The 2022 Prometheus Awards, to be presented Aug. 13 in an online ceremony, will honor “something old” and “something new.”
In a wedding of circumstance and happy coincidence, a first-time Prometheus-nominated author (the “something new” according to wedding custom) has been declared the winner in the Best Novel category, while the golden-age sf author most honored in the four-decade-plus history of this award is recognized anew.
Wil McCarthy, a prolific sf writer nominated for the first time for this award, has been selected by Libertarian Futurist Society members as winner of the Best Novel category for Rich Man’s Sky.
Meanwhile, the late great Robert Heinlein – a Prometheus favorite – will be recognized for his novel Citizen of the Galaxy, which will be inducted into the Prometheus Hall of Fame for Best Classic Fiction.
Heinlein (1907-1988), now an eight-time Prometheus Award winner, has won more Prometheus awards than any other writer, living or deceased.
Fittingly, Heinlein’s zestful spirit of adventure – championing scientific and social progress against tyranny and oppression and exploring libertarian possibilities of the future – is reflected in both of this year’s winners.
The Libertarian Futurist Society is celebrating the Prometheus Awards’ four-decade-plus history by publishing an Appreciation series of review-essays that strive to make clear why each award-winner deserves recognition as a pro-freedom work.
Here’s an appreciation of Vernor Vinge’s story “The Ungoverned,” the 2004 Prometheus Hall of Fame winner for Best Classic Fiction.
“The Ungoverned” is one of the rare sf stories to portray a plausible and fully libertarian society. Moreover, Vernor Vinge does so with intelligence, subtlety, vision and enjoyable narrative twists.
Set in the ungoverned lands of a recovering future Kansas after a social collapse, Vernor Vinge’s 1985 novella focuses on what happens when New Mexico’s statist government tries to invade anarchist-libertarian Kansas with unexpected results.
Here is an Appreciation of The Moon is a Harsh Mistress, Robert Heinlein’s 1966 Hugo-winning novel, a bestseller that popularized the libertarian slogan TANSTAAFL (“There Ain’t No Such Thing as a Free Lunch”) as a rallying cry in a story imagining an American-Revolution-style revolt for liberty on the moon.
Science fiction writers have been exploring ideas that we now call “libertarian” since before the genre was named. Rudyard Kipling, E.E. Smith, Robert Heinlein, C.M. Kornbluth, Eric Frank Russell, Poul Anderson, Edgar Pangborn, and others presented such ideas – along with other, unlibertarian ideas such as Smith’s portrayal of a literal War on Drugs.
But it was Heinlein’s The Moon Is a Harsh Mistress that established libertarian science fiction as a distinct genre. Nothing could have been more fitting than its being one of the first two books elected to the Libertarian Futurist Society’s Hall of Fame.
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and make clear what made past winners deserve recognition as pro-freedom or anti-authoritarian sf/fantasy, we’re continuing to present a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.
Here’s the latest Appreciation for The Stone Canal, by Ken MacLeod:
Ken MacLeod’s The Stone Canal ranges widely in its exploration of different political systems on different planets in a future marked by wars, revolutions, space colonization and a cyberworld in which people’s memories and personalities can be downloaded or uploading to clones on demand.
Among the many exciting ideas that MacLeod explores in his ambitious 1997 novel – Book 2 in his Fall Revolution series, but set earlier than The Cassini Division – are several of special interest to libertarian sf fans – including his complex and ambiguous depiction of capitalist anarchy on Earth, how free markets might develop on a terraformed planet in another solar system and the possibility of independent robots with individual rights.
The settings are far-flung, too, from 20thcentury Scotland to a 21stcentury extra-solar planet called New Mars with a free market. It’s a future of longer life-spans but also new kinds of death.