Why accurate language, objectivity (and Orwell) matter: Libertarian economist David Henderson aptly references 1984 in explaining common misperceptions about “privilege”


By Michael Grossberg

George Orwell’s emphasis on clarity of language and objective definitions, exemplified in his seminal essay on “Politics and the English Language,” remains worth emulating in 2025 and beyond.

When so many so-called public intellectuals, columnists, opinion leaders and even professional economists embrace popular fallacies and use misleading language, it’s harmful both to literacy and liberty.

How pleasing it is, then, when a nationally known economist not only uses words accurately, in opposition to common misconceptions, misinformation and ideological bias, but also demonstrates how well he understands and appreciates Orwell’s classic fiction.

Continue reading Why accurate language, objectivity (and Orwell) matter: Libertarian economist David Henderson aptly references 1984 in explaining common misperceptions about “privilege”


Awards standards series: What are the best criteria for Prometheus Award nominations? Explorations of libertarian ideas, visions of fully free futures, cautionary tales and genre criticism all have their place

Editor’s note: To kick off a new year of judging and for the sake of greater transparency about the Prometheus Awards, the Prometheus Blog is posting an occasional series of essays by LFS awards judges about how they view our distinctive award standards and how they apply them to weigh candidates and nominees.

By Eric S. Raymond

I am, and have been for many years, one of the 12 judges who screens LFS membership suggestions about novels deserving of the Prometheus Award.

This past year we had a record number of Best Novel nominations for the 2024 award – 17 – and trying to evaluate all of them in the time we have available was a real strain. In the future I think all the judges would prefer to see fewer but higher-quality submissions.

So I’m going to talk about what I consider a high-quality submission. Other judges have slightly different criteria and I’m not claiming to speak for them; but I will try to focus on the criteria I think we have in common, and towards the end of this post I’ll describe some axes of controversy within the committee’s emailing-list discussions and comparative reports.

Continue reading Awards standards series: What are the best criteria for Prometheus Award nominations? Explorations of libertarian ideas, visions of fully free futures, cautionary tales and genre criticism all have their place

Orwell’s 1984, Bradbury’s Fahrenheit 451 and other Prometheus-recognized dystopian cautionary tales are popular again, post-election (but deserve a sober reading)

By Michael Grossberg

Two of the best-known Prometheus Hall of Fame winners are enjoying a surge in sales.

George Orwell’s 1984 and Ray Bradbury’s Fahrenheit 451 shot up on Amazon’s best-seller list after the recent U.S. presidential election.

So did Margaret Atwood’s The Handmaid’s Tale, a 1987 Prometheus Best Novel finalist. (The Testaments, Atwood’s sequel to her classic dystopian novel, was recognized as a Best Novel finalist in 2020.)

Both Orwell’s classic and Bradbury’s classic dystopian novels were inducted into the Prometheus Hall of Fame in 1984, only the second year of the Hall of Fame.

All three novels – well-worth reading (or rereading) – offer cautionary  tales about the rise of various types of authoritarian or totalitarian governments that institutionalize massive violations of individual rights – from censorship to torture and mass murder.

Check out the Prometheus blog review-essay Appreciations of Nineteen Eighty-Four and Fahrenheit 451.

Continue reading Orwell’s 1984, Bradbury’s Fahrenheit 451 and other Prometheus-recognized dystopian cautionary tales are popular again, post-election (but deserve a sober reading)

Review: Queen Wallis an inventive, suspenseful sequel to the dystopian alternate history of Carey’s Widowland

By Michael Grossberg

Sequels can be tricky and often disappointing, falling short of the originals in potentially all sorts of ways.

So it’s nice to report that C.J. Carey’s Queen Wallis (published by Sourcebooks in the U.S. and Quercus in the U.K.) is a worthy sequel that in several ways improves on Widowlandher 2023 Prometheus Best Novel finalist.

Overall, this feminist dystopian novel is one of the most enjoyable works of alternate history I’ve read in years.

Continue reading Review: Queen Wallis an inventive, suspenseful sequel to the dystopian alternate history of Carey’s Widowland

British Science Fiction Association Awards’ 2023 long list includes several Prometheus-nominated authors

Prometheus-winning author Charles Stross and Prometheus-finalists Martha Wells and John Scalzi are on the BSFA list.

So is Sandra Newman, author of Julia, the acclaimed sequel to Orwell’s 1984 that’s recently been nominated along with a dozen other 2023 novels for the next Prometheus Award for Best Novel.

What list are they on? It’s the fascinating and far-flung long list of nominees for the BSFA Awards, recently announced for works published in 2023.

Sponsored by the British Science Fiction Association, the BSFA awards have been presented annually since 1970 – and can be a harbinger of the Hugos, the Nebulas and other major sf/fantasy awards.

The BSFA awards also overlap to some extent with the Prometheus Awards over the decades, recognizing several of our favorite writers.

Continue reading British Science Fiction Association Awards’ 2023 long list includes several Prometheus-nominated authors

British publisher backtracks, “saves” Roald Dahl’s uncut classics (but don’t breathe sighs of relief just yet)

By Michael Grossberg

Good news for lovers of liberty, culture and artistic integrity: Matilda, The Witches, Charlie and the Chocolate Factory and Roald Dahl’s other children’s classics will continue to be published and reprinted in their original uncensored forms.

That sudden and welcome reversal (see our previous blog post) is thanks to a remarkably wide range of principled and thoughtful responses from across the political spectrum objecting to the plans by the late great Dahl’s cowardly and conformist British publisher to bowdlerize his bestselling children’s classics in doctored reprints.

Continue reading British publisher backtracks, “saves” Roald Dahl’s uncut classics (but don’t breathe sighs of relief just yet)

The recurring Orwellian threat: Nineteen Eighty-Four, an early Prometheus Hall of Fame winner, sadly retains its relevance and resonance today

By Michael Grossberg
Almost three quarters of a century after the publication of Nineteen Eighty-Four, the influence and prophetic power of George Orwell hasn’t faded.

Quite the contrary.

George Orwell, in his 1943 press card portrait (Creative Commons license)

With the rise of “cancel culture” and various online-sparked mob panics increasingly common in our so-called enlightened modern era and with such dystopian experiments as the recent failed roll-out of the current administration’s “Disinformation Governance Board,” it’s become virtually impossible to read informed commentary across a broad spectrum of opinion magazines and columnists without coming across Orwellian references and warnings these days.

Continue reading The recurring Orwellian threat: Nineteen Eighty-Four, an early Prometheus Hall of Fame winner, sadly retains its relevance and resonance today

Politics undermines the purpose of art, according to an insightful American Purpose essay (but let’s agree to disagree over Atlas Shrugged)

By Michael Grossberg
Libertarian futurists dream of unleashing the potential of every person to flourish, cooperate, innovate, progress, profit and pursue their happiness in peace and freedom – both here on earth, and perhaps eventually, beyond.

Yet, the politicization of society and increasingly, of our culture and arts, threatens that goal – and in the long run, undermines civility and could destroy civilization itself if this disturbing trend approaches authoritarian extremes.

American Purpose magazine logo

In a thought-provoking article “Enslaving Art to Politics,” published recently in American Purpose magazine, writer Daniel Ross Goodman argues persuasively against the “politicization of literature.”

His essay should interest Libertarian Futurist Society members, even when Goodman makes some points about particular works and artists that we might respectfully disagree with.

“The best novelists, like all great artists, are not narrow-minded agenda-driven partisans but adventurers in the unbounded universe of the human imagination, who, through their fictions, help us better perceive vital truths about ourselves and our reality,” Goodman wrote in late September in the online magazine.

Continue reading Politics undermines the purpose of art, according to an insightful American Purpose essay (but let’s agree to disagree over Atlas Shrugged)

Back issues of Prometheus, the LFS quarterly journal, offer a treasure trove of gems and libertarian insights

If you haven’t browsed through back issues of Prometheus, you should.
You’re missing out on a lot of fascinating and insightful stuff – with ideas and insights that often remain timely and surprisingly timeless.

A treasure trove of articles, essays, reviews, interviews, debates, acceptance speeches, con reports and letters was published between 1982 and 2016 in Prometheus, the journal of the Libertarian Futurist Society. (The Prometheus blog, launched in 2017, replaced the printed quarterly.)

The Prometheus page of the LFS website is being updated and made more accessible – thanks to the efforts of Chris Hibbert, Anders Monsen and other past Prometheus editors.

In an ongoing effort, Hibbert and other veteran LFS leaders have been volunteering their time to steadily digitize the Prometheus back issues. Most are now available to read free, either with direct HTML links to each article or with a PDF link to the entire issue.
Check out all the back issues and articles on the Prometheus Index page.

WORLDCON SF AUTHORS ON LIBERTY, LIBERALISM AND LIBERTARIANISM

To whet your appetite, here is a fascinating and still-relevant excerpt from one of the earliest Worldcon reports ever published in Prometheus, which sheds light on sf, liberty and the complex relationship between libertarianism and liberalism.

Continue reading Back issues of Prometheus, the LFS quarterly journal, offer a treasure trove of gems and libertarian insights

Big Brother, doublethink, thoughtcrime & memory holes: George Orwell’s Nineteen Eighty-Four, a 1984 Prometheus Hall of Fame winner for Best Classic Fiction

To make clear why each Prometheus winner deserves recognition as notable pro-freedom and/or anti-authoritarian sf/fantasy, the Libertarian Futurist Society is publishing Appreciations of all award-winners. Here is an Appreciation of George Orwell’s Nineteen Eighty-Four, a co-winner of the 1984 Prometheus Hall of Fame award for Best Classic Fiction.

By Michael Grossberg

“Big Brother is Watching” is just one phrase that’s become widely known from Nineteen Eighty-Four, George Orwell’s cautionary 1948 novel about a future totalitarian society in which almost everyone is caught up in the power-worshiping cult of the charismatic ruler.

Few works of fiction have connected so deeply to popular culture that they introduce even one catchphrase or line of dialogue that still resonates today, but Orwell’s cautionary tale generated several that even in the 21st century haven’t yet been flushed down the “memory hole” of popular culture.

Among the neologisms that continue to be quoted widely and resonate through American and world culture: Thought Police, Newspeak, “proles,” “thoughtcrime,” “doublethink,” Room 101, Two Minutes Hate, and “unperson.”

Continue reading Big Brother, doublethink, thoughtcrime & memory holes: George Orwell’s Nineteen Eighty-Four, a 1984 Prometheus Hall of Fame winner for Best Classic Fiction