Here is the third and final part of the Prometheus interview with Wil McCarthy, the 2022 Prometheus Best Novel winner for Rich Man’s Sky.
Q: Talk about the impetus for your first novel Antediluvian, once you returned from your recent writing hiatus. I recently read and enjoyed it as an ingenious twist on the standard time-travel novel, offering a genetic-memory approach to experiencing what really might have happened millennia ago to our “cave man” ancestors. Your novel plausibly reimagines key events – like the massive flooding 12,000 to 14,000 years ago that’s the reality behind the story of Noah’s Ark – that gave rise through generations of oral history to our inherited (and likely highly distorted) mythologies about ancient history.
Here is the second part of the Prometheus Blog interview with Wil McCarthy, the 2022 Best Novel winner for Rich Man’s Sky.
Q: Were you aware of the Prometheus Awards before receiving your first Best Novel nomination this past year?
A: I have been aware of the award, yes. I used to think of it as a purely political award, which I think perhaps it was in the early days. But when you see it going to people like Cory Doctorow (Little Brother)and Charles Stross (Glasshouse) — both excellent, thoughtful writers, and clearly not Libertarians in any traditional American sense — I think it’s easier to see it as a genuine literary prize that rewards great ideas and great storytelling.
SF author Wil McCarthy, the 2022 Prometheus Best Novel winner for Rich Man’s Sky, took a long hiatus from writing science fiction, but now he’s back – and happy to answer a few questions about his work.
In the first part of this two-part interview, McCarthy explains why he went on hiatus, admires Robert Heinlein and reads the leading libertarian magazine Reason every day.
Q: You’ve written quite a few sf novels and stories. Why did you go on hiatus and what have you written since you returned?
A: I took a long hiatus from writing to run a tech start-up, among other things. When I came back, the first thing I did was write two novellas, the second of which ended up winning the AnLab award.
Then I wrote two novels, the second of which is Rich Man’s Sky, so it’s nice to see people actually taking notice. It’s a nice way to ease back in.
Here is the second half of the Prometheus Blog interview with author-songwriter Leslie Fish.
Fish, interviewed by journalist and blog editor Michael Grossberg, won the 2014 Special Prometheus Award for her novella “Tower of Horses” (published in the Music of Darkover anthology) and related filk-song “The Horseman’s Daughter.”
LFS: Did science fiction and fantasy have a major influence on how you developed your views of the world?
Fish: Yes, if only by leading me to think outside the box, and to always ask “What if?”
LFS: How did your anarchist and anti-statist views evolve?
Fish: I learned early on to throw out the muddy ideas of “socialism”… from my observation of the real world. I saw for myself that in a free society people will voluntarily gather into interest groups to achieve what they want, and no “force-propped authority” is necessary to make them do it.
“(In sf fandom), the Prometheus is now considered third place after the Hugo and Nebula.” — author-songwriter Leslie Fish
Here is the first part of the Prometheus Blog interview with Leslie Fish, the Prometheus-winning author and songwriter.
Fish, interviewed by journalist and blog editor Michael Grossberg, won a 2014 Special Prometheus Award for her novella “Tower of Horses” and related filk-song “The Horseman’s Daughter.”
LFS: You’ve said a lot of your stories and songs contain libertarian themes. What attracts you to such themes and what kinds of stories do you find best reflect those themes?
Fish: It’s more a case of the ideas being part of me and therefore coloring all my work. I’ve noticed the nostalgic medievalism of most published Fantasy stories, and the socialistic assumptions of a lot of Science Fiction, and it tends to annoy me, so I tend to write songs and stories that push in the opposite direction. I’m surprised by how much of my own work is reactive, in this way.
“I think a full understanding of justice also has to include honoring and rewarding worthy acts and accomplishments. ” – William H. Stoddard
Here is part 2 of the Prometheus Blog interview with LFS President William H. Stoddard.
This part of the interview focuses on the Prometheus Hall of Fame for Best Classic Fiction, which Stoddard has been closely involved with for two decades.
As chair of the Hall of Fame finalist judging committee, Stoddard leads a group of LFS members who read, discuss and rank the annual nominees to select a slate of typically five finalists for the entire LFS membership to rank and vote on. The winner is inducted into the Prometheus Hall of Fame, established in 1983.
Few individuals have made more of a difference to the Libertarian Futurist Society and the Prometheus Awards in the 21st century than William H. Stoddard.
Bill, as he’s known to friends and fellow LFS members, has led the nonprofit, all-volunteer group of freedom-loving sf fans for more than a decade as president of the board of directors.
But Stoddard has done far more for many years, writing reviews of sf/fantasy for the Prometheus newsletter and more recently, this blog, and serving for decades as a key judge on both finalist-judging committees for the Best Novel and Best Classic Fiction categories of the Prometheus Award.
Here is LFS Secretary Michael Grossberg’s interview with Stoddard about how he became an sf fan, a libertarian and an active LFS member and what are some of his favorite writers and Prometheus-winning works.
Q: What Prometheus Award winners especially excited you or pleased you when they won for Best Novel?
A: For the Best Novel Award, I’d name two.
Michael Flynn’s In the Country of the Blind (1991 award) asked “what if Charles Babbage’s Analytical Engine had come into use in the nineteenth century?” in the form, not of an alternate history, but of a hidden history where multiple secretive groups used predictive social science (made possible by Analytical Engines) to create the actual history of the twentieth century from behind the scenes; it was one of my main influences when I wrote GURPS Steampunk for Steve Jackson Games in 2000.
Note: In this wide-ranging autobiographical interview, Grossberg shares his encounters, conversations and/or connections with Timothy Leary, George R.R. Martin, L. Neil Smith, Bruce Sterling, David Brin, Sissy Spacek, Gore Vidal, Ray Bradbury, Roy Rogers, Jeffrey Rogers Hummel, Roberto Rossellini, Nicholas Ray, Marianne Williamson, Susan Sontag, Roy Childs Jr., James Hogan and Robert Heinlein, among others.
L. Neil Smith in June 2019. (Photo courtesy L. Neil Smith).
L. Neil Smith is a libertarian activist and pundit, a musician, the founder of the Prometheus Award, a firearms enthusiast and a longtime Colorado resident. (Born in Denver, he grew up all over as an Air Force brat but eventually returned to Colorado for good.)
But he’s perhaps best known as a prolific science fiction writer, who often incorporates libertarian ideas into his novels, which usually have plenty of action and humor. He has written more than 35 books, including many science fiction novels, but also graphic novels, a vampire novel and political/philosophical commentary.