“What is a Hater?” – Economist David Henderson applies Orwell’s 1984 insights about how authoritarians abuse language to discount criticism and demonize others


By Michael Grossberg

One of the most chilling and distasteful aspects of the totalitarian dictatorship that George Orwell envisioned in Nineteen Eighty-Four was the “two-minute hate.”
Fuelled by State propaganda demonizing dissidents and alleged enemies, and reflecting the mob psychology of true believers manipulated by power-hungry rulers, the “two-minute hate” is the type of Reign of Terror phenomenon that no sane and decent person would wish to be part of – or be victimized by – in real life.

Yet, increasingly in American and European politics and culture, extreme partisans of Left and Right indulge in hateful rhetoric while ironically accusing others of “hate” – even when a bit of introspection and understanding of human behavior might reveal fewer people than one might think are actually motivated by that dark emotion.

Referencing Orwell and his Prometheus Hall of Fame-winning classic Nineteen Eighty-Four, libertarian economist David Henderson identifies the disturbing trend of using and abusing language to demonize anyone who holds differing views.

Continue reading “What is a Hater?” – Economist David Henderson applies Orwell’s 1984 insights about how authoritarians abuse language to discount criticism and demonize others


Orwell’s Animal Farm falls disappointingly short in new animated film version that distorts its anti-authoritarian themes


By Michael Grossberg

When it comes to film versions of George Orwell’s Animal Farm, the third time’s not the charm.

With visionary director-actor Andy Serkis at the helm of the recently released animated film version of Orwell’s classic anti-authoritarian fable and a host of great actors doing the voices of the farm animals, I’d hoped for the best for Animal Farm, inducted in 2011 into the Prometheus Hall of Fame.

Seth Rogen, Gaten Matarazzo, Glenn Close, Woody Harrelson, Kieran Culkin, Steve Buscemi, Kathleen Turner, Laverne Cox and Jim Parsons are among the actors voicing the animal characters in the story about pigs consolidating control on a farm in a movement for equality that is systematically corrupted.

Yet, Serkis’ long-in-gestation 2025 film, finally released in the U.S. in May 2026, has proved to be a major disappointment.

Continue reading Orwell’s Animal Farm falls disappointingly short in new animated film version that distorts its anti-authoritarian themes


Kurt Vonnegut’s Prometheus-winning “Harrison Bergeron” recognized for real-world relevance to “millionaires’ tax” debate


By Michael Grossberg

Kurt Vonnegut’s “Harrison Bergeron” is a cautionary and satirical tale warning about the imagined future excesses of radical egalitarianism and attacks on individualism and personal excellence carried to absurd and coercive extremes.

The classic story, inducted in 2019 into the Prometheus Hall of Fame, suddenly seems as relevant as recent headlines about state and federal efforts to impose unprecedented confiscatory taxation on wealthier people.

Challenging the view that everything is or should become property of the State, NR Online writer Andrew Stuttaford invokes Vonnegut’s themes in a perceptive column.

Continue reading Kurt Vonnegut’s Prometheus-winning “Harrison Bergeron” recognized for real-world relevance to “millionaires’ tax” debate


Aldous Huxley’s Prometheus Hall of Fame finalist Brave New World has inspired an acclaimed graphic novel


By Michael Grossberg

A good number of Prometheus-winning works have been adapted into graphic novels, from Ayn Rand’s Anthem and L. Neil Smith’s The Probability Broach to the TV series The Prisoner.

One I discovered recently is Brave New World: A Graphic Novel – which is timely to mention here because Aldous Huxley’s novel is one of this year’s Best Classic Fiction finalists for the next Prometheus Hall of Fame award.

Fred Fordham adapted and illustrated Huxley’s dystopian cautionary tale into a 240-page graphic novel, published in 2022 by Harper.

The Guardian described the graphic novel as “brilliant” in its review.

Continue reading Aldous Huxley’s Prometheus Hall of Fame finalist Brave New World has inspired an acclaimed graphic novel


From Doctorow and Tchaikovsky to Nayler and Scalzi, Locus magazine’s finalists for Best Science Fiction of the year overlap with Prometheus judges’ readings of candidates, nominees and winning authors

By Michael Grossberg

Locus magazine has released its Locus Awards finalists for the past year’s best science fiction and fantasy – always a good list to consider for SF/fantasy fans, including LFS members.

There are some excellent novels on the Locus shortlists, based on my own wide readings this past year as a Prometheus Awards Best Novel judge – and as a lifelong SF/fantasy fan.

It’s also an interesting list to compare to the Prometheus Awards, not only in terms of potential overlaps with same-year nominees but also what novels and novelists both awards have recognized.

Continue reading From Doctorow and Tchaikovsky to Nayler and Scalzi, Locus magazine’s finalists for Best Science Fiction of the year overlap with Prometheus judges’ readings of candidates, nominees and winning authors

A new video, by a nominated author and his editor, discusses the Prometheus Best Novel nominees and 2026 finalists – with a big reveal

By Michael Grossberg

If you were nominated for a Prometheus Award for Best Novel, would you invite the world to watch you in the moment  you found out whether your novel was selected among the finalists?


Novelist John C.A. Manley was willing to do that yesterday with his editor Peter Toccalino in an interesting and wide-ranging 40-minute video discussion of this year’s Best Novel nominees and finalists.

Continue reading A new video, by a nominated author and his editor, discusses the Prometheus Best Novel nominees and 2026 finalists – with a big reveal

Two Prometheus Hall of Fame classics appear on the list of singer/songwriter David Bowie’s top-100 greatest books

By Michael Grossberg

Singer-songwriter-actor David Bowie (Creative Commons license)

David Bowie is remembered as one of the past half-century’s greatest singer-songwriters.

Perhaps less well known was the extraordinary intelligence and eclectic literacy of Bowie, who died at 69 in 2016. He read widely, broadening his understanding and appreciation of the world and humanity, at its best and worst.

The Bowie Book Club has preserved a list of Bowie’s top-100 books that he read and ranked highest during his lifetime as major influences on his thinking, creativity and development of artistic tastes.

Among them are two Prometheus Hall of Fame winners for Best Classic Fiction: George Orwell’s Nineteen Eighty-Four, inducted in 1984, and Anthony Burgess’s A Clockwork Orange, inducted in 2008.

Continue reading Two Prometheus Hall of Fame classics appear on the list of singer/songwriter David Bowie’s top-100 greatest books

Vernor Vinge and Terry Pratchett: A hidden connection between two Prometheus winners, one a master of serious SF, the other of satirical fantasy

By Michael Grossberg

Acclaimed SF writer Vernor Vinge (Creative Commons license)

Vernor Vinge wrote serious science fiction; Terry Pratchett wrote fantasy with a strong comical and satirical focus.

Terry Pratchett in 2012. (Creative Commons license)

Although each writer won more than one Prometheus Award for works that wove in libertarian and anti-authoritarian insights and themes, few of us tend to think of these two late great authors in the same breath, or any close to the same fiction or genre category.

While surely their respective fan bases overlap to some extent, even the hardest-core Pratchett and Vinge fans probably wouldn’t imagine that much else might link them – especially Fans of Vernor Vinge and Terry Pratchett, even if that fan base overlaps, probably don’t think of both authors together.

Yet, they had a strong connection in fiction, with one author favorably mentioning and imagining the future work of the other in a novel.

Continue reading Vernor Vinge and Terry Pratchett: A hidden connection between two Prometheus winners, one a master of serious SF, the other of satirical fantasy

Jo Walton on Poul Anderson: One Prometheus winner recommends another


By Michael Grossberg

It’s great to see one widely respected sf/fantasy author in praise of another. Especially when such praise reminds us of the talents and achievements of a truly grand master of sf/fantasy who has passed but is far from forgotten.

Jo Walton tips her hat to the late great Poul Anderson in her monthly book-review column for Reactor magazine.

Walton, who won her own Prometheus Award for Ha’penny, singled out the multiple-Prometheus-winning Anderson on her recommended-reading shortlist for All One Universe, his 1996 short-story anthology.

“This collection of stories and essays is just delightful—great thought-provoking stories, and mostly interesting essays, and I loved it,” Walton writes.

Continue reading Jo Walton on Poul Anderson: One Prometheus winner recommends another


Investigative journalist Matt Taibbi inspired by Bradbury’s Prometheus-winning novel to create “Project 451”



By Michael Grossberg

One of the many Prometheus-winning works that continues to be widely read and referenced in popular culture for its enduring dramatic power and themes is Fahrenheit 451.

Inducted in 1984 into the Prometheus Hall of Fame, Ray Bradbury’s civil-libertarian, anti-censorship and pro-reading novel envisions a dystopian future in which “firemen” burn books and literacy is suppressed, along with any memory of great literature.

While many find the novel relevant to our era, in which both free speech and the reading of books often seem threatened or in decline, few go as far as investigative reporter and media critic Matt Taibbi or as fervently.

Continue reading Investigative journalist Matt Taibbi inspired by Bradbury’s Prometheus-winning novel to create “Project 451”