“(In sf fandom), the Prometheus is now considered third place after the Hugo and Nebula.” — author-songwriter Leslie Fish
Here is the first part of the Prometheus Blog interview with Leslie Fish, the Prometheus-winning author and songwriter.
Fish, interviewed by journalist and blog editor Michael Grossberg, won a 2014 Special Prometheus Award for her novella “Tower of Horses” and related filk-song “The Horseman’s Daughter.”
LFS: You’ve said a lot of your stories and songs contain libertarian themes. What attracts you to such themes and what kinds of stories do you find best reflect those themes?
Fish: It’s more a case of the ideas being part of me and therefore coloring all my work. I’ve noticed the nostalgic medievalism of most published Fantasy stories, and the socialistic assumptions of a lot of Science Fiction, and it tends to annoy me, so I tend to write songs and stories that push in the opposite direction. I’m surprised by how much of my own work is reactive, in this way.
To highlight the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing Appreciations of all past award-winners that make clear why each winner deserves recognition as pro-freedom and/or anti-authoritarian in theme.
Here’s an Appreciation of Robert Anton Wilson and Robert Shea’s Illuminatus! trilogy, a 1986 Prometheus Hall of Fame inductee for Best Classic Fiction.
An article at Vox.com helpfully explained that Walker is a fan of David Icke, and “Icke is best known for arguing that the world is run by a secret cabal of alien lizard people, many of whom are Jewish.”
Which brings me to Illuminatus!, and my attempt to explain a rather unusual literary work, one that won the Prometheus Hall of Fame Award in 1986, in a tie with Cyril Kornbluth’s The Syndic.