With the annual Sept. 30 deadline coming up soon for LFS members to nominate works for the Prometheus Hall of Fame for Best Classic Fiction, this is a good time to remind ourselves what makes this annual category special.
LFS President William H. Stoddard did just that when he presented the Prometheus Hall of Fame category for Best Classic Fiction at the recent 43rd annual Prometheus awards ceremony. Here are Stoddard’s remarks:
Unlike the Best Novel Award, the Prometheus Hall of Fame can be given to works in any narrative or dramatic form — short fiction, narrative verse, plays, movies, television and video episodes or series, graphic novels, songs, and so on.
It’s restricted to works that first appeared at least twenty years ago.
A great many of our award winners are older than that, often dating to before the LFS was founded.
Everyone has their favorites among the fiction works that have won the Prometheus Hall of Fame for Best Classic Fiction.
And by everyone, I mean virtually everyone – since at least some of the 46 winning works are enjoyed by libertarians and non-libertarians alike, and by both science fiction/fantasy fans and those who don’t often read that genre.
Just how important are the engineers in Atlas Shrugged?
More vital – and central to Rand’s novel (and her other fiction) – than even her fans might imagine.
According to a well-researched essay published online in The Savvy Street, Rand’s bestselling magnum opus is in many ways a “literary celebration” of engineering.
Writer Peter Saint-Andre argues persuasively that virtually every significant character is an engineer of some kind in Rand’s epic novel about the role of the mind and the importance of rationality and liberty in sustaining human civilization.
Even those who believe they are fully familiar with Atlas Shrugged – inducted into the Prometheus Hall of Fame in the very first year of that award category in 1983 – are likely to find the essay both surprising and compelling in adding a crucial dimension of understanding about Rand’s classic work.
Many “bests” lists or ranked-reading lists tend to be matters of opinion, even if objective merit remains a meaningful standard of rational evaluation. Yet isn’t it interesting to compare favorite books and novels and discover that some our favorites also rank high on other lists?
For those libertarian sci-fi/fantasy fans who have the curiosity and time to look beyond our own Prometheus Awards track record of 100 past winners in all categories, an online list compiled of “Books to understand the world” makes for interesting reading….
…Especially because two of the most notable Prometheus Award winners are prominently featured on the list.
In the current century, publishers have brought out previously unseen material by Robert Heinlein.
Some of it is simply alternate versions of familiar novels, such as Podkayne of Mars, The Puppet Masters, Red Planet, and Stranger in a Strange Land.
But we’ve also see works that he didn’t publish, but that he later quarried for the material of later works: For Us, the Living, which supplied a secondary character to Beyond This Horizon and several thematic elements to the Future History, and The Pursuit of the Pankera, which was radically rewritten to give us The Number of the Beast.
With the compilation of the Virginia Edition, not only all of Heinlein’s previously published works have been made available, but various less known ones, such as decades of his letters. Among these are various ventures into scriptwriting for movies and television. Destination Moon is well known, but his proposals for television series were never produced, and only with the Virginia Edition have they become available.
The last of these, Century XXII, was mainly worked on in 1963, and he abandoned it in 1964 after clashes with Howie Horowitz, who proposed the project to him. After that, Heinlein gave up on writing for film and television as a waste of time. But Century XXII casts some light onto Heinlein’s later writing, and especially onto The Moon Is a Harsh Mistress, generally regarded as one of his best novels and more specifically as the prototype of libertarian science fiction.
In his apt introduction and presentation of the Prometheus Hall of Fame category at the recent 2022 Prometheus Awards ceremony, LFS President William H. Stoddard explains why this annual awards category is such an important part of the Libertarian Futurist Society’s awards program – and why this year’s inductee by Robert Heinlein is so deserving of recognition.
As an eventful year ends, the Libertarian Futurist Society (LFS) is approaching a milestone: 100 Appreciations of past Prometheus Award-winners, all posted on this LFS/Prometheus blog.
That’s a milestone to savor, especially given the ongoing efforts and commitments by LFS leaders and contributors over the past 30 months to write and post these informative and insightful review-essays.
Here’s an overview of our progress, an explanation of why the Appreciations are important (including tips on how you can use and refer to them), and a preview of some of the upcoming articles you can expect from the Prometheus Blog in 2022.
By Michael Grossberg
Libertarian futurists dream of unleashing the potential of every person to flourish, cooperate, innovate, progress, profit and pursue their happiness in peace and freedom – both here on earth, and perhaps eventually, beyond.
Yet, the politicization of society and increasingly, of our culture and arts, threatens that goal – and in the long run, undermines civility and could destroy civilization itself if this disturbing trend approaches authoritarian extremes.
In a thought-provoking article “Enslaving Art to Politics,” published recently in American Purpose magazine, writer Daniel Ross Goodman argues persuasively against the “politicization of literature.”
His essay should interest Libertarian Futurist Society members, even when Goodman makes some points about particular works and artists that we might respectfully disagree with.
“The best novelists, like all great artists, are not narrow-minded agenda-driven partisans but adventurers in the unbounded universe of the human imagination, who, through their fictions, help us better perceive vital truths about ourselves and our reality,” Goodman wrote in late September in the online magazine.
Award-winning novelist Sarah Hoyt has written a lovely and lyrical ode to Prometheus on her “According to Hoyt” blog.
Hoyt won the 2011 Prometheus Award-winner for Best Novel for Darkship Thieves, a Heinleinesque adventure-romance and the first novel in her exciting Darkship series about bioengineered humans, an insidious tyranny on Earth and a fully libertarian anarcho-capitalist society amid the asteroids in a future where humans have colonized our solar system.
Yet, Hoyt’s ode to Prometheus isn’t about the awards themselves, but a tribute to the mythical character that inspired their name.