Category: George Orwell

Brave New World: Huxley’s 1932 dystopian classic ranks among the oldest works to win the Prometheus Hall of Fame award


By Michael Grossberg

Aldous Huxley’s Brave New World is one of the oldest works to win the  Prometheus Award for Best Classic Fiction.

Published in 1932 by Chatto & Windus, Aldous Huxley’s pioneering dystopian novel has become so well-known around the world that its title has become an emblematic catchphrase signaling the dangers of authoritarianism.

Brave New World is the third-oldest work and the second-oldest novel to be inducted into the Prometheus Hall of Fame. (The roughly hourlong Zoom ceremony, open to the public, is scheduled to begin at 1 p.m. Sunday Aug. 16 (Eastern time), with the Zoom link posted a week or so ahead on the Prometheus Blog.)

Continue reading Brave New World: Huxley’s 1932 dystopian classic ranks among the oldest works to win the Prometheus Hall of Fame award


How to approach A.I. ethically: Chronicles magazine reminds us of the wisdom of C.S. Lewis and George Orwell

By Michael Grossberg

It’s always encouraging to see a Prometheus-recognized writer remembered in any contemporary article, especially about one of the hottest, most divisive and misunderstood issues of our day.

C.S. Lewis (Creative Commons license)

But it’s wonderful – and rare – to find two such authors remembered in the same article, especially one that quotes them with accuracy and insight.

The enduring wisdom of both C.S. Lewis and George Orwell is at the core of a sensible article about Artificial Intelligence by Benjamin M. Osborne in Chronicles magazine.

Orwell, of course, is a two-time Prometheus Hall of Fame inductee for his novels Nineteen Eighty-Four and Animal Farm. Lewis, meanwhile, is again a Hall of Fame finalist this year for his 1945 science fiction novel That Hideous Strength.

So what ideas and insights by Lewis and Orwell are explored and applied in Osborn’s June 2026 article, “What Would C.S. Lewis Have Thought of AI?”

Continue reading How to approach A.I. ethically: Chronicles magazine reminds us of the wisdom of C.S. Lewis and George Orwell

The Orwell Prize fiction finalists reflect dual focus on both style and content, like the Prometheus Awards

By Michael Grossberg

Not everyone is familiar with the British-based Orwell Prizes, which recently announced their slate of 2026 finalists.

Sponsored and administrated by The Orwell Foundation in the United Kingdom, the prizes aim to recognize work that comes closest to George Orwell’s ambition “to make political writing into art.”

Orwell certainly achieved that goal with his most widely acclaimed and enduring novels Nineteen Eighty-Four and Animal Farm, both later inducted into the Prometheus Hall of Fame for Best Classic Fiction. So it’s nice to see another award honoring Orwell’s spirit.

Continue reading The Orwell Prize fiction finalists reflect dual focus on both style and content, like the Prometheus Awards

L. Neil Smith’s The Probability Broach: The Prometheus winner that one Best Novel judge dreams of seeing on screen someday


By Michael Grossberg

It’s relatively rare for a Prometheus-winning work of pro-freedom science fiction or fantasy to be adapted into a movie or for television. But that happened this year, with the recent 2026 release of an animated film of George Orwell’s Animal Farm, inducted in 2011 into the Prometheus Hall of Fame.

While the misconceived third film version of Orwell’s anti-authoritarian and anti-communist classic fable proved disappointing, our hopes remain high for more Prometheus-winning novels or stories to be filmed – and some are already in the works.

Meanwhile, sparked by this year’s film release, I asked Libertarian Futurist Society members I work with as fellow Best Novel judges which Prometheus-winning works they’d like to see on screen.

Adam Tuchman’s top choice is The Probability Broach, L. Neil Smith’s alternate-history SF novel that won the 1982 Best Novel award.

Continue reading L. Neil Smith’s The Probability Broach: The Prometheus winner that one Best Novel judge dreams of seeing on screen someday


Richard Salman’s unusually insightful review of the flawed new Animal Farm film illuminates George Orwell’s thinking and goals in writing his 1945 satirical fable


By Michael Grossberg

Of the many reviews of the flawed new film version of George Orwell’s Animal Farm, perhaps the most insightful is one that broadens its critique to examine Orwell himself.

Richard M. Salsman, an economist and visiting assistant professor of political economy at Duke University, goes deeper than most other writers in contextualizing Andy Serkis’ widely panned animated film version.

With disturbing clarity, Salsman explains how Orwell’s evolving views led him to reverse his initial conception of Animal Farm as a critique of capitalism – but also how the British democratic socialist remained faithful to some of his deepest underlying assumptions.

This is a powerfully illuminating review and essay that deserves to be read in full at The Daily Economy, a publication of the American Institute for Economic Research.

But I also want to highlight some of Salman’s key insights, because they are so relevant to the themes and world view that shape the Prometheus Awards.

Continue reading Richard Salman’s unusually insightful review of the flawed new Animal Farm film illuminates George Orwell’s thinking and goals in writing his 1945 satirical fable


The rewards of patience: The Prometheus Hall of Fame’s track record of recognition and frequent renominations

By Michael Grossberg

Patience can be a virtue – especially when it comes to nominations for the Prometheus Hall of Fame.

Not all works that become Hall of Fame finalists or winners do so in the first year that they are nominated. But that’s never a permanent obstacle to recognition, because in this annual Prometheus category, Libertarian Futurist Society members benefit from the luxury of time.

If at first a work is overlooked or doesn’t rank high enough to become a finalist, it can be nominated and renominated in future years.

Continue reading The rewards of patience: The Prometheus Hall of Fame’s track record of recognition and frequent renominations

“What is a Hater?” – Economist David Henderson applies Orwell’s 1984 insights about how authoritarians abuse language to discount criticism and demonize others


By Michael Grossberg

One of the most chilling and distasteful aspects of the totalitarian dictatorship that George Orwell envisioned in Nineteen Eighty-Four was the “two-minute hate.”
Fuelled by State propaganda demonizing dissidents and alleged enemies, and reflecting the mob psychology of true believers manipulated by power-hungry rulers, the “two-minute hate” is the type of Reign of Terror phenomenon that no sane and decent person would wish to be part of – or be victimized by – in real life.

Yet, increasingly in American and European politics and culture, extreme partisans of Left and Right indulge in hateful rhetoric while ironically accusing others of “hate” – even when a bit of introspection and understanding of human behavior might reveal fewer people than one might think are actually motivated by that dark emotion.

Referencing Orwell and his Prometheus Hall of Fame-winning classic Nineteen Eighty-Four, libertarian economist David Henderson identifies the disturbing trend of using and abusing language to demonize anyone who holds differing views.

Continue reading “What is a Hater?” – Economist David Henderson applies Orwell’s 1984 insights about how authoritarians abuse language to discount criticism and demonize others


How many Prometheus winners have reached the screen? More than you might realize!


By Michael Grossberg

Of the 104 works of fiction that have won a Prometheus Award, 15 have been adapted into movies (sometimes more than once.)

Plus, two other Prometheus winners were conceived for and originated on screen – one as a feature film and the other as a TV series.

Thus, 17 Prometheus winners can be seen on the large or small screens.

That represents about 15 percent of all the Prometheus-winning works recognized since the award was first presented in 1979.  Not a bad quotient, perhaps, but it certainly would be nice to see more of our recognized novels and stories raise their visibility and thereby find larger audiences.

So which works have reached the screen?

Just for fun or out of curiosity, before reading further, why not visit the Prometheus Awards page listing all the past winners and see how many you can recall that have had film or TV adaptations?

Hint: There’s more than you realize!

Continue reading How many Prometheus winners have reached the screen? More than you might realize!


Orwell’s Animal Farm falls disappointingly short in new animated film version that distorts its anti-authoritarian themes


By Michael Grossberg

When it comes to film versions of George Orwell’s Animal Farm, the third time’s not the charm.

With visionary director-actor Andy Serkis at the helm of the recently released animated film version of Orwell’s classic anti-authoritarian fable and a host of great actors doing the voices of the farm animals, I’d hoped for the best for Animal Farm, inducted in 2011 into the Prometheus Hall of Fame.

Seth Rogen, Gaten Matarazzo, Glenn Close, Woody Harrelson, Kieran Culkin, Steve Buscemi, Kathleen Turner, Laverne Cox and Jim Parsons are among the actors voicing the animal characters in the story about pigs consolidating control on a farm in a movement for equality that is systematically corrupted.

Yet, Serkis’ long-in-gestation 2025 film, finally released in the U.S. in May 2026, has proved to be a major disappointment.

Continue reading Orwell’s Animal Farm falls disappointingly short in new animated film version that distorts its anti-authoritarian themes


Investigative journalist Matt Taibbi inspired by Bradbury’s Prometheus-winning novel to create “Project 451”



By Michael Grossberg

One of the many Prometheus-winning works that continues to be widely read and referenced in popular culture for its enduring dramatic power and themes is Fahrenheit 451.

Inducted in 1984 into the Prometheus Hall of Fame, Ray Bradbury’s civil-libertarian, anti-censorship and pro-reading novel envisions a dystopian future in which “firemen” burn books and literacy is suppressed, along with any memory of great literature.

While many find the novel relevant to our era, in which both free speech and the reading of books often seem threatened or in decline, few go as far as investigative reporter and media critic Matt Taibbi or as fervently.

Continue reading Investigative journalist Matt Taibbi inspired by Bradbury’s Prometheus-winning novel to create “Project 451”