refuses to enter a virtual reality simulation prepared for survivors of a nuclear apocalypse.
Left to right: Jonah Manley and his father, author John C.A. Manley with a favorite book (Image from Manley’s blog)
To put it mildly, Manley’s nominated novel is quite different from Freer’s Young-Adult-oriented nominee.
“Imagine Tom Sawyer and Huck Finn appearing in Cressida Cowell’s How to Train Your Dragon, add a little of Orson Scott Card’s Ender’s Game, and you’ve got Storm-Dragon by Dave Freer,” Manley writes.
Titled “The Adventures of Tom Sawyer (but with Big Spaceships and a Small Dragon),” Manley’s review begins with a confession: He’s not “a big fan” of young adult fiction – and he offers several of the best-known examples to prove it.
“But Storm-Dragon had my son and me hooked by chapter two,” Manley writes.
Sarah Hoythas always been a wonderful storyteller who frequently crosses genre boundaries with engrossing results.
With No Man’s Land, nominated for this year’s Prometheus Award for Best Novel, Hoyt has outdone herself.
Blending the tropes and appeal of science fiction and fantasy, Hoyt weaves many enticing elements into the three-volume novel. Her two deftly entwined stories encompass space opera, mystery, romance, adventure, suspense, intrigue and politics in a vivid “first contact” saga leavened with humor and humanity.
J. Kenton Pierce’s A Kiss for Damocles is a compellingly readable work of science fiction. It offers its readers an inherently dramatic situation: The struggle to survive and rebuild civilization in the aftermath of an apocalyptic war.
To add tension, remnants of the other side still linger, in the form of orbital systems waiting to strike down any resurgence of advanced technology.
“People come to libertarianism through fiction. They come through Ayn Rand… Robert Heinlein…. L. Neil Smith.”
– Libertarian feminist author Wendy McElroy at the 2000 Prometheus Awards ceremony
For quite a few libertarians, “It Usually Begins with Ayn Rand.” Or Robert Heinlein. Or other freedom-loving science fiction writers.
James Blish in the 1960s (Creative Commons license)
For me, though, my introduction to libertarian and classical-liberal ideas and ideals began earlier – at least in part – with James Blish.
Specifically, Blish’s The Star Dwellers.
When I read Blish’s 1961 novel as a pre-teen in the early 1960s, I came to understand for the first time key insights about voluntary consent and mutual exchange for profit as the best foundation for peace and progress.
Now a finalist for the next Prometheus Hall of Fame award for Best Classic Fiction, The Star Dwellers is a young-adult-oriented science fiction novel that revolves around a fraught “second contact” between star-faring humans and an ancient, advanced alien species.
Today, it seems like nearly everyone is caught up in either utopian dreams or dystopian nightmares about AI. It feels like it’s almost gotten to the point where you can’t pick up a science fiction story or watch SF on the large or small screens without coming across exaggerated scenarios projecting humanity’s highest hopes or worst fears about what may be coming in artificial intelligence.
Where the Axe is Buried, one of 14 works nominated for the next Prometheus Award for Best Novel, takes a more intelligent, balanced, nuanced and realistic view of such possibilities.
Where all too often such AI-themed novels uncritically embrace one extreme or the other, Ray Nayler’s post-apocalyptic utopian/dystopian tale probes both scenarios from an anti-authoritarian, very human and humane perspective. His novel is notable for finding both extremes lacking from the standpoints of community, common decency and personal liberty.
In a gripping but sobering narrative highlighting libertarian themes of resistance to tyranny and human endurance under oppression, Nayler ultimately rejects such wishful social engineering as an unattractive prescription for suffering and stagnation.
As a guide to the Prometheus Awards and for the convenience of Libertarian Futurist Society members, the Prometheus Blog has once again published full-length and in-depth reviews of all of this year’s Prometheus Hall of Fame finalists for Best Classic Fiction.
Libertarian Futurist Society members, who have the right to vote to select the annual Best Classic Fiction winner from the finalists, are invited to read our reviews of the five novels selected as 2026 finalists – hopefully, to whet your appetite to read each finalist and vote in this year’s Prometheus Awards.
First published between 1932 and 2003, the five finalists were written by James Blish (The Star Dwellers), C.S. Lewis (That Hideous Strength), Aldous Huxley (Brave New World), Adam Roberts (Salt) and Charles Stross (Singularity Sky).
Other SF/fantasy fans and other libertarians, outside the LFS, also are invited to check out the reviews to better understand how they fit the distinctive dual focus of the Prometheus Awards on both quality and liberty.
By Michael Grossberg With Poul Anderson’s Orion Shall Rise inducted most recently into the Prometheus Hall of Fame for Best Classic Fiction, it’s interesting to look back on our initial review of the 1983 novel for its insights and first impressions.
Victoria Varga, the first LFS Director and editor of the print edition of Prometheus from 1983 to 1988, reviewed Anderson’s science fiction novel when it was first nominated for a Prometheus Award for Best Novel.
Thanks in part to her positive review, Orion Shall Rise was selected by Libertarian Futurist Society members as a 1984 Best Novel finalist (the year that J. Neil Schulman’s The Rainbow Cadenza won our award.)
Most notably, Varga praised Anderson for doing “a brilliant job of creating mythologies, religious and secular, for his characters and their civilizations.”
