A badge of honor: LFS logo/brand image added to Novel finalist book cover, raising visibility for the Prometheus Award

The LFS Prometheus Awards badge, created last year as an option for finalists and winners to use to further publicize their awards recognition, is starting to be used – and in a highly visible way.

When the awards badge was designed and approved last year, LFS leaders expected that it would be used occasionally but most often as art visually enhancing an author’s blog or publisher’s website on the same page announcing the good news that a particular author or work of fiction has been recognized as a finalist or winner.

Even better, though, was the way the badge has been used this year for the first time by a Best Novel finalist: Author Gordon Hanka has just added the LFS badge to the front cover of his novel A Beast Cannot Feign.

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A preview of 2022 blogs, as our Appreciation Series approaches a milestone of 100 review-essays illuminating past Prometheus Award winners

As an eventful year ends, the Libertarian Futurist Society (LFS) is approaching a milestone: 100 Appreciations of past Prometheus Award-winners, all posted on this LFS/Prometheus blog.

That’s a milestone to savor, especially given the ongoing efforts and commitments by LFS leaders and contributors over the past 30 months to write and post these informative and insightful review-essays.

Here’s an overview of our progress, an explanation of why the Appreciations are important (including tips on how you can use and refer to them), and a preview of some of the upcoming articles you can expect from the Prometheus Blog in 2022.

Continue reading A preview of 2022 blogs, as our Appreciation Series approaches a milestone of 100 review-essays illuminating past Prometheus Award winners

How does sf lend itself to exploring freedom & other ideas? Watch the NASFIC 2020 Prometheus Awards and “Visions of SF, Liberty & Human Rights” panel with authors Hoyt, Wilson; surprise guests Cherryh & Fancher; & LFS leaders

Serendipity and seized opportunity enhanced the star power and appeal of the Libertarian Futurist Society’s panel discussion at the 2020 online North American Science Fiction Convention.

Unexpectedly but delightfully, the Hugo-winning Grand Master novelist C.J. Cherryh and her partner Jane. S. Fancher joined past Prometheus winners Sarah Hoyt and F. Paul Wilson and several LFS veteran leaders including LFS President William H. Stoddard in answering a variety of thought-provoking questions during the NASFiC/LFS panel on “Visions of SF, Liberty, Human Rights: The Prometheus Awards Over Four Decades, from F. Paul Wilson and Robert Heinlein to Today.”

When panel moderator Tom Jackson noticed that
Cherryh and Fancher were still hanging out within the Zoom “meeting room” after accepting their 2020 Best Novel award for co-writing Alliance Rising to watch the post-ceremony panel discussion, he noted their presence and ability to participate.

Tom Jackson

After a few questions to the other panelists, Jackson invited Cherryh and Fancher to come into the discussion with their comments.

Which they graciously did, and fascinatingly so.

Thus, the long-planned NASFiC panel celebrating the recent 40th anniversary of the Prometheus Awards – first presented by L. Neil Smith to F. Paul Wilson in 1979 – expanded into an event with interesting comments from not two but four bestselling, Prometheus-award-winning novelists.

Here is the full panel discussion, part of an 80-minute two-part NASFiC/LFS video that begins with the 2020 Prometheus Awards ceremony, including Cherryh and Fancher’s Best Novel acceptance speech and Astrid Anderson Bear’s Hall of Fame acceptance speech for her late father Poul Anderson; and concludes with the 50-minute panel discussion:

 

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Identity, mystery, body-transfer technology, bureaucrats, capitalists and green politics in a hard-sf political thriller: An Appreciation of James P. Hogan’s The Multiplex Man, the 1993 Prometheus Best Novel winner

Introduction: To highlight the 40-year history of the Prometheus Awards, a landmark which the Libertarian Futurist Society is celebrating in 2019, we’ve launched a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.

Here’s the latest Appreciation for James P. Hogan’s The Multiplex Man, the 1993 Best Book winner:

James Hogan’s 1992 hard-sf political thriller revolves around a polite schoolteacher who wakes up one day to discover he’s far from home and in a body not his own. Soon after returning home, he discovers that seven months have passed – and he can’t return to his old body or life because he died six months ago.
His suspenseful journey to solve multiple unfolding mysteries is set in an authoritarian future Earth where former Eastern/communist countries have exploited space resources to boost their economies over the faltering West, undermined by Green-dominated governments’ anti-industry regulations, education restrictions and propaganda.

In this cautionary anti-authoritarian story, the State authorities control virtually everything about people’s lives and activities on Earth, while condemning as dangerous any dissent or unapproved behavior and viewing off-world colonies as enemies because of their competition for Earth resources.

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Championing cooperation over coercion: A Tor.com survey of some of the most intriguing sf, fantasy that finds alternatives to violence as the plot solution

Libertarian futurists champion peaceful, non-violent behavior over acts of aggression, whether committed by individuals, groups or governments.
In fact, modern libertarian political philosophy is based on the principle of non-aggression – coupled with self-ownership (and self-defense against aggression) as the core of property rights, the strongest and most practical base for all human rights, properly understood.
So it’s fascinating to read science fiction and fantasy that explores such themes.
In the latest issue of Tor.com, writer James Davis Nicoll surveys the sf/fantasy literature and offers several examples of works that fit that focus in “SFF Works In Which Violence is Not the Solution.”

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