“(In sf fandom), the Prometheus is now considered third place after the Hugo and Nebula.” — author-songwriter Leslie Fish
Here is the first part of the Prometheus Blog interview with Leslie Fish, the Prometheus-winning author and songwriter.
Fish, interviewed by journalist and blog editor Michael Grossberg, won a 2014 Special Prometheus Award for her novella “Tower of Horses” and related filk-song “The Horseman’s Daughter.”
LFS: You’ve said a lot of your stories and songs contain libertarian themes. What attracts you to such themes and what kinds of stories do you find best reflect those themes?
Fish: It’s more a case of the ideas being part of me and therefore coloring all my work. I’ve noticed the nostalgic medievalism of most published Fantasy stories, and the socialistic assumptions of a lot of Science Fiction, and it tends to annoy me, so I tend to write songs and stories that push in the opposite direction. I’m surprised by how much of my own work is reactive, in this way.
The Libertarian Futurist Society’s ongoing Appreciation series, launched in 2019 to celebrate the Prometheus Awards’ four-decade history, offers review-essays of past award-winners that aim to make clear why they merit recognition as pro-freedom and/or anti-authoritarian.
Here is an Appreciation for Poul Anderson’s story, “No Truce with Kings,” the 2010 Prometheus Hall of Fame winner for Best Classic Fiction.
In David Friedman’s first book, the libertarian classic The Machinery of Freedom, the first entry in the bibliography describes Poul Anderson’s “No Truce with Kings”: “A libertarian novelette that plays fair. The bad guys are good guys too. But wrong.”