Category: Essays

L. Neil Smith’s The Probability Broach: The Prometheus winner that one Best Novel judge dreams of seeing on screen someday


By Michael Grossberg

It’s relatively rare for a Prometheus-winning work of pro-freedom science fiction or fantasy to be adapted into a movie or for television. But that happened this year, with the recent 2026 release of an animated film of George Orwell’s Animal Farm, inducted in 2011 into the Prometheus Hall of Fame.

While the misconceived third film version of Orwell’s anti-authoritarian and anti-communist classic fable proved disappointing, our hopes remain high for more Prometheus-winning novels or stories to be filmed – and some are already in the works.

Meanwhile, sparked by this year’s film release, I asked Libertarian Futurist Society members I work with as fellow Best Novel judges which Prometheus-winning works they’d like to see on screen.

Adam Tuchman’s top choice is The Probability Broach, L. Neil Smith’s alternate-history SF novel that won the 1982 Best Novel award.

Continue reading L. Neil Smith’s The Probability Broach: The Prometheus winner that one Best Novel judge dreams of seeing on screen someday


Richard Salman’s unusually insightful review of the flawed new Animal Farm film illuminates George Orwell’s thinking and goals in writing his 1945 satirical fable


By Michael Grossberg

Of the many reviews of the flawed new film version of George Orwell’s Animal Farm, perhaps the most insightful is one that broadens its critique to examine Orwell himself.

Richard M. Salsman, an economist and visiting assistant professor of political economy at Duke University, goes deeper than most other writers in contextualizing Andy Serkis’ widely panned animated film version.

With disturbing clarity, Salsman explains how Orwell’s evolving views led him to reverse his initial conception of Animal Farm as a critique of capitalism – but also how the British democratic socialist remained faithful to some of his deepest underlying assumptions.

This is a powerfully illuminating review and essay that deserves to be read in full at The Daily Economy, a publication of the American Institute for Economic Research.

But I also want to highlight some of Salman’s key insights, because they are so relevant to the themes and world view that shape the Prometheus Awards.

Continue reading Richard Salman’s unusually insightful review of the flawed new Animal Farm film illuminates George Orwell’s thinking and goals in writing his 1945 satirical fable


The rewards of patience: The Prometheus Hall of Fame’s track record of recognition and frequent renominations

By Michael Grossberg

Patience can be a virtue – especially when it comes to nominations for the Prometheus Hall of Fame.

Not all works that become Hall of Fame finalists or winners do so in the first year that they are nominated. But that’s never a permanent obstacle to recognition, because in this annual Prometheus category, Libertarian Futurist Society members benefit from the luxury of time.

If at first a work is overlooked or doesn’t rank high enough to become a finalist, it can be nominated and renominated in future years.

Continue reading The rewards of patience: The Prometheus Hall of Fame’s track record of recognition and frequent renominations

Calling for nominations for the next Prometheus Hall of Fame – and outside suggestions


It’s time to begin considering what’s worth nominating for potential induction into the next Prometheus Hall of Fame for Best Classic Fiction.

Even as Libertarian Futurist Society members are voting to select the 2026 Hall of Fame winner from the current slate of finalists, it’s not too early to nominate eligible works for the 2027 Hall of Fame.

Only LFS members have the right to nominate works for any category of the Prometheus Award. However, publishers, authors and other SF/fantasy fans and libertarians are welcome to contact us to make suggestions.

Continue reading Calling for nominations for the next Prometheus Hall of Fame – and outside suggestions


How many Prometheus winners have reached the screen? More than you might realize!


By Michael Grossberg

Of the 104 works of fiction that have won a Prometheus Award, 15 have been adapted into movies (sometimes more than once.)

Plus, two other Prometheus winners were conceived for and originated on screen – one as a feature film and the other as a TV series.

Thus, 17 Prometheus winners can be seen on the large or small screens.

That represents about 15 percent of all the Prometheus-winning works recognized since the award was first presented in 1979.  Not a bad quotient, perhaps, but it certainly would be nice to see more of our recognized novels and stories raise their visibility and thereby find larger audiences.

So which works have reached the screen?

Just for fun or out of curiosity, before reading further, why not visit the Prometheus Awards page listing all the past winners and see how many you can recall that have had film or TV adaptations?

Hint: There’s more than you realize!

Continue reading How many Prometheus winners have reached the screen? More than you might realize!


Orwell’s Animal Farm falls disappointingly short in new animated film version that distorts its anti-authoritarian themes


By Michael Grossberg

When it comes to film versions of George Orwell’s Animal Farm, the third time’s not the charm.

With visionary director-actor Andy Serkis at the helm of the recently released animated film version of Orwell’s classic anti-authoritarian fable and a host of great actors doing the voices of the farm animals, I’d hoped for the best for Animal Farm, inducted in 2011 into the Prometheus Hall of Fame.

Seth Rogen, Gaten Matarazzo, Glenn Close, Woody Harrelson, Kieran Culkin, Steve Buscemi, Kathleen Turner, Laverne Cox and Jim Parsons are among the actors voicing the animal characters in the story about pigs consolidating control on a farm in a movement for equality that is systematically corrupted.

Yet, Serkis’ long-in-gestation 2025 film, finally released in the U.S. in May 2026, has proved to be a major disappointment.

Continue reading Orwell’s Animal Farm falls disappointingly short in new animated film version that distorts its anti-authoritarian themes


Kurt Vonnegut’s Prometheus-winning “Harrison Bergeron” recognized for real-world relevance to “millionaires’ tax” debate


By Michael Grossberg

Kurt Vonnegut’s “Harrison Bergeron” is a cautionary and satirical tale warning about the imagined future excesses of radical egalitarianism and attacks on individualism and personal excellence carried to absurd and coercive extremes.

The classic story, inducted in 2019 into the Prometheus Hall of Fame, suddenly seems as relevant as recent headlines about state and federal efforts to impose unprecedented confiscatory taxation on wealthier people.

Challenging the view that everything is or should become property of the State, NR Online writer Andrew Stuttaford invokes Vonnegut’s themes in a perceptive column.

Continue reading Kurt Vonnegut’s Prometheus-winning “Harrison Bergeron” recognized for real-world relevance to “millionaires’ tax” debate


“And the nominees are…” NOT the same thing as finalists! (How the Oscars differ from the Hugo and Prometheus awards, and why it matters)

By Michael Grossberg

“And the nominees are…”

Those words are familiar to just about everyone in America, since people frequently repeat them at several of the biggest annual televised awards ceremonies.

Especially at the Academy Awards, informally known as the Oscars – and still the premier annual American awards show in arts and entertainment despite its recent decline.

Yet I’d argue that such an iconic phrase is often misleading. Worse, it can lead to confusion and misperceptions about other awards – including our own.

The Prometheus Awards use the term “nominees” quite differently than the Oscars do.

What the Academy of Motion Picture Arts and Sciences, which sponsors and presents the Academy Awards, dubs “nominees” is actually what the Prometheus awards quite properly refers to as finalists.

That may seem like mere semantics, or a minor disagreement over labeling, but it’s an important distinction with significant differences.

In fact, finalists attain a higher level of recognition than nominees – and thus deserve greater respect and their own distinct name.

Continue reading “And the nominees are…” NOT the same thing as finalists! (How the Oscars differ from the Hugo and Prometheus awards, and why it matters)

“I am not a number. I am a free man!” – Remembering Patrick McGoohan: who conceived, co-wrote and starred in The Prisoner, a TV series ahead of its time


By Michael Grossberg

Today, March 19, is the birthday of Patrick McGoohan.

Patrick McGoohan as Number 6 in The Prisoner (Creative Commons license)

It’s a timely opportunity to remember and pay tribute to McGoohan, an iconoclastic talent who excelled as an actor, director, producer, screenwriter and creator of one of the most unusual, provocative, genre-smashing and influential TV series in history.

I’m referring, of course, to The Prisoner, inducted in 2002 into the Prometheus Hall of Fame for Best Classic Fiction.

McGoohan (1928-2009) achieved a great deal on screen in his long and well-respected career. But The Prisoner in retrospect may be his crowning and most lasting achievement.

Yet, when McGoohan conceived, wrote and starred in the short-lived series, no one quite knew how to categorize it or what to make of it.

Continue reading “I am not a number. I am a free man!” – Remembering Patrick McGoohan: who conceived, co-wrote and starred in The Prisoner, a TV series ahead of its time


Discovering libertarianism through fiction, part 2: How James Blish, Ayn Rand and other writers sparked my intellectual evolution


By Michael Grossberg

For me as a boy, The Star Dwellers was revelatory.

An idealistic drama about a fraught “second contact” between Earth humans and ancient aliens, James Blish’s 1961 novel sparked my thinking about ethics, economics and politics.

I couldn’t have imagined at the time what reading yet another Young Adult science fiction novel would lead me to, but ultimately The Star Dwellers paved the way for me to develop into a full-fledged libertarian by the early 1970s.

Continue reading Discovering libertarianism through fiction, part 2: How James Blish, Ayn Rand and other writers sparked my intellectual evolution