Quite a few authors and publishers recognized by the Prometheus Awards are participating at LibertyCon this weekend.
LibertyCon 38, which continues through June 28 in Chattanooga, Tennessee, has attracted a majority of this year’s Prometheus Best Novel finalists.
That includes Karl K. Gallagher (War by Other Means), Sarah Hoyt (No Man’s Land) and J. Kenton Pierce (A Kiss for Damocles) – who just sent us a photo of themselves at the con “for proof.”
By Michael Grossberg
Which finalist will win the Prometheus Award for Best Novel? And which work will be inducted into the Prometheus Hall of Fame?
Libertarian Futurist Society members will help answer those questions by participating in the final stage of judging this year’s Prometheus Awards.
With the July 4 voting deadline just a few days away, it’s not too late for LFS members to submit their ballots.
Continue reading A final reminder: Vote for the Prometheus Awards by July 4
By Michael Grossberg
As a guide to Prometheus Awards voting, the Prometheus Blog has once again published full-length and in-depth reviews of each of this year’s five Best Novel finalists.
Here, for your convenience, are the embedded links to the reviews of the five Best Novel finalists: Dave Freer’s Storm-Dragon, Sarah Hoyt’s No Man’s Land, J. Kenton Pierce’s A Kiss for Damocles), Karl K. Gallagher’s War By Other Means and Harry Turtledove’s Powerless.
Whether Libertarian Futurist Society members read the reviews (which do contain a few spoilers) before, during or after reading the finalists themselves, the reviews are designed to illuminate and raise the visibility of each novel.
Other SF/fantasy fans and other libertarians, outside the LFS, also are invited to check out the reviews to better understand how they fit the distinctive dual focus of the Prometheus Awards on both quality and liberty.
The 2026 Prometheus Best Novel finalists have been announced – and Libertarian Futurist Society members are reading them, with the ultimate verdict and winners to be selected by July 4 on the final ballot.
To spark thought and discussion, raise the visibility of these works and the award and hopefully serve as a helpful guide, the Prometheus Blog is publishing thoughtful, in-depth reviews by Prometheus judges of each finalist. Some LFS members may wish to read them right away; others may prefer to wait until they’ve finished a finalist before reading the review.
Meanwhile, to whet your appetite to read each finalist and vote in the final stage of the Prometheus Awards, here are roughly equal 200-word capsule descriptions of each finalist.
And we’ve striven to avoid revealing any spoilers, so it’s safe to read them now!
Continue reading Capsule reviews of all five Best Novel finalists – with no spoilers!
Three former Prometheus winners, a frequent Best Novel finalist and a first-time nominee are competing to win this year’s Prometheus Award for Best Novel.
The Prometheus Best Novel Judging Committee, drawn from the LFS membership, has selected five 2025 novels as 2026 finalists from 14 nominated works. The Best Novel finalists, listed in alphabetical order by author, are Storm-Dragon, by Dave Freer (Raconteur Press); War by Other Means, by Karl K. Gallagher (Kelt Haven Press); No Man’s Land, by Sarah Hoyt (Goldport Press); A Kiss for Damocles, by J. Kenton Pierce (Raconteur Press); and Powerless, by Harry Turtledove (CAEZIK SF & Fantasy.)
Pierce was nominated for the first time for a Prometheus Award, so his inclusion as a Best Novel finalist is particularly impressive in a year that many judges feel has been a superior one for freedom-themed SF/fantasy.
Continue reading Former winners, finalists compete with newcomer as Prometheus Best Novel finalists
Sarah Hoyt has always been a wonderful storyteller who frequently crosses genre boundaries with engrossing results.
With No Man’s Land, nominated for this year’s Prometheus Award for Best Novel, Hoyt has outdone herself.
Blending the tropes and appeal of science fiction and fantasy, Hoyt weaves many enticing elements into the three-volume novel. Her two deftly entwined stories encompass space opera, mystery, romance, adventure, suspense, intrigue and politics in a vivid “first contact” saga leavened with humor and humanity.
Ilya Somin will be the guest presenter and keynote speaker at the Libertarian Futurist Society’s 2026 Prometheus Awards ceremony.
A professor of Law at George Mason University and the B. Kenneth Simon Chair in Constitutional Studies at the Cato Institute, a leading libertarian think tank, Somin has written several books reflecting his research and expertise on constitutional law, property law, democratic theory, federalism, and migration rights.
Just as relevant to our upcoming August 2026 awards ceremony – which will be hosted on Zoom and open to the public – Somin is a long-time fan of science fiction and fantasy – which he plans to focus on in his speech presenting the Prometheus Hall of Fame for Best Classic Fiction.
Size matters – or at least it can make a big difference, in helping a novel to achieve greater dramatic impact in its scope, depth, narrative complexity and emotional power.
Quite a few longer novels have been recognized by the Prometheus Awards over the past 47 years, whether as nominees, finalists or winners – from J.R.R. Tolkien’s The Lord of the Rings, Neal Stephenson’s Cryptonomicon and Ayn Rand’s Atlas Shrugged to the recent nomination of Sarah Hoyt’s three-volume No Mans Land for the next Prometheus Award for Best Novel.
The three classic and epic works by Tolkien, Stephenson and Rand rank No. 1, 2 and 3 in page length in the history of the Prometheus Awards – as detailed in previous Prometheus Blog articles about the three bestselling winners and No Man’s Land.
So what are all the Prometheus-recognized novels and their ranks in page lengths on our top-12 list?
Of the many novels that have won a Prometheus Award over the past 47 years and are still widely read today, a notable few have done so with the help of their longer length and epic scale.
From J.R.R. Tolkien’s The Lord of the Rings to Neal Stephenson’s Cryptonomicon and Ayn Rand’s Atlas Shrugged, size does matter in literature.
Or at least size can significantly enhance a novel, if the writers are experts and at the top of their game. If well-structured, well-paced and compelling enough to sustain the reader’s interest, longer novels can attract and retain the reader’s interest even through hundreds of pages.
Does size matter?
The question arises in fiction when authors conceive novels that are noticeably bigger in word count and longer in page length than usual.
In theory, a bigger novel makes possible a larger canvas, allowing for an epic scope, a more complex narrative, richer world-building, more full-bodied characters, greater subtleties and depths.
Whether or not ambitious authors fulfill that potential and achieve their literary goals when writing bigger novels varies, of course. So does whether readers will find it rewarding to invest the extra time needed to read such magnum opuses.
Such questions are interesting and timely to ponder now that Sarah Hoyt’s No Man’s Land has been nominated for the Prometheus Award for Best Novel.
