How many Prometheus winners have reached the screen? More than you might realize!


By Michael Grossberg

Of the 104 works of fiction that have won a Prometheus Award, 13 have been adapted into movies (sometimes more than once.)

Plus, two other Prometheus winners were conceived for and originated on screen – one as a feature film and the other as a TV series.

Thus, 15 Prometheus winners can be seen on the large or small screens.

That represents more than 14 percent of all the Prometheus-winning works recognized since the award was first presented in 1979.  Not a bad quotient, perhaps, but it certainly would be nice to see more of our recognized novels and stories raise their visibility and thereby find larger audiences.

So which works have reached the screen?

Just for fun or out of curiosity, before reading further, why not visit the Prometheus Awards page listing all the past winners and see how many you can recall that have had film or TV adaptations?

Hint: There’s more than you realize!

Continue reading How many Prometheus winners have reached the screen? More than you might realize!


Orwell’s Animal Farm falls disappointingly short in new animated film version that twists and distorts its anti-authoritarian themes


By Michael Grossberg

When it comes to film versions of George Orwell’s Animal Farm, the third time’s not the charm.

With visionary director-actor Andy Serkis at the helm of the recently released animated film version of Orwell’s classic anti-authoritarian fable and a host of great actors doing the voices of the farm animals, I’d hoped for the best for Animal Farm, inducted in 2011 into the Prometheus Hall of Fame.

Seth Rogen, Gaten Matarazzo, Glenn Close, Woody Harrelson, Kieran Culkin, Steve Buscemi, Kathleen Turner, Laverne Cox and Jim Parsons are among the actors voicing the animal characters in the story about pigs consolidating control on a farm in a movement for equality that is systematically corrupted.

Yet, Serkis’ long-in-gestation 2025 film, finally released in the U.S. in May 2026, has proved to be a major disappointment.

Continue reading Orwell’s Animal Farm falls disappointingly short in new animated film version that twists and distorts its anti-authoritarian themes


Capsule reviews of all five Best Novel finalists – with no spoilers!


By Michael Grossberg

The 2026 Prometheus Best Novel finalists have been announced – and Libertarian Futurist Society members are reading them, with the ultimate verdict and winners to be selected by July 4 on the final ballot.

To spark thought and discussion, raise the visibility of these works and the award and hopefully serve as a helpful guide, the Prometheus Blog is publishing thoughtful, in-depth reviews by Prometheus judges of each finalist. Some LFS members may wish to read them right away; others may prefer to wait until they’ve finished a finalist before reading the review.

Meanwhile, to whet your appetite to read each finalist and vote in the final stage of the Prometheus Awards, here are roughly equal 200-word capsule descriptions of each finalist.

And we’ve striven to avoid revealing any spoilers, so it’s safe to read them now!

Continue reading Capsule reviews of all five Best Novel finalists – with no spoilers!


Former winners, finalists compete with newcomer as Prometheus Best Novel finalists


By Michael Grossberg

Three former Prometheus winners, a frequent Best Novel finalist and a first-time nominee are competing to win this year’s Prometheus Award for Best Novel.

J. Kenton Pierce (Photo courtesy of Raconteur Press)

The Prometheus Best Novel Judging Committee, drawn from the LFS membership, has selected five 2025 novels as 2026 finalists from 14 nominated works. The Best Novel finalists, listed in alphabetical order by author, are Storm-Dragon, by Dave Freer (Raconteur Press); War by Other Means, by Karl K. Gallagher (Kelt Haven Press); No Man’s Land, by Sarah Hoyt (Goldport Press); A Kiss for Damocles, by J. Kenton Pierce (Raconteur Press); and Powerless, by Harry Turtledove (CAEZIK SF & Fantasy.)

Pierce was nominated for the first time for a Prometheus Award, so his inclusion as a Best Novel finalist is particularly impressive in a year that many judges feel has been a superior one for freedom-themed SF/fantasy.

Continue reading Former winners, finalists compete with newcomer as Prometheus Best Novel finalists


Swan Song and “Finnish Weird” SF: Prometheus winner Johanna Sinisalo recognized as Star Rover finalist in top Finland award


By Michael Grossberg

Johanna Sinisalo (Credit: Creative Commons photo)

Kudos to Johanna Sinisalo, most familiar to readers of this blog as winner of the 2017 Prometheus Award for Best Novel.

Sinisalo, widely hailed as one of Finland’s leading novelists, has been recognized as a finalist in Finland’s top science fiction award.

The Helsinki Science Fiction Society has announced 2026 finalists for its Tähtivaeltaja (“Star Rover”) Award for the best science fiction book published in Finland in the previous year.

Continue reading Swan Song and “Finnish Weird” SF: Prometheus winner Johanna Sinisalo recognized as Star Rover finalist in top Finland award


Vernor Vinge and Terry Pratchett: A hidden connection between two Prometheus winners, one a master of serious SF, the other of satirical fantasy

By Michael Grossberg

Acclaimed SF writer Vernor Vinge (Creative Commons license)

Vernor Vinge wrote serious science fiction; Terry Pratchett wrote fantasy with a strong comical and satirical focus.

Terry Pratchett in 2012. (Creative Commons license)

Although each writer won more than one Prometheus Award for works that wove in libertarian and anti-authoritarian insights and themes, few of us tend to think of these two late great authors in the same breath, or any close to the same fiction or genre category.

While surely their respective fan bases overlap to some extent, even the hardest-core Pratchett and Vinge fans probably wouldn’t imagine that much else might link them – especially Fans of Vernor Vinge and Terry Pratchett, even if that fan base overlaps, probably don’t think of both authors together.

Yet, they had a strong connection in fiction, with one author favorably mentioning and imagining the future work of the other in a novel.

Continue reading Vernor Vinge and Terry Pratchett: A hidden connection between two Prometheus winners, one a master of serious SF, the other of satirical fantasy

Review: Sarah Hoyt’s No Man’s Land develops rich tapestry blending SF/fantasy tropes to imagine “first contact” with vast cultural, political and gender differences


By Michael Grossberg

Sarah Hoyt has always been a wonderful storyteller who frequently crosses genre boundaries with engrossing results.

With No Man’s Land, nominated for this year’s Prometheus Award for Best Novel, Hoyt has outdone herself.

Blending the tropes and appeal of science fiction and fantasy, Hoyt weaves many enticing elements into the three-volume novel. Her two deftly entwined stories encompass space opera, mystery, romance, adventure, suspense, intrigue and politics in a vivid “first contact” saga leavened with humor and humanity.

Continue reading Review: Sarah Hoyt’s No Man’s Land develops rich tapestry blending SF/fantasy tropes to imagine “first contact” with vast cultural, political and gender differences


Review: J. Kenton Pierce’s lively A Kiss for Damocles dramatizes how markets, evolving customs and laws help a post-apocalyptic colony recover without centralized authority


By William H. Stoddard

J. Kenton Pierce’s A Kiss for Damocles is a compellingly readable work of science fiction. It offers its readers an inherently dramatic situation: The struggle to survive and rebuild civilization in the aftermath of an apocalyptic war.

To add tension, remnants of the other side still linger, in the form of orbital systems waiting to strike down any resurgence of advanced technology.

Continue reading Review: J. Kenton Pierce’s lively A Kiss for Damocles dramatizes how markets, evolving customs and laws help a post-apocalyptic colony recover without centralized authority


Jo Walton on Poul Anderson: One Prometheus winner recommends another


By Michael Grossberg

It’s great to see one widely respected sf/fantasy author in praise of another. Especially when such praise reminds us of the talents and achievements of a truly grand master of sf/fantasy who has passed but is far from forgotten.

Jo Walton tips her hat to the late great Poul Anderson in her monthly book-review column for Reactor magazine.

Walton, who won her own Prometheus Award for Ha’penny, singled out the multiple-Prometheus-winning Anderson on her recommended-reading shortlist for All One Universe, his 1996 short-story anthology.

“This collection of stories and essays is just delightful—great thought-provoking stories, and mostly interesting essays, and I loved it,” Walton writes.

Continue reading Jo Walton on Poul Anderson: One Prometheus winner recommends another


It’s no ‘Mystery’ why libertarian author Steve Burgauer often writes science fiction 


By Michael Grossberg

Libertarian Steve Burgauer has written a dozen novels.

Libertarian SF novelist Steven Burgauer (Photo courtesy of author)

Although Burgauer writes historical and adventure novels, too – including his recently released The Mystery of the Broken Gargoyle – much of his work falls within the genre of science fiction.

Among his SF novels: The Railguns of Luna, Skullcap, The Grandfather Paradox, A More Perfect Union, Moonbeam and The Fornax Drive.

How was Burguauer first attracted to science fiction?

What makes him keep writing it?

And how does he relate such speculative fiction to the future, to progress and to liberty?

Continue reading It’s no ‘Mystery’ why libertarian author Steve Burgauer often writes science fiction