The four works selected as finalists for the next Prometheus Hall of Fame award span almost a century.
Rudyard Kipling File photo
From a Rudyard Kipling story published in 1912 to a Charles Stross novel published in 2003, the 2024 slate of finalists reflects a broad range of different eras, themes and literary styles.
Charles Stross (Creative Commons license)
Of the four Hall of Fame finalists for Best Classic Fiction, two are novels, one a story and one a song – demonstrating the wide variety of narrative or dramatic forms eligible for consideration each year among works that were first published, performed, recorded or aired at least 20 years ago.
One work appears on the Hall of Fame shortlist for the first time: Stross’ Singularity Sky, previously a write-in candidate for Best Novel after its initial publication by Ace Books in 2003. (Because of the 20-year rule, the novel only became eligible this past year for Hall of Fame nomination.)
Although published more than two decades ago, Singularity Sky (Ace Books, 2003) still feels fresh and brilliant in its cutting-edge SF and explicitly libertarian vision.
A strong write-in candidate for Best Novel in the year it was first published more than two decades ago, Singularity Sky has been nominated for the first time for the Prometheus Hall of Fame for Best Classic Fiction.
Fabulously inventive and sophisticated in its cornucopia of world-building, Stross’ widely acclaimed first novel successively introduces a wild variety of clashing cultures, divergent interests, hidden motives and compelling characters. Although some story elements might seem fanciful or within the realm of fantasy, all are ultimately rooted in plausible science fiction.
Of the 10 nominees for the next Prometheus Hall of Fame for Best Classic Fiction, the two most recently published are novels – one a historical fantasy set at the dawn of civilization, and the other, a work of futuristic science fiction set among interstellar colonies.
Between the Rivers, by Harry Turtledove, was published in 1998 by TOR Books.
Singularity Sky, by Charles Stross, was published in 2003 by Ace Books.
Both authors are Prometheus Award winners for Best Novel, with Stross winning in 2007 for Glasshouse and Turtledove winning in 2008 for The Gladiator.
Five are novels, two are novelettes, one a novella, one a story and one a song, reflecting the wide range of fiction eligible for consideration in the Prometheus Hall of Fame.
Author Arthur C. Clarke (Creative Commons license)
The authors of these classic works range from the late great Rudyard Kipling, C.S. Lewis and Arthur C. Clarke to still-living authors, such as Harry Turtledove and Charles Stross.
Rudyard Kipling (File photo)
Ten works of speculative fiction, first published or performed more than 20 years ago, have been nominated by LFS members for the next Prometheus Hall of Fame for Best Classic Fiction.
Science fiction in recent decades has included an extensive exploration of an economic idea, or at least an economic term: The concept of scarcity. In a peculiarly science-fictional dialectical move, this exploration takes place by assuming the absence of scarcity and asking what follows from it.
The late Iain M. Banks is well known for making “post-scarcity” a premise of his Culture series, for example. In effect, this idea makes advanced technology a kind of djinn that can grant human wishes.
Similar ideas actually have a long history in science fiction.
Naturally, the Prometheus Awards are important to Libertarian Futurist Society members and other freedom-loving sf/fantasy fans.
Gold coins are used as prizes in the Prometheus Awards
But where does our award rank among other sf/fantasy literary awards in the considered opinion of leading sf/fantasy editors?
Prominent sf/fantasy novelist Charles Stross, who won the 2007 Prometheus Award for Best Novel for Glasshouse, shared a private conversation with a top editor that actually ranks the Prometheus Award quite high.
“When we started our writing career we never dreamt of winning the Prometheus Award. … Of all the awards in Science Fiction, … The Prometheus Award, above all others, became the one we truly wanted. [because] liberty must be championed and valued — of the myriad awards out there, only the Prometheus recognizes this essential fact. And the authors we respect the most have all won it.”
Eytan and Dani Kollin in 2010 (Creative Commons license)
– Eytan and Dani Kollin, co-authors of The Unincorporated Man, the 2010 Prometheus Awardwinner for Best Novel, from their Prometheus acceptance speech
Here is the second part of the Prometheus Blog interview with Wil McCarthy, the 2022 Best Novel winner for Rich Man’s Sky.
SF author Will McCarthy in command of some sort of starship (Photo: Baen Books)
Q: Were you aware of the Prometheus Awards before receiving your first Best Novel nomination this past year?
A: I have been aware of the award, yes. I used to think of it as a purely political award, which I think perhaps it was in the early days. But when you see it going to people like Cory Doctorow (Little Brother)and Charles Stross (Glasshouse) — both excellent, thoughtful writers, and clearly not Libertarians in any traditional American sense — I think it’s easier to see it as a genuine literary prize that rewards great ideas and great storytelling.
Here is the acceptance speech by sf writer Wil McCarthy, winner of the 2022 Prometheus Award for Best Novel for Rich Man’s Sky. McCarthy presented his speech Aug. 13, 2022, via Zoom as part of the LFS’ annual awards ceremony, which included two-time Prometheus winner Travis Corcoran as presenter of the Best Novel category.
BY WIL MCCARTHY
Howdy. I’m very happy to be here, and I’d like to thank all of you for inviting me. Yours is a great organization with a noble purpose, and I can only imagine the energy that goes into it. I think it’s ironic that I’m the one getting recognition today, when you all are the ones doing the work. My only regret is that I’m not able to thank you in person.
Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.
Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Libertymagazines to the Cato Institute) – have understood that for a long time.
Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.
The cover illustration of the Quillette article on Libertarian Science Fiction Photo: a Quillette illustration, copied here to help people find the article on their website
Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.
According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”
Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.
