Here is the acceptance speech by sf writer Wil McCarthy, winner of the 2022 Prometheus Award for Best Novel for Rich Man’s Sky. McCarthy presented his speech Aug. 13, 2022, via Zoom as part of the LFS’ annual awards ceremony, which included two-time Prometheus winner Travis Corcoran as presenter of the Best Novel category.
BY WIL MCCARTHY
Howdy. I’m very happy to be here, and I’d like to thank all of you for inviting me. Yours is a great organization with a noble purpose, and I can only imagine the energy that goes into it. I think it’s ironic that I’m the one getting recognition today, when you all are the ones doing the work. My only regret is that I’m not able to thank you in person.
Here is the second half of the Prometheus Blog interview with author-songwriter Leslie Fish.
Fish, interviewed by journalist and blog editor Michael Grossberg, won the 2014 Special Prometheus Award for her novella “Tower of Horses” (published in the Music of Darkover anthology) and related filk-song “The Horseman’s Daughter.”
LFS: Did science fiction and fantasy have a major influence on how you developed your views of the world?
Fish: Yes, if only by leading me to think outside the box, and to always ask “What if?”
LFS: How did your anarchist and anti-statist views evolve?
Fish: I learned early on to throw out the muddy ideas of “socialism”… from my observation of the real world. I saw for myself that in a free society people will voluntarily gather into interest groups to achieve what they want, and no “force-propped authority” is necessary to make them do it.
A Nobel-Prize-winning author has written a novel chosen as a Best Novel finalist – a notable and interesting intersection of two literary awards with quite different focuses.
Japanese-British author Kazuo Ishiguro, winner of the Nobel Prize for Literature, writes mostly “mainstream” fiction that often conveys a wistful sense of loss and missed connections.
Klara and the Sun, Ishiguro’s latest novel about the ambiguous status of an intelligent and curious A.F. (Artificial Friend), was recently named by Libertarian Futurist Society judges as one of five 2022 Best Novel finalists.
If one of the salutary effects of the Prometheus Award for Best Novel over the decades has been to help raise the visibility of new, young or emerging talent, that goal might well be furthered by this year’s larger-than-usual slate of nominees.
These 16 novels, published in 2021 and listed below, reflect a wide range of styles, from the satirical to the sorrowful and from hard sf to mythic fantasy.
Eleven novels have been nominated by Libertarian Futurist Society members for the 2021 Prometheus Award for Best Novel.
These novels, published 2020, reflect a wide range of subjects, styles and settings – from the day after tomorrow to the distant future, and from right here on Earth to far-flung solar systems.
Yet, each novel in some way illuminates the value and meaning of freedom, explores the ethics and benefits of cooperation over coercion, and/or dramatizes the dangers of tyranny, aggression, war and authoritarianism in its myriad forms of the Left or Right.
To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we’ve launched a series of weekly Appreciations of past Prometheus Awardwinners, starting with our earliest Best Novel awards.
Here’s the latest Appreciation for L. Neil Smith’s Pallas, the 1994 Best Book winner:
Set in the 22nd century on the terra-formed and colonized asteroid of Pallas, L. Neil Smith’s Heinlein-esque novel imagines a believable future based on plausible scientific developments but one beset by familiar political divisions between freedom-lovers and power-mongers.
Two groups of colonists sharing the habitat in a 20thof Earth’s gravity come into conflict. The larger culture is a fully free gun-toting group of rugged individualists who live as they choose – but at their own expense, with strict accountability in “moon-is-a-harsh-mistress” respect for the harsh realities of asteroid existence in the outer solar system. These colonists represent something of a libertarian utopia based on explicit consent, since all have signed a founding document modeled on the ideas of an Ayn-Rand-style woman philosopher.
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards and moving forward to today.
Here’s the first Appreciation for F. Paul Wilson’s Wheels within Wheels, which won the first Prometheus Award in 1979.
At the end, we also include a few recent comments by Wilson, looking back 40 years at the very-different era and context in which he wrote his novel.
By Michael Grossberg An sf murder mystery hailed by the Library Journal for its “cleverly planted clues” and “all the satisfaction of a good Agatha Christie,” this 1978 novel was the first work of fiction to receive the Prometheus Award, initially established by writer L. Neil Smith to recognize more libertarian sf fiction.
With the benefit of hindsight, looking back at Wilson’s work from the perspective of the 40thanniversary of the Prometheus Awards in 2019, one appreciates this novel even more as part of a fascinating larger whole: Wilson’s LaNague Federation series, set in an interstellar future in which an imperialist central State is toppled by a decentralized libertarian social order that unleashes an era of peace, prosperity, progress and broad respect for individual rights.
The award is given for “outstanding published works in science fiction and technical writings that inspire the human exploration of space.”
Stephenson has won the Prometheus Award twice, for Seveneves and The System of the World, and our Hall of Fame Award, for Cryptonomicon. Heinlein has won the Hall of Fame Award seven times for works such as The Moon Is a Harsh Mistress.