“When we started our writing career we never dreamt of winning the Prometheus Award. … Of all the awards in Science Fiction, … The Prometheus Award, above all others, became the one we truly wanted. [because] liberty must be championed and valued — of the myriad awards out there, only the Prometheus recognizes this essential fact. And the authors we respect the most have all won it.”
– Eytan and Dani Kollin, co-authors of The Unincorporated Man, the 2010 Prometheus Awardwinner for Best Novel, from their Prometheus acceptance speech
Did something significant to science fiction – actually, unprecedented – just happen at the Academy Awards?
It wasn’t really highlighted in any media reports I came across, but isn’t Everything Everywhere All at Once the first outright science fiction film to win the Oscar for Best Picture?
And not only that, but the Best Picture winner is especially intriguing to consider from a libertarian futurist perspective: Is it possible that this year’s Academy Awards recognized one of the most pro-freedom films to ever win an Oscar for best picture?
Such questions are sparked by an intriguing column on Reason magazine’s blog: “Oscar-winning Everything Everywhere All At Once Celebrates individalism, Free Will.”
Two graphic novels.
A related novella and filk song.
Plus, a webcomic about a sentient robot and his pals.
If you’ve ever wondered why the Libertarian Futurist Society’s Special Prometheus Awards have recognized all of the above, then wonder no longer.
You can check it out on the LFS website’s Prometheus Awards page, which now has convenient links to Appreciation review-essays about all 10 works that have won recognition since the occasional Special Awards category of was established in 1998.
Only two films have been recognized with Special Prometheus Awards since that occasional awards category was first presented more than two decades ago: Serenity and V for Vendetta.
Here is an appreciation of V for Vendetta, the 2007 Prometheus Hall of Fame winner:
V for Vendetta, a Warner Bros. Pictures feature film released in 2006, offers a powerful and poignant indictment of totalitarianism as a brutal denial of not only our liberty but our very humanity.
“Some movies fade on repeated viewings while others maintain their brilliance. V for Vendetta is a stellar example of the latter…. The movie is simply brilliant,” Fred Curtis Moulton wrote in his rave review, printed in the Spring 2007 issue of Prometheus, the LFS’ quarterly newsletter.
As an eventful year ends, the Libertarian Futurist Society (LFS) is approaching a milestone: 100 Appreciations of past Prometheus Award-winners, all posted on this LFS/Prometheus blog.
That’s a milestone to savor, especially given the ongoing efforts and commitments by LFS leaders and contributors over the past 30 months to write and post these informative and insightful review-essays.
Here’s an overview of our progress, an explanation of why the Appreciations are important (including tips on how you can use and refer to them), and a preview of some of the upcoming articles you can expect from the Prometheus Blog in 2022.
The V for Vendetta: Behind the Mask exhibit will be available until Oct. 31;
“Presenting 36 original comic artworks alongside storyboards and costume designs from the hit Warner Bros movie, V for Vendetta: Behind the Mask charts the rise from comic to graphic novel, Hollywood film to iconic symbol of protest,” the museum says.
The Libertarian Futurist Society’s Appreciation series offers review-essays of past award-winners that make clear why each deserves recognition as a pro-freedom and/or anti-authoritarian work. Here’s an appreciation for writer Alan Moore and artist David Lloyd’s graphic novel V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.
“People should not be afraid of their governments. Governments should be afraid of their people.”– V for Vendetta
By Michael Grossberg V for Vendetta dramatizes and illustrates a horrific cautionary tale about the loss of freedom and identity itself in a chilling totalitarian future.
The 1989 graphic novel, created by British writer Alan Moore and artist David Lloyd, has been widely acclaimed as a defining work within the medium of comics and the emerging art of graphic novels – and deservedly so.
Like some of the best dystopian novels, this vivid fusion of word and image chronicles the debilitating and soul-crushing impact of living in an authoritarian police state. That’s a nightmare that few understand who haven’t experienced it, but V for Vendetta makes it palpable.
Happily, V for Vendetta isn’t just harrowing but also inspiring – for it also highlights the power of the human spirit to resist tyranny. The graphic novel earns our sympathy for a few valiant if damaged souls who find the courage to rebel against the excesses and norms of truly unlimited government.