Origin Story: What Heinlein’s previously unseen fiction and never-produced TV series reveal about his libertarian classic The Moon is a Harsh Mistress

By William H. Stoddard

In the current century, publishers have brought out previously unseen material by Robert Heinlein.

Some of it is simply alternate versions of familiar novels, such as Podkayne of Mars, The Puppet Masters, Red Planet, and Stranger in a Strange Land.

But we’ve also see works that he didn’t publish, but that he later quarried for the material of later works: For Us, the Living, which supplied a secondary character to Beyond This Horizon and several thematic elements to the Future History, and The Pursuit of the Pankera, which was radically rewritten to give us The Number of the Beast.

With the compilation of the Virginia Edition, not only all of Heinlein’s previously published works have been made available, but various less known ones, such as decades of his letters. Among these are various ventures into scriptwriting for movies and television. Destination Moon is well known, but his proposals for television series were never produced, and only with the Virginia Edition have they become available.

The last of these, Century XXII, was mainly worked on in 1963, and he abandoned it in 1964 after clashes with Howie Horowitz, who proposed the project to him. After that, Heinlein gave up on writing for film and television as a waste of time. But Century XXII casts some light onto Heinlein’s later writing, and especially onto The Moon Is a Harsh Mistress, generally regarded as one of his best novels and more specifically as the prototype of libertarian science fiction.

Continue reading Origin Story: What Heinlein’s previously unseen fiction and never-produced TV series reveal about his libertarian classic The Moon is a Harsh Mistress

Slavery, family, and a fight for liberty in a “juvenile” for all readers: An appreciation of Heinlein’s Citizen of the Galaxy, the 2022 Prometheus Hall of Fame winner

By William H. Stoddard

From his first stories published in Astounding Science Fiction to such late novels as Friday and Job, Robert Heinlein was recognized as an outstanding science fiction writer.

For many of us, though, our introduction to his writing, and often to science fiction as a genre, came from the twelve novels he published through Charles Scribner’s Sons.

Categorized as “juvenile” and aimed at an audience ranging from boys in junior high school to young men in the armed forces, these books in fact speak to a far wider audience, and are more sophisticated both in literary technique and in the ideas they present, than almost any other boys’ books and indeed than many books for adults.

And those ideas are often relevant to libertarian concerns.

Continue reading Slavery, family, and a fight for liberty in a “juvenile” for all readers: An appreciation of Heinlein’s Citizen of the Galaxy, the 2022 Prometheus Hall of Fame winner

Why the Hall of Fame is important, and why Citizen of the Galaxy deserves a place in it: Stoddard’s awards-ceremony presentation of the Best Classic Fiction category

In his apt introduction and presentation of the Prometheus Hall of Fame category at the recent 2022 Prometheus Awards ceremony, LFS President William H. Stoddard explains why this annual awards category is such an important part of the Libertarian Futurist Society’s awards program – and why this year’s inductee by Robert Heinlein is so deserving of recognition.

Continue reading Why the Hall of Fame is important, and why Citizen of the Galaxy deserves a place in it: Stoddard’s awards-ceremony presentation of the Best Classic Fiction category

Slavery, liberty, personal responsibility and legacy: The Heinlein Trust and Heinlein Society acceptance speeches for Prometheus Hall of Fame winner Citizen of the Galaxy

The late great Robert Heinlein has received his eighth Prometheus Awards recognition over more than four decades, with his 1957 novel Citizen of the Galaxy recently inducted into the Libertarian Futurist Society’s Prometheus Hall of Fame.

Robert Heinlein, a drawing (Creative Commons license)

Although Heinlein passed in 1988, his fans are fortunate to have two organizations carrying on his legacy in related and cooperative ways: the Heinlein Trust, established by his wife Ginny after his death, and the Heinlein Society.

Art Dula, Trustee of the Robert A. and Virginia Heinlein Prize Trust, gave an eloquent and informative extemporaneous speech accepting the 2022 Prometheus Hall of Fame award in Heinlein’s name and memory. Like the entire 40-minute ceremony, broadcast and recorded Aug. 13 on Zoom, Dula’s speech is available to watch on YouTube.*

Meanwhile, John Tilden, president of the Heinlein Society, followed Dula in delivering an interesting and insightful second acceptance speech, for which we do have the text, which we share here for posterity:

Continue reading Slavery, liberty, personal responsibility and legacy: The Heinlein Trust and Heinlein Society acceptance speeches for Prometheus Hall of Fame winner Citizen of the Galaxy

Heinlein’s Children: Tom Jackson’s fanzine essay on libertarians in sf fandom

Libertarianism and science fiction have been closely connected since their early history, a rich topic often explored here on the Prometheus Blog.

Robert Heinlein, a drawing (Creative Commons license)

Libertarian sf fan Tom Jackson explores their connections anew in his recently published essay “Heinlein’s Children: Libertarians in fandom.”

Published in “Portable Storage,” William Brieding’s sf fanzine, Jackson’s interesting and historically knowledgeable article offers a very readable introduction to the subject for the fanzine’s “The Great Sercon Issue Part One.”

Continue reading Heinlein’s Children: Tom Jackson’s fanzine essay on libertarians in sf fandom

Self-discovery, crime, law, anarchy, the social compact and social sf: Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner

As part of the Libertarian Futurist Society’s Appreciation series celebrating the Prometheus Awards’ four-decade history by publishing review-essays of past award-winners that make clear why each deserves recognition as a pro-freedom work, here’s an appreciation for Robert Heinlein’s story “Coventry,” the 2017 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg and Jesse Markowitz

What is the ideal society? Is utopia even possible?

How close has the United States come to an ideal society, even with the inevitable flaws that beset every country and culture?

These are among the perennial questions explored and dramatized in Robert Heinlein’s classic story Coventry.

Related questions also emerge: How do you build a utopia and who do you build it for? Is it possible, fair and just to build a utopian alternative for some, but not for others?

Continue reading Self-discovery, crime, law, anarchy, the social compact and social sf: Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner

Tycoon flying to the Moon? Private space programs have the last laugh, inspired by Robert Heinlein’s “Requiem,” the 2003 Prometheus Hall of Fame winner

The Libertarian Futurist Society’s Appreciation series, launched in 2019 to celebrate the Prometheus Awards’ four-decade history, makes clear why each award-winner deserves recognition as a pro-freedom and/or anti-authoritarian work.

Here’s an appreciation for “Requiem,” Robert Heinlein’s short story, the 2003 Prometheus Hall of Fame winner for Best Classic Fiction.

By Eric S. Raymond

For a good 40 years – between 1957 and 1997 – the premise of Robert Heinlein’s 1940 short story “Requiem” looked dated and quaint, almost laughable.  Private space programs?  A tycoon flying to the moon? Absurd!  For those were the decades in which everyone was sure that space programs had to be vast government-run leviathans.

The Old Man had the last laugh.  In the new millennium government-run spaceflight is moribund; all the action is at companies like SpaceX and Blue Origin. It is now the era of government-run-space programs that is beginning to look quaint, as the political will to push them evaporated with the end of Cold War competition in 1992.

But this story, and the related “The Man Who Sold The Moon”, resembles today’s reality in a way that is more than coincidence.

Continue reading Tycoon flying to the Moon? Private space programs have the last laugh, inspired by Robert Heinlein’s “Requiem,” the 2003 Prometheus Hall of Fame winner

Love, liberty, longevity and Lazarus Long: Robert Heinlein’s Time Enough for Love, the 1998 Prometheus Hall of Fame winner

As part of the Libertarian Futurist Society’s series of review-essays of past Prometheus award-winners making clear why each winner deserves recognition as a pro-freedom work, here’s an Appreciation of Robert Heinlein’s Time Enough for Love, inducted into the 1998 Prometheus Hall of Fame for Best Classic Fiction.

By Michael Grossberg

Who has time enough for Time Enough for Love?
For starters, fans of Robert Heinlein do – despite the epic novel’s length.

So do freedom-lovers who understand that freedom itself is a necessary (but not sufficient) prerequisite for human flourishing, human happiness and the fulfillment possible in life largely through love, family, creativity and achievement.

Continue reading Love, liberty, longevity and Lazarus Long: Robert Heinlein’s Time Enough for Love, the 1998 Prometheus Hall of Fame winner

There and back again: Robert Heinlein’s Methuselah’s Children, the 1997 Prometheus Hall of Fame winner

As part of the Libertarian Futurist Society series of review-essays of past award-winners making clear why each winner deserves recognition as a pro-freedom work, here’s an Appreciation of Robert Heinlein’s Methuselah’s Children, inducted in 1997 into the Prometheus Hall of Fame for Best Classic Fiction.

By Anders Monsen

Robert A. Heinlein stands as an unrivaled Titan of libertarian science fiction. His influence runs deep, from the many of the writers recognized by the Libertarian Futurist Society’s Prometheus and Prometheus Hall of Fame awards, to the LFS members who’ve awarded Heinlein’s works multiple times, as well as this writer.

I still remember when I encountered for the first time such novels as The Puppet Masters, The Moon is a Harsh Mistress, Red Planet, Podkayne of Mars, as well as short stories like “Coventry,” “The Unpleasant Profession of Jonathan Hoag,” “The Man Who Sold the Moon,” and “Waldo,” to name just a few.

Methuselah’s Children, inducted by the LFS in 1997 into the Prometheus Hall of Fame, is a short novel by today’s standards, yet it manages to squeeze multiple plots and ideas into just over 150 pages.

Continue reading There and back again: Robert Heinlein’s Methuselah’s Children, the 1997 Prometheus Hall of Fame winner

An early “juvie” adventure in liberty on a Wild West Mars: Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner

As part of the Libertarian Futurist Society Appreciation series of past award-winners, here is our Appreciation for Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner:

By Anders Monsen

Many of Robert Heinlein’s novels featuring children have been lumped together and called “juvies” (or juveniles), as if they are children’s books. But, just like many Disney or Pixar animated movies, there are aspects of these works that go over the heads of a younger audience, whether those teens read the books as they first were published in the 1940s or 1950s, or whether they’re read today.

Red Planet, first published in 1949, is significant in terms of Heinlein’s bibliography, both as being one of the earliest juvies, and also because it introduces elements of Martian mythology that later appeared in Stranger in a Strange Land .

Ostensibly an adventure story centered around two boys on the run from an oppressive schoolmaster and conniving colony governor on Mars, Red Planet has two other themes or threads that elevate the novel beyond an adventure story. And make no mistake, this is written as an adventure story, with trials and tribulations that propel the action, for both the young and adult characters.

Continue reading An early “juvie” adventure in liberty on a Wild West Mars: Robert Heinlein’s Red Planet, the 1996 Prometheus Hall of Fame winner