Hall of Fame finalist review: “The Trees,” a fantasy-themed rock song by Rush, resonates as cautionary tale

By Michael Grossberg

Even though they’re eligible for nomination, no songs have ever been inducted into the Prometheus Hall of Fame.

Neal Peart, Rush drummer and songwriter of “The Trees.” Credit: Creative Commons

I can’t imagine a good song more deserving of that honor, and that fits the distinctive focus of the Prometheus Awards better, than “The Trees,” a 1978 song by the Canadian rock group Rush.

Continue reading Hall of Fame finalist review: “The Trees,” a fantasy-themed rock song by Rush, resonates as cautionary tale

Best of the blog, Part 2: Was Shakespeare a libertarian? Has cancel culture peaked? And what was that crossword puzzle clue mentioning the LFS?

By Michael Grossberg

Was Shakespeare a libertarian?

Has the “cancel culture” trend peaked, or will it continue in 2024?

With Shakespeare increasingly in disfavor among some elite precincts of academia and popular authors like Roald Dahl and Ian Fleming posthumously having their classic fiction bowdlerized and edited to be politically correct, what artists and authors will be next?

Will 2024 deepen disturbing trends undermining artistic freedom and other civil and economic liberties? Or will a new year bring fresh hope for civility, voluntarism, tolerance and respect for other people’s rights?

Such questions continue to linger in the back of my mind as I recall some of my favorite posts in 2023 on the Prometheus Blog.

Although it’s now the start of 2024, it’s not too late to look back again at the past year to savor (and perhaps reread) a few especially timely and relevant favorites from the blog – beyond the three already highlighted last week.

Continue reading Best of the blog, Part 2: Was Shakespeare a libertarian? Has cancel culture peaked? And what was that crossword puzzle clue mentioning the LFS?

British publisher backtracks, “saves” Roald Dahl’s uncut classics (but don’t breathe sighs of relief just yet)

By Michael Grossberg

Good news for lovers of liberty, culture and artistic integrity: Matilda, The Witches, Charlie and the Chocolate Factory and Roald Dahl’s other children’s classics will continue to be published and reprinted in their original uncensored forms.

That sudden and welcome reversal (see our previous blog post) is thanks to a remarkably wide range of principled and thoughtful responses from across the political spectrum objecting to the plans by the late great Dahl’s cowardly and conformist British publisher to bowdlerize his bestselling children’s classics in doctored reprints.

Continue reading British publisher backtracks, “saves” Roald Dahl’s uncut classics (but don’t breathe sighs of relief just yet)

‘Charlie’ canceled! ‘Matilda’ mutilated! ‘Peach’ sliced! Anti-authoritarian children’s book author Roald Dahl ‘bowdlerized,’ with his subversive words, outrageous characters changed, deleted in new editions

By Michael Grossberg

They keep coming to cancel or censor more fiction and more classics of literature. Now, disturbingly, it’s Roald Dahl’s turn.

The re-editing, rewording and outright expungement of now-disfavored wording in the delightfully subversive and amusing children’s books by the late great British writer, who died in 1990 at 74, are just the latest example of efforts to suppress or censor literature.

But the “they,” this time, doesn’t refer only to government agencies, bureaucrats and woke cultists eager to shove more politically incorrect stories and thoughts down Orwell’s proverbial memory hole.

This time, ironically but unsurprisingly, “they” includes Dahl’s British publisher Puffin and the Dahl estate, eagerly colluding to publish bowdlerized versions of his books to avoid “triggering” anyone.

Continue reading ‘Charlie’ canceled! ‘Matilda’ mutilated! ‘Peach’ sliced! Anti-authoritarian children’s book author Roald Dahl ‘bowdlerized,’ with his subversive words, outrageous characters changed, deleted in new editions

SF anthology Give Me Liberty imagines future freedom fighters: Part One of an Appreciation of the 2005 Special Prometheus Award winner

“Give me liberty or give me death.”
— Patrick Henry’s speech to the Second Virginia Convention on March 23, 1775, at St. John’s Church in Richmond, Virginia

By Michael Grossberg

Give Me Liberty, an anthology of freedom-loving science fiction, is one of two linked Baen Books anthologies recognized together with a 2005 Special Prometheus Award.

Give Me Liberty and Visions of Liberty, both co-edited by veteran libertarian Mark Tier and veteran sf editor Martin H. Greenberg, make an apt pair of bookends of freedom-loving sf anthologies.

Continue reading SF anthology Give Me Liberty imagines future freedom fighters: Part One of an Appreciation of the 2005 Special Prometheus Award winner

Egalitarianism taken to coercive extremes in attacks on excellence: Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as anti-authoritarian or pro-freedom, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.

Here is an Appreciation for Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg
The government’s Handicapper General enforces new constitutional amendments mandating that no one can be stupider, uglier, weaker, slower – or in any way better – than anyone else.

To enforce this authoritarian and radical egalitarian edict, perfectly capable people are forced to accept and wear various disabling devices that handicap their capabilities and basic humanity.

Leave it to the great American novelist Kurt Vonnegut Jr. to come up with such a classic cautionary fable about a dystopian future in the United States in which coercive egalitarianism – a close cousin of progressivism – is taken to such radical and inhuman extremes in a perverse authoritarian revolt against personal excellence.

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Graphically resisting a totalitarian future: Alan Moore and David Lloyd’s V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.

Here’s the Prometheus Blog Appreciation for writer Alan Moore and artist David Lloyd’s graphic novel V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.

“People should not be afraid of their governments. Governments should be afraid of their people.”V for Vendetta

By Michael Grossberg
V for Vendetta dramatizes and illustrates a horrific cautionary tale about the loss of freedom and identity itself in a chilling totalitarian future.

The 1989 graphic novel, created by British writer Alan Moore and artist David Lloyd, has been widely acclaimed as a defining work within the medium of comics and the emerging art of graphic novels – and deservedly so.

Like some of the best dystopian novels, this vivid fusion of word and image chronicles the debilitating and soul-crushing impact of living in an authoritarian police state. That’s a nightmare that few understand who haven’t experienced it, but V for Vendetta makes it palpable.

Happily, V for Vendetta isn’t just harrowing but also inspiring – for it also highlights the power of the human spirit to resist tyranny. The graphic novel earns our sympathy for a few valiant if damaged souls who find the courage to rebel against the excesses and norms of truly unlimited government.

 

Continue reading Graphically resisting a totalitarian future: Alan Moore and David Lloyd’s V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.

Back issues of Prometheus, the LFS quarterly journal, offer a treasure trove of gems and libertarian insights

If you haven’t browsed through back issues of Prometheus, you should.
You’re missing out on a lot of fascinating and insightful stuff – with ideas and insights that often remain timely and surprisingly timeless.

A treasure trove of articles, essays, reviews, interviews, debates, acceptance speeches, con reports and letters was published between 1982 and 2016 in Prometheus, the journal of the Libertarian Futurist Society. (The Prometheus blog, launched in 2017, replaced the printed quarterly.)

The Prometheus page of the LFS website is being updated and made more accessible – thanks to the efforts of Chris Hibbert, Anders Monsen and other past Prometheus editors.

In an ongoing effort, Hibbert and other veteran LFS leaders have been volunteering their time to steadily digitize the Prometheus back issues. Most are now available to read free, either with direct HTML links to each article or with a PDF link to the entire issue.
Check out all the back issues and articles on the Prometheus Index page.

WORLDCON SF AUTHORS ON LIBERTY, LIBERALISM AND LIBERTARIANISM

To whet your appetite, here is a fascinating and still-relevant excerpt from one of the earliest Worldcon reports ever published in Prometheus, which sheds light on sf, liberty and the complex relationship between libertarianism and liberalism.

Continue reading Back issues of Prometheus, the LFS quarterly journal, offer a treasure trove of gems and libertarian insights

LFS adds Prometheus Young Adult Fiction Honor Roll as recommended reading guide for children, teenagers

By Michael Grossberg

Young people are the readers, writers and citizens of tomorrow.

Hopefully, the next generation will also become advocates for liberty, peace and justice for all. Yet, that is not inevitable or automatic; children must be taught the heritage of humankind and must be exposed to the best of our common culture.

Encouraging the younger generations to read good books, including outstanding science fiction and fantasy and the literature of liberty, is the goal of a newly created list of past Prometheus Award-winners.

This recommended reading list, designed for children and teenagers but also as a guide for their parents and grandparents choosing gifts or making suggestions, is now posted on the LFS website as the “Prometheus Award Young Adult Honor Roll.”

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Individualism and self-determination in landmark TV series: Patrick McGoohan’s The Prisoner, the 2002 Prometheus Hall of Fame winner

Here’s the Prometheus Blog Appreciation for The Prisoner,” the 2002 Prometheus Hall of Fame winner for Best Classic Fiction and the first TV series to be inducted into the Hall of Fame.

 

By Michael Grossberg

“I am not a number. I am a free man!”
Actor Patrick McGoohan utters those defiant words as the heroic individualist at the center of The Prisoner, one of the most unusual, enigmatic and evocative TV series ever broadcast.
Today, that emblematic catchphrase remains well-known in popular culture, and ranks high among the most familiar lines of dialogue from any TV show or movie of the 20th century.
“I will not be pushed, filed, stamped, indexed, briefed, debriefed, or numbered. My life is my own,” McGoohan declared in the first episode – another among many memorable anti-authoritarian and individualist lines of dialogue that he would utter throughout the iconic series.
Such explicit affirmations of individuality, self-determination and resistance to tyranny were highly unusual on television half a century ago – and sadly remain relatively rare today.

Continue reading Individualism and self-determination in landmark TV series: Patrick McGoohan’s The Prisoner, the 2002 Prometheus Hall of Fame winner