By Michael Grossberg
Many people have viewed science fiction as all about futuristic technology – starships, robots, interstellar travel, space habitats, vast mega-engineering feats, etc.
Yet, some of the best so-called “sf” of the past century has been what is sometimes called “social science fiction.”
Such works may incorporate various speculative forms of advanced technology, especially to work out how such technology affects people and changes culture.
Yet the most interesting aspects of such “social sf” is how it illuminates the various socio-political, economic and cultural implications of new ideas, different attitudes or fundamental changes in how a society’s norms, laws and system of government work.
In the rare and exemplary case of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner, the dramatic and fascinating focus is on what happens to a society when its government is abolished – but other governments continue to threaten its freedom and independence.
Continue reading A probing work of “social sf” and libertarian praxis: An appreciation of Barry Longyear’s The Hook, the 2021 Prometheus Best Novel winner
To celebrate the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing Appreciations of all past award-winners, that make clear why each winner deserves our recognition as pro-freedom.
Here is an Appreciation for Yevgeny Zamyatin’s We, the 1994 Prometheus Hall of Fame winner for Best Classic Fiction.
By Michael Grossberg
We imagines a world of repressive conformity and stagnant stasis within a totalitarian State.
With his landmark novel Russian writer Yevgeny Zamyatin bravely pioneered and imagined what later came to be known as dystopian literature.
For better and worse, that dark and cautionary new genre was inspired by the millions of innocent people whose lives were destroyed by the Russian Revolution under Lenin’s communism. The genre took on even more moral weight after the world witnessed the horrors of all the other statist-collectivist variants (from socialism to national socialism and fascism) whose authoritarian excesses and violent extremes of dictatorship, war, famine, poverty and social collapse so brutally marked and disfigured the 20thcentury.
We, written in 1920-1921 by the Russian writer and first published in English translation in 1924 in New York, was so critical of collectivist authoritarianism that it wasn’t published in the Soviet Union until 1988, when the era of glasnost led to its first appearance with George Orwell’s Nineteen Eighty-Four. A year later, the two dystopian novels were published together in a combined edition.
Continue reading A dystopian landmark & cautionary tale about the murderous fruits of the Russian Revolution: Yevgeny Zamyatin’s pioneering We, the 1994 Prometheus Hall of Fame winner