British publisher backtracks, “saves” Roald Dahl’s uncut classics (but don’t breathe sighs of relief just yet)

By Michael Grossberg

Good news for lovers of liberty, culture and artistic integrity: Matilda, The Witches, Charlie and the Chocolate Factory and Roald Dahl’s other children’s classics will continue to be published and reprinted in their original uncensored forms.

That sudden and welcome reversal (see our previous blog post) is thanks to a remarkably wide range of principled and thoughtful responses from across the political spectrum objecting to the plans by the late great Dahl’s cowardly and conformist British publisher to bowdlerize his bestselling children’s classics in doctored reprints.

Continue reading British publisher backtracks, “saves” Roald Dahl’s uncut classics (but don’t breathe sighs of relief just yet)

The recurring Orwellian threat: Nineteen Eighty-Four, an early Prometheus Hall of Fame winner, sadly retains its relevance and resonance today

By Michael Grossberg
Almost three quarters of a century after the publication of Nineteen Eighty-Four, the influence and prophetic power of George Orwell hasn’t faded.

Quite the contrary.

George Orwell, in his 1943 press card portrait (Creative Commons license)

With the rise of “cancel culture” and various online-sparked mob panics increasingly common in our so-called enlightened modern era and with such dystopian experiments as the recent failed roll-out of the current administration’s “Disinformation Governance Board,” it’s become virtually impossible to read informed commentary across a broad spectrum of opinion magazines and columnists without coming across Orwellian references and warnings these days.

Continue reading The recurring Orwellian threat: Nineteen Eighty-Four, an early Prometheus Hall of Fame winner, sadly retains its relevance and resonance today