How to subvert authoritarian regimes? Astrid Bear’s Hall of Fame acceptance speech for Poul Anderson’s “Sam Hall”; NASFiC presenter Sarah Hoyt on writing about liberty

Astrid Anderson Bear, speaking from Washington, talked about her late father Poul Anderson and how to subvert authoritarian regimes, while novelist Sarah Hoyt, speaking from Colorado, discussed the importance of writing about liberty.

Both women spoke eloquently at the Libertarian Futurist Society’s 2020 Prometheus Awards ceremony, presented Saturday Aug. 22 as a well-advertised highlight during the all-online Columbus North American Science Fiction Convention (NASFiC).

Hoyt, winner of the 2011 Prometheus for Best Novel for Darkship Thieves, had the honor of presenting the Prometheus Hall of Fame category for Best Classic Fiction.

This Poul Anderson collection includes his short story “Sam Hall.”

Bear accepted the award for her late father, whose story “Sam Hall” was inducted into the 2020 Prometheus Hall of Fame.

Continue reading How to subvert authoritarian regimes? Astrid Bear’s Hall of Fame acceptance speech for Poul Anderson’s “Sam Hall”; NASFiC presenter Sarah Hoyt on writing about liberty

Identity, anarchy, robots with rights and space colonization: An Appreciation of Ken MacLeod’s The Stone Canal, the 1998 Prometheus Best Novel winner

To make clear why past winners deserve recognition as pro-freedom or anti-authoritarian sf/fantasy and how each fits our award, we’ve published review-essays of all past Prometheus Award-winners. Here’s the latest Appreciation for Ken MacLeod’s The Stone Canal, the 1998 Best Novel winner:

By Michael Grossberg

Ken MacLeod’s The Stone Canal ranges widely in its exploration of different political systems on different planets in a future marked by wars, revolutions, space colonization and a cyberworld in which people’s memories and personalities can be downloaded or uploading to clones on demand.

Among the many exciting ideas that MacLeod explores in his ambitious 1997 novel – Book 2 in his Fall Revolution series, but set earlier than The Cassini Division – are several of special interest to libertarian sf fans – including his complex and ambiguous depiction of capitalist anarchy on Earth, how free markets might develop on a terraformed planet in another solar system and the possibility of independent robots with individual rights.

The settings are far-flung, too, from 20th century Scotland to a 21st century extra-solar planet called New Mars with a free market. It’s a  future of longer life-spans but also new kinds of death.

Continue reading Identity, anarchy, robots with rights and space colonization: An Appreciation of Ken MacLeod’s The Stone Canal, the 1998 Prometheus Best Novel winner