Dangerous Visions anthology and Reason review highlight Heinlein and other Prometheus winners

By Michael Grossberg

Several leading sf writers whose classic works have won Prometheus Awards are examined in a new anthology about science fiction’s New Wave.

Most notably, Robert Heinlein’s The Moon is a Marsh Mistress and Ursula Le Guin’s The Dispossessed are among the libertarian sf works explored, contrasted and debated in Dangerous Visions and New Worlds: Radical Science Fiction, 1950-1985.

Reason book editor Jesse Walker reviews the anthology of essays while noting its discussions of libertarian writers and libertarian-themed sf in the March 2022 issue of Reason magazine.

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A preview of 2022 blogs, as our Appreciation Series approaches a milestone of 100 review-essays illuminating past Prometheus Award winners

As an eventful year ends, the Libertarian Futurist Society (LFS) is approaching a milestone: 100 Appreciations of past Prometheus Award-winners, all posted on this LFS/Prometheus blog.

That’s a milestone to savor, especially given the ongoing efforts and commitments by LFS leaders and contributors over the past 30 months to write and post these informative and insightful review-essays.

Here’s an overview of our progress, an explanation of why the Appreciations are important (including tips on how you can use and refer to them), and a preview of some of the upcoming articles you can expect from the Prometheus Blog in 2022.

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A great and logical heterotopia, with libertarian insights into optimization: Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

As an opening epigraph in Glory Road, Robert Heinlein quotes some lines by Bernard Shaw that include the sentence “He is a barbarian, and thinks the customs of his tribe and island are the laws of nature.” One of the things science fiction can do for its readers is to jar us out of such complacency, by portraying worlds with customs other than ours – not utopias or dystopias, but heterotopias, “other places.” Donald M. Kingsbury’s Courtship Rite is one of the great heterotopias.

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“Propertarians,” anarchism, socialism and ambiguous utopias: Ursula K. Le Guin’s The Dispossessed, the 1993 Prometheus Hall of Fame winner for Best Classic Fiction

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom work, the Libertarian Futurist Society began publishing in 2019 an Appreciation series of all past award-winners.

Here’s an Appreciation of Ursula K. Le Guin’s The Dispossessed, the 1993 inductee into the Prometheus Hall of Fame for Best Classic Fiction (and perhaps the most controversial work to ever be inducted into the Hall of Fame.)

By Michael Grossberg
Two alleged utopias are explored and contrasted in The Dispossessed, Ursula K. Le Guin’s 1974 novel about a rebel who leaves one world for the other.

As befits any intelligent observer of the 20th and 21st century who must take into account the emergence of dystopian fiction as a major subgenre in response to the authoritarian and collectivist horrors of socialism, communism, national socialism and fascism in Russia, China, Germany, Italy and elsewhere, Le Guin underlines her complex theme by subtitling her novel “An Ambiguous Utopia.”

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Reason magazine & Victoria Varga on the LFS fight over Ursula Le Guin’s ‘The Dispossessed’

My Jan. 24 blog post on the death of prominent SF writer Ursula K. LeGuin mentioned that she won our Hall of Fame Award in 1993, for The Dispossessed.

I know now a lot more about the history behind that award, thanks to a new article by Victoria Varga. 

Varga, the former editor of The Prometheus, the newsletter we sent out until we established this blog, explains that the novel came out in 1974 and she nominated it for the Hall of Fame Award in 1983, touching off years of debate. LeGuin appreciated the nominations but privately expressed doubt it would win, although it finally did.

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