Self-reliance, liberty and sf: The Prometheus interview with author-singer-songwriter Leslie Fish

“(In sf fandom), the Prometheus is now considered third place after the Hugo and Nebula.” — author-songwriter Leslie Fish

Here is the first part of the Prometheus Blog interview with Leslie Fish, the Prometheus-winning author and songwriter.
Fish, interviewed by journalist and blog editor Michael Grossberg, won a 2014 Special Prometheus Award for her novella “Tower of Horses” and related filk-song “The Horseman’s Daughter.”

Leslie Fish, playing the guitar and singing her songs (Creative Commons license)

LFS: You’ve said a lot of your stories and songs contain libertarian themes. What attracts you to such themes and what kinds of stories do you find best reflect those themes?

Fish: It’s more a case of the ideas being part of me and therefore coloring all my work.  I’ve noticed the nostalgic medievalism of most published Fantasy stories, and the socialistic assumptions of a lot of Science Fiction, and it tends to annoy me, so I tend to write songs and stories that push in the opposite direction.  I’m surprised by how much of my own work is reactive, in this way.

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