By Michael Grossberg
One of the best choices that LFS members have made in voting annually in the Best Classic Fiction category, in my opinion, was the decision to induct “The Emperor’s New Clothes” in 2000 into the Prometheus Hall of Fame.
Hans Christian Andersen’s timeless anti-authoritarian parable isn’t merely a fable for children but a cautionary tale for everyone about the presumptions and illusions of power — not to mention the dangers of sheep-like conformity…. lessons that still apply today. (Perhaps especially today.)
Possibly because the Danish author’s 1837 story is often grouped somewhat diminutively with Anderson’s other stories as mere “children’s” literature or perhaps for other reasons, “The Emperor’s New Clothes” often seems to be overlooked or dismissed by contemporary columnists and bloggers as a still-resonant metaphor for the blind spots and knee-jerk tribalism of our increasingly conformist, censorious, culture-cancelling and fearful era.
So it’s a pleasure to come across a relatively rare reference to Andersen’s classic among today’s vast social commentary – moreover, not just a brief reference, but a full column from a regular Substack writer who makes the story central to his insightful and timely themes.
The column is even titled in honor of the fable: “The Emperor’s New Art.”
