Prolific SF/fantasy author Greg Bear has died at 71.
Bear, who died in November after suffering several strokes during heart surgery, was widely acclaimed for his wide-ranging and epic science fiction and fantasy.
An international bestseller and Heinlein Award-winner, Bear wrote more than 50 novels and almost as many works of short fiction, and edited an important Poul Anderson anthology.
Even though Bear never won a Prometheus Award, much of his life and work were “Prometheus-adjacent.”
Happy new year! If you didn’t have a chance to catch up in 2022 with every post published last year on The Prometheus Blog, you missed some fascinating and illuminating reading.
On average, the LFS posted a fresh article on the blog about every five days – a little more often than our initial weekly publication goal, when establishing the Prometheus blog years ago.
Among the 67 blog posts of 2022 were a wide range of reviews, essays, author interviews and Prometheus-Award-winner appreciations – not to mention a variety of timely news updates and links to interesting international articles referencing past Prometheus winners.
Second chances don’t always occur in life, but the start of 2023 offers an opportunity to look back and enjoy some of the best Prometheus blog reviews, essays, interviews and appreciations of the past year.
In the current century, publishers have brought out previously unseen material by Robert Heinlein.
Some of it is simply alternate versions of familiar novels, such as Podkayne of Mars, The Puppet Masters, Red Planet, and Stranger in a Strange Land.
But we’ve also see works that he didn’t publish, but that he later quarried for the material of later works: For Us, the Living, which supplied a secondary character to Beyond This Horizon and several thematic elements to the Future History, and The Pursuit of the Pankera, which was radically rewritten to give us The Number of the Beast.
With the compilation of the Virginia Edition, not only all of Heinlein’s previously published works have been made available, but various less known ones, such as decades of his letters. Among these are various ventures into scriptwriting for movies and television. Destination Moon is well known, but his proposals for television series were never produced, and only with the Virginia Edition have they become available.
The last of these, Century XXII, was mainly worked on in 1963, and he abandoned it in 1964 after clashes with Howie Horowitz, who proposed the project to him. After that, Heinlein gave up on writing for film and television as a waste of time. But Century XXII casts some light onto Heinlein’s later writing, and especially onto The Moon Is a Harsh Mistress, generally regarded as one of his best novels and more specifically as the prototype of libertarian science fiction.
In his apt introduction and presentation of the Prometheus Hall of Fame category at the recent 2022 Prometheus Awards ceremony, LFS President William H. Stoddard explains why this annual awards category is such an important part of the Libertarian Futurist Society’s awards program – and why this year’s inductee by Robert Heinlein is so deserving of recognition.
The late great Robert Heinlein has received his eighth Prometheus Awards recognition over more than four decades, with his 1957 novel Citizen of the Galaxy recently inducted into the Libertarian Futurist Society’s Prometheus Hall of Fame.
Although Heinlein passed in 1988, his fans are fortunate to have two organizations carrying on his legacy in related and cooperative ways: the Heinlein Trust, established by his wife Ginny after his death, and the Heinlein Society.
Art Dula, Trustee of the Robert A. and Virginia Heinlein Prize Trust, gave an eloquent and informative extemporaneous speech accepting the 2022 Prometheus Hall of Fame award in Heinlein’s name and memory. Like the entire 40-minute ceremony, broadcast and recorded Aug. 13 on Zoom, Dula’s speech is available to watch on YouTube.*
Meanwhile, John Tilden, president of the Heinlein Society, followed Dula in delivering an interesting and insightful second acceptance speech, for which we do have the text, which we share here for posterity:
The 2022 Prometheus Awards, to be presented Aug. 13 in an online ceremony, will honor “something old” and “something new.”
In a wedding of circumstance and happy coincidence, a first-time Prometheus-nominated author (the “something new” according to wedding custom) has been declared the winner in the Best Novel category, while the golden-age sf author most honored in the four-decade-plus history of this award is recognized anew.
Wil McCarthy, a prolific sf writer nominated for the first time for this award, has been selected by Libertarian Futurist Society members as winner of the Best Novel category for Rich Man’s Sky.
Meanwhile, the late great Robert Heinlein – a Prometheus favorite – will be recognized for his novel Citizen of the Galaxy, which will be inducted into the Prometheus Hall of Fame for Best Classic Fiction.
Heinlein (1907-1988), now an eight-time Prometheus Award winner, has won more Prometheus awards than any other writer, living or deceased.
Fittingly, Heinlein’s zestful spirit of adventure – championing scientific and social progress against tyranny and oppression and exploring libertarian possibilities of the future – is reflected in both of this year’s winners.
Guess what world-famous billionaire has revealed that Robert Heinlein’s libertarian sf classic The Moon is a Harsh Mistress was his favorite novel while growing up?
Hint: The billionaire praises the novel, one of the earliest and best known Prometheus Award winners, on his blog.
“When I was a kid, I was obsessed with science fiction… The Moon is a Harsh Mistress was a particular favorite,” he writes.
(Make your guess before clicking on to the next page to see the answer…)
Several leading sf writers whose classic works have won Prometheus Awards are examined in a new anthology about science fiction’s New Wave.
Most notably, Robert Heinlein’s The Moon is a Marsh Mistress and Ursula Le Guin’s The Dispossessed are among the libertarian sf works explored, contrasted and debated in Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985.
Reason book editor Jesse Walker reviews the anthology of essays while noting its discussions of libertarian writers and libertarian-themed sf in the March 2022 issue of Reason magazine.
Freedom isn’t free.
But a surprising amount of libertarian science fiction is free.
One freedom-loving sf fan has compiled an interesting list of 26 libertarian sf novels that are free in that other sense, of being available online without charge.
While one might appreciate the ancient truth that “the price of freedom is eternal vigilance,” freedom-lovers of all stripes certainly can also appreciate a bargain when they see it – including the pleasant discovery that the price of a surprising variety of pro-freedom science fiction is zero. Such a deal!
The list of “The 26 Best Free Libertarian Novels,” published by author J.P. Meddled on the Art for Liberty website, explicitly references the Prometheus Awards and includes several Prometheus winners.
But the list is most intriguing for its range and for how it embraces a wide variety of fiction (virtually all science fiction) that explores libertarian themes from the positive benefits of individual choice, free markets, private property and the right of self-defense to the horrors of dictatorship, authoritarian abuses of power and the perennial threats to liberty inherent in the coercive foundations of government.
As part of the Libertarian Futurist Society’s Appreciation series celebrating the Prometheus Awards’ four-decade history by publishing review-essays of past award-winners that make clear why each deserves recognition as a pro-freedom work, here’s an appreciation for Robert Heinlein’s story “Coventry,” the 2017 Prometheus Hall of Fame winner for Best Classic Fiction.
By Michael Grossberg and Jesse Markowitz
What is the ideal society? Is utopia even possible?
How close has the United States come to an ideal society, even with the inevitable flaws that beset every country and culture?
These are among the perennial questions explored and dramatized in Robert Heinlein’s classic story Coventry.
Related questions also emerge: How do you build a utopia and who do you build it for? Is it possible, fair and just to build a utopian alternative for some, but not for others?
