Note: This is the latest Prometheus-blog review of our 2022 Best Novel finalists, following previously posted reviews of Kazuo Ishiguro’s Klara and the Sun and Lionel Shriver’s Should We Stay Or Should We Go.
In Seize What’s Held Dear, the third volume of Karl Gallagher’s The Fall of the Censor series, the action returns to Corwynt, a planet controlled by the Censorate that the Fieran protagonists visited in the first volume. Much of the story develops in parallel tracks following the situation on the planet’s surface and the continuing struggle in space.
The primary conflict grows out of the Censorate’s basic rule that access to information is to be restricted as much as possible. In a fashion similar to China’s Qin Dynasty, access to historical works is prohibited, and their mere possession is a capital crime.
The result is a totalitarian society of a novel sort, different from those in classic dystopias. Fiera, the planet that opposes the Censorate after a hyperspatial route between them has reopened, has no such prohibition — and for that very reason the Censorate cannot tolerate its survival. Fiera doesn’t offer a model for a libertarian society, but it’s comparatively free and is struggling to preserve that freedom.
Continue reading Seize What’s Held Dear: Karl Gallagher’s Best Novel finalist explores cultural clash of customs, battle for freedom against novel interstellar tyranny