Columnist Ed West on Eugene Zamyatin, author of the first classic dystopian novel of the 20th century

By Michael Grossberg

When it comes to the birth and development of dystopian literature, Russian dissident writer Eugene (Yevgeny) Zamyatin may have the dubious distinction of being one of the most overlooked novelists of that disturbingly timely and emerging 20th-century genre.

Zamyatin’s We was the first dystopian novel of the 20th century, helping to pave the way for others, most notably George Orwell’s Nineteen Eighty Four and Ayn Rand’s similarly-themed Anthem.

Yet, sadly, references to Zamyatin are rare in today’s culture, media and magazines.

So it’s nice to see an insightful column that not only mentions Zamyatin but offers revealing commentary about his fiction and places him within the historical and literary context of Russia in the early 1900s.

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The unsung central role of engineers: An illuminating new perspective on Atlas Shrugged and Rand’s other novels

Just how important are the engineers in Atlas Shrugged?

More vital – and central to Rand’s novel (and her other fiction) – than even her fans might imagine.

According to a well-researched essay published online in The Savvy Street, Rand’s bestselling magnum opus is in many ways a “literary celebration” of engineering.

Writer Peter Saint-Andre argues persuasively that virtually every significant character is an engineer of some kind in Rand’s epic novel about the role of the mind and the importance of rationality and liberty in sustaining human civilization.

Even those who believe they are fully familiar with Atlas Shruggedinducted into the Prometheus Hall of Fame in the very first year of that award category in 1983 – are likely to find the essay both surprising and compelling in adding a crucial dimension of understanding about Rand’s classic work.

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Bold imagination and wit, colorful visuals, dystopian tyranny and a libertarian alternate-reality: An appreciation of The Probability Broach: The Graphic Novel, a 2005 Prometheus Special Awardwinner

The Libertarian Futurist Society’s ongoing Appreciation series of Prometheus winners continues in 2022 with review-essays about the fiction recognized with Special Awards.

By Michael Grossberg

Adaptations of classic or popular literature into graphic novels have become increasingly popular. Reflecting this modern trend, the Prometheus Awards recognized its first graphic novel when The Probability Broach: The Graphic Novel (published in 2004 by Big Head Press) received a Special Prometheus Award in 2005.

Visually colorful and boldly imaginative, this accessible and fun version of one of the most explicitly libertarian sf novels achieves its distinctive style and stirring impact from the fertile collaboration between libertarian author L. Neil Smith and libertarian artist Scott Bieser.

The deft combination of words and visuals helps bring to life Smith’s zestful and suspenseful sf adventure novel, which imagines alternate time lines accessible through the probability broach, a portal to many worlds.

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Free sf books about freedom: An Arts for Liberty recommended reading list highlights Prometheus winners and other libertarian sf fiction

Freedom isn’t free.

But a surprising amount of libertarian science fiction is free.

One freedom-loving sf fan has compiled an interesting list of 26 libertarian sf novels that are free in that other sense, of being available online without charge.

While one might appreciate the ancient truth that “the price of freedom is eternal vigilance,” freedom-lovers of all stripes certainly can also appreciate a bargain when they see it – including the pleasant discovery that the price of a surprising variety of pro-freedom science fiction is zero. Such a deal!

The list of “The 26 Best Free Libertarian Novels,” published by author J.P. Meddled on the Art for Liberty website, explicitly references the Prometheus Awards and includes several Prometheus winners.

But the list is most intriguing for its range and for how it embraces a wide variety of fiction (virtually all science fiction) that explores libertarian themes from the positive benefits of individual choice, free markets, private property and the right of self-defense to the horrors of dictatorship, authoritarian abuses of power and the perennial threats to liberty inherent in the coercive foundations of government.

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Prometheus winners recognized on broader recommended-reading list of libertarian fiction

Looking for libertarian fiction to read over the holidays?

Fiction that dramatizes the value of freedom and/or exposes the tragic horrors and injustices of tyranny, slavery and other forms of extreme statism isn’t published every day, but there’s more of it than many liberty lovers may know about.

Of course, the Prometheus Awards constitute such a list, with a focus on science fiction and fantasy. That’s always a good place to start looking, because the awards have racked up an impressive track record of Best Novel winners since 1979 and of Best Classic Fiction works inducted into the Prometheus Hall of Fame since 1983.

But in addition to that, other recommended-reading lists exist – including a just-updated and expanded article at www.artforliberty.com that mades interesting rationales for listing “The 26 Best Free Libertarian Novels.”

This annotated list, by “ADuckNamedJoe” (a pen name for writer J.B. Medved) focuses on fiction available free – and often online,, available for downloading without charge.  (The list was just updated Dec. 14, 2020 to include three new novels.)

“Let’s face it, novels celebrating the free market and individual rights are pretty hard to come by. Most everything in the fiction section of your local bookstore is some paean to collectivism, or diatribe against the evils of capitalism and the “soul killing” nature of consumerism. But you don’t believe that stuff,” Medved writes.

“You know capitalism, mixed with a political system that protects individual rights, has been the single greatest force for good on the planet, lifting billions out of crushing poverty. You don’t want to read all that bilge about how you’re a bad, bad person for supporting it.

So what is a wayward libertarian to do? Especially when so much of your money is stolen by the government each year that you have very little left over to buy books?”

Continue reading Prometheus winners recognized on broader recommended-reading list of libertarian fiction

Rediscovery of the sacred self: Ayn Rand’s dystopian Anthem, the 1987 Hall of Fame winner

As part of the Libertarian Futurist Society series making clear why each winner deserves recognition as notable pro-freedom works, here’s our Appreciation of Ayn Rand’s Anthem, a 1987 Prometheus Hall of Fame inductee for Best Classic Fiction.

By Michael Grossberg

For those who’ve never read Ayn Rand, Anthem is a good place to start.

Imaginative and inspirational with a tone of reverence and discovery, Anthem ranks as one of the great dystopian works of 20th century literature, but also as the shortest and most poetic.

Its powerful and poignant theme: the rediscovery of the self. In Rand’s mythic and post-apocalyptic future of a primitive and very tribal society, the rediscovery of the self is tantamount to a revolutionary act amid the collectivism of forced servitude, ignorance, fear, stifling conformity and primitivism.

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Rush songwriter-drummer Neil Peart widely remembered for his libertarian idealism, individualism

The lifelong libertarian idealism of Neil Peart, the Rush songwriter-drummer who died Jan. 7 and whose passing the LFS noted in a previous blog, has been highlighted in several of the major media essays and obituaries that have followed his death at 67 after struggling privately for three years with cancer.

Neil Peart, Rush drummer and songwriter Credit: Creative Commons

In  a short note titled “Farewell to Rock’s Greatest Drummer (and Randian),” NR writer and New York Post columnist Kyle Smith offered high praise about the Canadian musician’s talent, positive ideas and legacy:

“Fan polls routinely agreed he was the greatest rock drummer of his time (or indeed of all time, I would argue, though some would go with Keith Moon). I’m not sure any rock track boasts drumming that can match Peart’s breathtaking work on the 1981 song “Tom Sawyer.”

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