An Appreciation of Prometheus winner C.J. Cherryh, on her retirement


By Michael Grossberg

Amazingly prolific, C.J. Cherryh has written more than 80 novels and several short-story collections since her first fiction was published in 1976. But there will be no more. Alas, Cherryh, widely acclaimed as one of the best SF/fantasy writers of the past half century, has retired.

C.J. Cherryh (File photo)

Sadly, her many fans – including Libertarian Futurist Society members – must accept the fact that she will write no more. But what a legacy the Hugo- and Prometheus-winning writer leaves us!

“Over the years, she has created a vast, complex universe of stories that encompass whole space-faring civilizations, interstellar wars, political upheavals, and personal challenges,” Barbara Krasnoff wrote in a heartfelt appreciation of Cherryh published by Reactor magazine.

“Cherryh’s talent for worldbuilding—or, rather, universe-building—is incredible. And once each universe is built, she has the ability to expand on it in any number of directions.”

Continue reading An Appreciation of Prometheus winner C.J. Cherryh, on her retirement


Dave Freer’s Storm-Dragon wins first Special Prometheus Award for Young Adult Fiction

By Michael Grossberg

The Libertarian Futurist Society will present its first Special Prometheus Award for Young Adult Fiction to Dave Freer’s Storm-Dragon.

Several years ago, the LFS Board of Directors unanimously approved this new awards category in recognition of the crucial connection between literacy and liberty and the vital importance of writing fiction, including fantastical fiction, that attracts and engages young people.

Storm-Dragon, by Dave Freer, will receive the Special Award Aug. 16, 2026, at the 46th annual Prometheus Awards, along with the previously announced 2026 winners in the two annual categories for Best Novel (J. Kenton Pierce’s A Kiss for Damocles) and the Prometheus Hall of Fame for Best Classic Fiction (Aldous Huxley’s Brave New World.)

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The Man in the White Suit: One of the great libertarian film comedies – with a sci-fi premise


By Michael Grossberg

Before he became best known to younger generations as Obi Wan Kenobi in Star Wars, British actor Alec Guinness was known in part for his comedies.

Guinness made his name in six Ealing Studios film comedies between 1949 and 1957, most notably playing eight characters in Kind Hearts and Coronets and lead roles in The Ladykillers, The Lavender Hill Mob and The Man in the White Suit. The latter film, released in 1951, has a deserved reputation as one of the great movie comedies of its era. It also happens to be both libertarian and individualist in its wry themes.

Not only that: The Man in the White Suit has an ingenious plot whose premise is clearly science fiction, making the film of even greater interest to the Libertarian Futurist Society.

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Robert Kroese launches Ransom’s Law, a five-novel SF series about corporate law in an interstellar future


By Michael Grossberg

Prometheus-nominated SF author Robert Kroese has launched an ambitious five-novel series about corporate law in an interstellar and entrepreneurial future.

Acceleration Clause, published April 29 in 255 pages by St. Culain Press, is the first book in Kroese’s Ransom’s Law series about a corporate lawyer struggling to find new footing after a career misstep as part of a spaceship repossession crew.

Kroese is of interest to Libertarian Futurist Society members because he was nominated for the Prometheus Award for Best Novel in 2022 for Titan: Mammon Book 1.

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“I am not a number. I am a free man!” – Remembering Patrick McGoohan: who conceived, co-wrote and starred in The Prisoner, a TV series ahead of its time


By Michael Grossberg

Today, March 19, is the birthday of Patrick McGoohan.

Patrick McGoohan as Number 6 in The Prisoner (Creative Commons license)

It’s a timely opportunity to remember and pay tribute to McGoohan, an iconoclastic talent who excelled as an actor, director, producer, screenwriter and creator of one of the most unusual, provocative, genre-smashing and influential TV series in history.

I’m referring, of course, to The Prisoner, inducted in 2002 into the Prometheus Hall of Fame for Best Classic Fiction.

McGoohan (1928-2009) achieved a great deal on screen in his long and well-respected career. But The Prisoner in retrospect may be his crowning and most lasting achievement.

Yet, when McGoohan conceived, wrote and starred in the short-lived series, no one quite knew how to categorize it or what to make of it.

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Discovering libertarianism through fiction, part 2: How James Blish, Ayn Rand and other writers sparked my intellectual evolution


By Michael Grossberg

For me as a boy, The Star Dwellers was revelatory.

An idealistic drama about a fraught “second contact” between Earth humans and ancient aliens, James Blish’s 1961 novel sparked my thinking about ethics, economics and politics.

I couldn’t have imagined at the time what reading yet another Young Adult science fiction novel would lead me to, but ultimately The Star Dwellers paved the way for me to develop into a full-fledged libertarian by the early 1970s.

Continue reading Discovering libertarianism through fiction, part 2: How James Blish, Ayn Rand and other writers sparked my intellectual evolution


Discovering libertarian ideas through fiction: It usually begins with Rand and Heinlein – but in my unusual case, it was James Blish’s The Star Dwellers


“People come to libertarianism through fiction. They come through Ayn Rand… Robert Heinlein…. L. Neil Smith.”
– Libertarian feminist author Wendy McElroy at the 2000 Prometheus Awards ceremony

By Michael Grossberg

For quite a few libertarians, “It Usually Begins with Ayn Rand.” Or Robert Heinlein. Or other freedom-loving science fiction writers.

James Blish in the 1960s (Creative Commons license)

For me, though, my introduction to libertarian and classical-liberal ideas and ideals began earlier – at least in part – with James Blish.

Specifically, Blish’s The Star Dwellers.

When I read Blish’s 1961 novel as a pre-teen in the early 1960s, I came to understand for the first time key insights about voluntary consent and mutual exchange for profit as the best foundation for peace and progress.

Now a finalist for the next Prometheus Hall of Fame award for Best Classic Fiction, The Star Dwellers is a young-adult-oriented science fiction novel that revolves around a fraught “second contact” between star-faring humans and an ancient, advanced alien species.

Continue reading Discovering libertarian ideas through fiction: It usually begins with Rand and Heinlein – but in my unusual case, it was James Blish’s The Star Dwellers


Travis Corcoran is writing several Young Adult novels, including two for his Prometheus-winning Aristillus series


By Michael Grossberg

Two-time Prometheus Awards-winning author Travis Corcoran, a passionate believer in encouraging younger generations to read, is writing several Young Adult novels that promise to be published in 2026.

Two will be part of Corcoran’s Aristillus series, set in our solar system’s future and launched with his two Prometheus-winning novels The Powers of the Earth and Causes of Separation.

Tentatively set for publication this fall by Morlock Publishing, Corcoran’s two Aristillus YA novels are The Aristillus Engineering Club and the Journey to the Center of Mars and The Aristillus Engineering Club Around Mars in 80 Sols.

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Hall of Fame Finalist Review: C.S. Lewis’s That Hideous Strength dramatizes warring ideologies of good and evil, freedom and tyranny

By Michael Grossberg

Bestselling British author C.S. Lewis wrote more than 30 books of fiction and non-fiction. With estimated sales approaching 200 million copies in print, Lewis (1898-1963) is best-known for his children’s fantasy series The Chronicles of Narnia and his devilish epistolary novel The Screwtape Letters.

Lewis also wrote science fiction – most notably, his Space Trilogy, which culminates with That Hideous Strength, Lewis’ most libertarian novel.

Selected by LFS judges as one of this year’s Prometheus Hall of Fame finalists for Best Classic Fiction, That Hideous Strength offers a dystopian and metaphysical vision that dramatizes warring ideologies of good and evil, freedom and tyranny.

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Why the visionary and darkly satirical film Brazil, co-written by the late great Tom Stoppard, deserves a Prometheus nomination next year

By Michael Grossberg

This seems the right moment to take a fresh look at Brazil, one of the greatest dystopian science fiction visions of our era – and also one of the most libertarian.

Now celebrating its 40th anniversary, the film is one of the most widely seen and arguably among the most enduring works of the avowed libertarian Tom Stoppard, the internationally acclaimed Czech-British playwright and screenwriter who died recently at 88.

Released in 1985, the film was directed by Terry Gilliam and co-written by Gilliam, Stoppard and Charles McKeown.

Continue reading Why the visionary and darkly satirical film Brazil, co-written by the late great Tom Stoppard, deserves a Prometheus nomination next year