Best Novel finalist review: Cherryh and Fancher’s Alliance Unbound dramatizes the crucial fact of scarcity as merchant ships pursue voluntary trade amid authoritarian threats


By William H. Stoddard

Alliance Unbound is the sequel to Alliance Rising, which won the Prometheus Award for Best Novel in 2020. It appears that this may be the second volume of a trilogy, as the final pages leave important issues unresolved.

Taken together, these novels form a prequel to Cherryh’s Alliance/Union series, one of the larger future histories in the past few decades. (It began in 1981 with Downbelow Station, which won her first Hugo Award for best novel.)

The crucial fact driving its events is scarcity. 

There are only three planets with biospheres: Earth, Pell’s World, and Cyteen. Orbital habitats in other solar systems — notably Alpha Station, located at Barnard’s Star, where Alliance Rising was set — are ultimately dependent for supplies, especially biomass, on those three systems; Alliance Rising’s plot turned on Earth’s starving Alpha Station of resources to advance its own goals, and a key point in Alliance Unbound is the discovery of nearly priceless Earth goods on Downbelow Station, which orbits Pell’s World.

Cherryh and Fancher’s characters are well aware of such issues of scarcity and value, being interstellar merchants who spend their lives going from solar system to solar system, with holds full of high-value cargo and computer memories full of equally valuable data.

Continue reading Best Novel finalist review: Cherryh and Fancher’s Alliance Unbound dramatizes the crucial fact of scarcity as merchant ships pursue voluntary trade amid authoritarian threats


Review: Alastair Reynolds’ Machine Vendetta blends space opera and a police procedural with kaleidoscopic world-building that explores liberty and diversity


By Michael Grossberg

A hidden threat to humanity’s independence and very existence energizes Machine Vendetta, one of 11 2024 novels nominated for the next Prometheus Award for Best Novel.

Both an epic space opera and a detective-driven murder mystery, the Orbit US novel by British author Alastair Reynolds is of additional interest to freedom-loving SF fans because of the intriguing implications of its quasi-libertarian world-building.

A deft SF police procedural with a twisty plot and credible characters who have legitimate reasons to mistrust central authorities, Machine Vendetta gradually expands into a wider drama about a desperate struggle to preserve humanity’s freedom.

Continue reading Review: Alastair Reynolds’ Machine Vendetta blends space opera and a police procedural with kaleidoscopic world-building that explores liberty and diversity


Best Novel finalist review: Danny King’s Cancelled envisions true-believer excesses of a dystopian New Britannia

By Steve Gaalema and Michael Grossberg

Oh, what a brave new world Danny King charts in Cancelled – now a Best Novel finalist.

Framed initially as a visionary utopia that fully embraces love, inclusion, social justice, and a triumphant institutionalization of progressive-left politics maybe not that far beyond current norms, this New Britannia initially might seem appealing.

Yet, cracks inevitably appear in the facade, as hidden realities are revealed in this gripping SF-enhanced dystopian fable, one of 11 2024 novels nominated for the next Prometheus Award for Best Novel.

Continue reading Best Novel finalist review: Danny King’s Cancelled envisions true-believer excesses of a dystopian New Britannia

Review: Stuart Turton’s The Last Murder at the End of the World offers post-apocalyptic mystery about dangers of absolute power and misconceived utopianism

By Michael Grossberg and Charlie Morrison

A genre-smashing, bestselling and award-winning novelist, Stuart Turton is widely hailed for his speculative tales of mystery, imagination and human complexity.

The Last Murder at the End of the World, one of 11 Prometheus Best Novel nominees from 2024 and the first work by Turton recognized by our awards, offers the satisfactions of several types of works in one strange but compelling hybrid.

It’s an ingenious murder mystery, an imaginative work of science fiction/fantasy, a suspenseful story of survival, a cautionary dystopian tale, a haunting memory piece and a gripping drama.

Continue reading Review: Stuart Turton’s The Last Murder at the End of the World offers post-apocalyptic mystery about dangers of absolute power and misconceived utopianism

Best Novel finalist review: Lionel Shriver’s Mania offers cautionary tale about an alternate America denying differences in intelligence


By Michael Grossberg

Lionel Shriver, arguably the world’s greatest living libertarian novelist, has found another timely subject worthy of her illuminating insight and piercing wit.

Living up to her iconoclastic reputation, the British-American novelist finds satirical, intensely dramatic and gut-wrenchingly personal dimensions to bring to life in Mania.

The cautionary fable depicts a slightly different but recognizable contemporary world where good intentions have gone terribly astray.

Set in the recent past and present but in a wryly revealing alternate history, Mania portrays an America taken over by a new ideology: the Mental Parity movement.

Warning: Any resemblances to any cultlike trends or movements of today or just yesterday are purely intentional.

Continue reading Best Novel finalist review: Lionel Shriver’s Mania offers cautionary tale about an alternate America denying differences in intelligence


A guide before voting: Our reviews of this year’s four Prometheus Hall of Fame finalists

By Michael Grossberg

For the convenience of LFS members and a guide to this year’s Prometheus Awards, the Prometheus Blog has now posted reviews of all four of the year’s Prometheus Hall of Fame finalists for Best Classic Fiction.

Libertarian Futurist Society members, who have the right to vote to select the annual Best Classic Fiction winner, are invited to read (or reread) our reviews of the 2025 finalists: Poul Anderson’s novel Orion Shall Rise, Rudyard Kipling’s story “As Easy as A.B.C.,” the Rush song “The Trees” and Charles Stross’ novel Singularity Sky.

Other science fiction and fantasy fans, outside the LFS, also may wish to check out the reviews to appreciate these works and to better understand how they fit the distinctive dual focus of the Prometheus Awards on both quality and liberty.

Continue reading A guide before voting: Our reviews of this year’s four Prometheus Hall of Fame finalists

Hall of Fame finalist review: Rudyard Kipling’s heterotopia “As Easy as A.B.C.” offers critique of lynching, racial prejudice, mob rule

By William H. Stoddard

As an epigraph for his novel Glory Road, Robert Heinlein quoted a passage from Bernard Shaw’s play Caesar and Cleopatra, which included the following memorable line:

. . . he is a barbarian, and thinks that the customs of his tribe and island are the laws of nature.

These lines captured, for me, what I have come to feel is one of the great pleasures of science fiction: stories set in worlds whose customs are different from those of our own time, or as I like to call them, heterotopias—neither “good places” nor “bad places” but “other places,” where customs other than ours are followed and indeed taken for granted.

Such visions implicitly, and sometimes explicitly, invite us to adopt the heterotopian perspective and look back on our own lives and our own world as if we inhabited some nearly unimaginable alien realm. The literary critic Darko Suvin coined the phrase cognitive estrangement for this experience.

One of the first works of fiction that made me feel this effect was one of Rudyard Kipling’s “airship utopia” stories, “As Easy as A.B.C.” – now one of four classic works selected as finalists for the next Prometheus Hall of Fame award for Best Classic Fiction.

Continue reading Hall of Fame finalist review: Rudyard Kipling’s heterotopia “As Easy as A.B.C.” offers critique of lynching, racial prejudice, mob rule

Best Novel finalist review: Michael Flynn’s In the Belly of the Whale offers sobering drama about challenging and un-libertarian aspects of multi-generation colony-ship voyages

By Michael Grossberg

In the Belly of the Whale, the ambitious final and posthumous novel by two-time Prometheus winner Michael Flynn, explores the complex lives, work, challenges and conflicts aboard a large colony ship two centuries into a projected eight-century voyage to Tau Ceti.

The epic multifaceted 472-page novel takes some time to fully introduce its large cast of characters among 40,000 people who live in the hollowed-out asteroid ship dubbed The Whale. Yet, patience is rewarded with Flynn’s highly plausible and intricate world-building and wise grasp of human nature.

In the Belly of the Whale – one of 11 2024 novels nominated for the next Prometheus Award for Best Novel – builds dramatic intensity coupled with rich and even revelatory insights that freshen this seemingly familiar SF subgenre while raising deeper questions than most SF writers, scientists or space-colonization enthusiasts have considered about the prospects and costs of such generations-long voyages.

Continue reading Best Novel finalist review: Michael Flynn’s In the Belly of the Whale offers sobering drama about challenging and un-libertarian aspects of multi-generation colony-ship voyages

Best of the blog 2024, part three: Reviews of Naomi Kritzer’s controversial Liberty’s Daughter, Wil McCarthy’s first-contact sequel Beggar’s Sky, Sandra Newman’s Orwell-inspired Julia, and Salman Rushdie’s liberal/libertarian novel Victory City


By Michael Grossberg

While most reviews published on the Prometheus blog tend to focus on our Best Novel or Best Classic Fiction finalists or winners, other works deserve attention, too.

As time permits, and when nominated (or nominatable) works capture our attention and stimulate both enjoyment and further thoughts, we strive to bring it to the attention of Libertarian Futurist Society members and the wider public by writing about it – hopefully, in ways that make it clear how the work is relevant to Prometheus Award themes.

Here are excerpts from four such novels of note that we reviewed in 2024 – and that continue to deserve recognition and wide readership:

Continue reading Best of the blog 2024, part three: Reviews of Naomi Kritzer’s controversial Liberty’s Daughter, Wil McCarthy’s first-contact sequel Beggar’s Sky, Sandra Newman’s Orwell-inspired Julia, and Salman Rushdie’s liberal/libertarian novel Victory City


Best of the blog 2024, part two: Reviews of Mackey Chandler, Devon Eriksen, Dave Freer, Gordon Hanka and Howard Andrew Jones

By Michael Grossberg

By the end of 2024, just a few days from now, the Prometheus Blog will have posted a record number of articles, essays, reviews, updates and news.

For the first time since the blog began seven years ago, Libertarian Futurist Society members and Prometheus judges wrote, edited and published 100 posts, or an average of roughly one article every three and a half days.

That’s a notable increase over the previous year, which also reached a new high of 77 articles, up from 67 in 2022 and 59 in 2021.

Of this past year’s 100 articles, more than one-fourth (28) were full-length or capsule reviews, often but not always of Prometheus Award nominees and finalists.

Looking back at a year rich with interesting, illuminating and just-plain entertaining reviews, here are excerpts from (and convenient links to) five of the best.

Continue reading Best of the blog 2024, part two: Reviews of Mackey Chandler, Devon Eriksen, Dave Freer, Gordon Hanka and Howard Andrew Jones