Review: Lionel Shriver’s alternate-reality novel Should We Stay or Should We Go highlights how government paternalism, NHS bureaucracy, runaway inflation and other statist disasters make end-of-life decisions worse

Here’s a review of Lionel Shriver’s Should We Stay Or Should We Go, which became a Prometheus Best Novel finalist:

By Michael Grossberg
Life, aging and death are difficult enough for most people to deal with, even when we strive to think and plan ahead and make the best choices we can about our senior years – including the possibilities of assisted living and even euthanasia.

Exploring those increasingly vital and common 21st-century issues in her kaleidoscopic 2021 novel Should We Stay or Should We Go, shrewd contrarian British novelist Lionel Shriver underscores how much worse the outcomes can be when oppressive laws, obtrusive welfare-state bureaucracy, socialized health care, forced medication, involuntary hospitalization, virtual imprisonment, anti-suicide laws, other bad government policies, abuses of power and even today’s dangerous trends of exploding federal debt and rising monetary inflation can damage lives further while undermining our ability to make our own decisions about end-of-life matters.

Continue reading Review: Lionel Shriver’s alternate-reality novel Should We Stay or Should We Go highlights how government paternalism, NHS bureaucracy, runaway inflation and other statist disasters make end-of-life decisions worse

A preview of 2022 blogs, as our Appreciation Series approaches a milestone of 100 review-essays illuminating past Prometheus Award winners

As an eventful year ends, the Libertarian Futurist Society (LFS) is approaching a milestone: 100 Appreciations of past Prometheus Award-winners, all posted on this LFS/Prometheus blog.

That’s a milestone to savor, especially given the ongoing efforts and commitments by LFS leaders and contributors over the past 30 months to write and post these informative and insightful review-essays.

Here’s an overview of our progress, an explanation of why the Appreciations are important (including tips on how you can use and refer to them), and a preview of some of the upcoming articles you can expect from the Prometheus Blog in 2022.

Continue reading A preview of 2022 blogs, as our Appreciation Series approaches a milestone of 100 review-essays illuminating past Prometheus Award winners

Orwell’s Prometheus Hall of Fame classic Nineteen Eighty-Four inspires a “sequel” (but will it measure up?)

By Michael Grossberg

Sequels to classic works of literature by deceased authors rarely measure up to the originals, but that doesn’t stop different authors and publishers from trying.

Yet, the new novels often spark interest, especially by fans of the earlier works, and sometimes they even become bestsellers – only to fade while the original works continue to be celebrated. (Does anyone today remember Scarlett, a popular sequel to Margaret Mitchell’s still-read Gone with the Wind?)

 

George Orwell in 1943 (Creative Commons license)

The latest effort, recently announced and of special interest to Libertarian Futurist Society members, will offer a retelling of a Prometheus award-winner that ranks among the 20th century’s most influential and best-known novels: George Orwell’s Nineteen Eighty-Four.

Julia, an upcoming novel by Sandra Newman, will refocus the events of the dystopian tale of totalitarian dictatorship, propaganda, mind control, newspeak and doublethink from the perspective of Winston Smith’s illicit love interest.

Continue reading Orwell’s Prometheus Hall of Fame classic Nineteen Eighty-Four inspires a “sequel” (but will it measure up?)

Freedom and free will in the welfare state: Anthony Burgess’ A Clockwork Orange, the 2008 Prometheus Hall of Fame winner

Here’s the Prometheus Blog’s Appreciation for Anthony Burgess’s A Clockwork Orange, the 2008 Prometheus Hall of Fame winner for Best Classic Fiction.:

“When a man cannot choose he ceases to be a man.” – Anthony Burgess

By Michael Grossberg

A Clockwork Orange may not be remembered or read as widely today as some other dystopian novels, but it arguably ranks among the best-written, most shocking and most plausible works of that seminal 20th century genre.

Today, British writer Anthony Burgess’ 1962 novel is far better known from director Stanley Kubrick’s vivid 1971 film. Yet, the nightmarish novel rightly was included on Time magazine’s 2005 list of the 100 best English-language novels written since 1923.

Even if you’re a fan of the controversial film version (as I am), Burgess’ novel is well worth reading for its own sake – especially for its imaginative style, dark humor, inventive slang language, and insightful portrait of a disturbing future in a culture corrupted by a bloated and obtrusive welfare state.

Continue reading Freedom and free will in the welfare state: Anthony Burgess’ A Clockwork Orange, the 2008 Prometheus Hall of Fame winner

Agorist dreams vs. runaway inflation, economic collapse: J. Neil Schulman’s Alongside Night, the 1989 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as notable pro-freedom works, the Libertarian Futurist Society is publishing an Appreciation series of past award-winners. Here’s an Appreciation of J. Neil Schulman’s Alongside Night, the 1989 Prometheus Hall of Fame winner:

By Michael Grossberg

Milton Friedman, Anthony Burgess, Thomas Szasz, Poul Anderson, Jerry Pournelle and Ron Paul were among the prominent writers, fellow freedom-lovers or libertarians who highly praised Alongside Night when it was published in 1979.

Friedman, a world-famous Nobel-laureate economist, endorsed J. Neil Schulman’s sf novel on its cover as “an absorbing novel – science fiction, yet also a cautionary tale with a disturbing resemblance to past history and future possibilities.”

Szasz, a leading psychologist in the libertarian movement, called it “engrossing” and wrote that “it might be, and ought to be, the Atlas Shrugged of the ‘80s.”

Anderson called it “a frightening and all too plausible picture of the near future. America is already a long way down the road that leads to it. yet there is also a hopefulness in the story, for the author develops a philosophy, in considerable practical detail, that we could begin living by today, if we will choose to be free.”

Continue reading Agorist dreams vs. runaway inflation, economic collapse: J. Neil Schulman’s Alongside Night, the 1989 Prometheus Hall of Fame winner

R.I.P., Prometheus-winning author J. Neil Schulman has died

Very sad news: The Prometheus-winning author J. Neil Schulman, a veteran libertarian activist for decades, has died Aug. 10, 2019.

Schulman most recently was recognized for his surreal semi-autobiographical novel The Fractal Man, a 2019 Prometheus Award finalist for Best Novel.

Schulman wrote scripts for episodes of The Twilight Zone and wrote and directed several independent films, including most recently an adaptation of his Prometheus-winning novel Alongside Night.
Continue reading R.I.P., Prometheus-winning author J. Neil Schulman has died