“(In sf fandom), the Prometheus is now considered third place after the Hugo and Nebula.” — author-songwriter Leslie Fish
Here is the first part of the Prometheus Blog interview with Leslie Fish, the Prometheus-winning author and songwriter.
Fish, interviewed by journalist and blog editor Michael Grossberg, won a 2014 Special Prometheus Award for her novella “Tower of Horses” and related filk-song “The Horseman’s Daughter.”
LFS: You’ve said a lot of your stories and songs contain libertarian themes. What attracts you to such themes and what kinds of stories do you find best reflect those themes?
Fish: It’s more a case of the ideas being part of me and therefore coloring all my work. I’ve noticed the nostalgic medievalism of most published Fantasy stories, and the socialistic assumptions of a lot of Science Fiction, and it tends to annoy me, so I tend to write songs and stories that push in the opposite direction. I’m surprised by how much of my own work is reactive, in this way.
To highlight the Prometheus Awards’ four-decade-plus history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 a series of Appreciations of past award-winners.
Here is an Appreciation of Harlan Ellison’s “Repent Harlequin!’, Said the Ticktockman,” the 2015 Prometheus Hall of Fame winner for Best Classic Fiction.
To celebrate the Prometheus Awards’ four-decade history and make clear why winners deserve recognition as pro-freedom and/or anti-authoritarian works, the Libertarian Futurist Society is publishing an Appreciation series of all award-winners. Here’s an appreciation for The Survival of Freedom, edited by Jerry Pournelle and John F. Carr, the 2001 Prometheus Hall of Fame winner:
The Survival of Freedom was one of the first sf anthologies to explore the future of liberty.
It also has the distinction of being the first (and so far, only) anthology to be inducted (in 2001) into the Prometheus Hall of Fame. This broad awards category for classic fiction is open to any works first published, broadcast or staged more than 20 years ago and encompasses many types of fiction – including but not limited to novels, novellas, stories, plays, poems, songs, musicals, films, TV episodes, series, trilogies and anthologies.
Edited by Jerry Pournelle and John F. Carr, the 1981 anthology of stories and essays is notable for its wide-ranging and sometimes surprising collection of material.
“I think a full understanding of justice also has to include honoring and rewarding worthy acts and accomplishments. ” – William H. Stoddard
Here is part 2 of the Prometheus Blog interview with LFS President William H. Stoddard.
This part of the interview focuses on the Prometheus Hall of Fame for Best Classic Fiction, which Stoddard has been closely involved with for two decades.
As chair of the Hall of Fame finalist judging committee, Stoddard leads a group of LFS members who read, discuss and rank the annual nominees to select a slate of typically five finalists for the entire LFS membership to rank and vote on. The winner is inducted into the Prometheus Hall of Fame, established in 1983.
The history of modern SF is one of five attempted revolutions — one success and four enriching failures. I’m going to offer a look at them from an unusual angle, a political one.
This turns out to be a useful perspective because more of the history of SF than one might expect is intertwined with political questions, and SF had an important role in giving birth to at least one distinct political ideology that is alive and important today.
CAMPBELL AND HEINLEIN
The first and greatest of the revolutions came out of the minds of John Wood Campbell and Robert Heinlein, the editor and the author who invented modern science fiction. The pivotal year was 1937, when John Campbell took over the editorship of Astounding Science Fiction. He published Robert Heinlein’s first story a little over a year later. Continue reading Freedom in the Future Tense: A Political History of SF