Two graphic novels.
A related novella and filk song.
Plus, a webcomic about a sentient robot and his pals.
If you’ve ever wondered why the Libertarian Futurist Society’s Special Prometheus Awards have recognized all of the above, then wonder no longer.
You can check it out on the LFS website’s Prometheus Awards page, which now has convenient links to Appreciation review-essays about all 10 works that have won recognition since the occasional Special Awards category of was established in 1998.
As an eventful year ends, the Libertarian Futurist Society (LFS) is approaching a milestone: 100 Appreciations of past Prometheus Award-winners, all posted on this LFS/Prometheus blog.
That’s a milestone to savor, especially given the ongoing efforts and commitments by LFS leaders and contributors over the past 30 months to write and post these informative and insightful review-essays.
Here’s an overview of our progress, an explanation of why the Appreciations are important (including tips on how you can use and refer to them), and a preview of some of the upcoming articles you can expect from the Prometheus Blog in 2022.
Before you can build and sustain a fully free society, in earth or in space, you have to be able to fully imagine it.
Positive and persuasive visions of liberty – that can capture people’s imaginations as both desirable and feasible – are crucial to help sustain free and diverse societies where people flourish. And whatever their differing perspectives, such visions must have plausibility, practicality and legitimacy.
That’s where science fiction can play a vital role – and Visions of Liberty, an anthology exploring different futuristic scenarios of freedom, fulfills that goal with fascinating, engrossing and surprisingly plausible stories.
Free Space, the first Special Prometheus Award-winner in 1998, has the distinction of being the first explicitly libertarian sf anthology.
Published in 1997 by TOR Books and edited by Brad Linaweaver and Ed Kramer, Free Space generated immense excitement among libertarian sf fans.
Today, almost a quarter century later, quite a few of its stories remain worth reading (or worth rereading) by freedom-lovers and, for that matter, anyone who enjoys interesting and imaginative sf speculations about humankind’s future in space.
The 352-page collection, dedicated to Robert and Ginny Heinlein, offers a wide range of stories and short fiction by 20 writers reflecting several generations and multiple perspectives.
Libertarian science fiction writer L. Neil Smith has died, leaving a legacy of high-spirited libertarian sf adventure and of the Prometheus Award itself.
Smith, who died at 75 on Aug. 27, 2021 in Fort Collins, Colo., is best known for his explicitly libertarian novel The Probability Broach and its rambunctious alternate-history sequels in his The North American Confederacy series.
During his writing career from the 1970s into the 2010s, Smith wrote 31 books, including 29 novels, and many essays and short stories.
Quite a few of his works were nominated for Prometheus Awards because of their freewheeling adventure, sense of humor, imaginative alternate-reality scenarios and strong libertarian/individualist themes.
Prometheus-winning author and scholar Victor Koman is leading a new project to digitize the papers and publications of Samuel Edward Konkin III (SEK3) for posterity.
Konkin, a libertarian philosopher and activist who led the “agorist” wing of the libertarian movement in the 1970s and 1980s, influenced quite a few libertarians and libertarian science fiction writers, such as the Prometheus Award winners J. Neil Schulman, Brad Linaweaver and Koman himself.
CoNZealand, the 78th World Science Fiction Convention and the first Worldcon in history to be presented entirely online, pulled off the unprecedented feat with impressive organization and the dedication of countless volunteers and organizers.
In the process, the July 29 to Aug. 1 event offered the annual Hugo Awards ceremony and a dizzying variety of interesting panel discussions – including one suggested by the Libertarian Futurist Society to honor the Prometheus Awards’ recent 40thanniversary.
With a vast and potentially larger worldwide online audience watching from many countries on Zoom and Discord platforms but avoiding direct physical contact for safety during the pandemic, the New Zealand Worldcon seized the potential to be seen more widely. One happy consequence was raising the visibility worldwide of the Libertarian Futurist Society and the Prometheus Awards.
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and to make clear what libertarian futurists see in each of our past winners that made them deserve recognition as pro-freedom sf/fantasy, we’re continuing in 2020 to present a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.
Here’s the latest Appreciation for Victor Koman’s Kings of the High Frontier:
Victor Koman’s 1997 novel dramatizes the dream of getting into space with an libertarian twist: The massive effort is achieved through the voluntary social cooperation of mutual trade and mutual aid through private enterprise.
Set in a subtly alternate reality, the story imagines a profit-enhanced competition to reach the stars, which anticipated the X Prize that saw Burt Rutan’s SpaceShipOne reach space in 2004.
Kings of the High Frontier highlights the shortsighted bureaucratic and political efforts of a government-run program like NASA, with its consequences in corruption, wasteful mismanagement and stagnation.
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, we are posting a series of weekly Appreciations of past Prometheus Award-winners, starting with our earliest Best Novel awards.
Here is the ninth Appreciation for Brad Linaweaver’s Moon of Ice, the 1989 Best Novel winner:
Brad Linaweaver conceived and wrote a richly detailed, provocative, and acclaimed alternate-history saga in Moon of Ice.
The meticulously researched 1988 novel – expanded from a 1981 novella published in Amazing Stories and nominated in 1982 for the Nebula Award – imagines an increasingly libertarian United States that provides a refuge for those fighting the evils of statism and collectivism.
To highlight and honor the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are providing a reader’s guide with capsule Appreciations of past Prometheus Award-winners, starting with the Best Novel category.
If you’ve ever wondered why a particular work of fiction has been recognized with a Prometheus Award and what libertarian sf fans see in these award-winning works, then our upcoming series of Appreciations should be must reading – as well as informative and illuminating!
Or, if you’re simply looking for something enjoyable and stimulating to read within the realm of science fiction and fantasy, which also illuminates abiding questions about the perennial tensions between Liberty and Power, an excellent place to begin is with this recommended reading list of award-winning fiction (to be published here on a regular weekly (or biweekly) schedule, starting now (September 2019).
These capsule appreciations are being written and edited by LFS members (including LFS founder Michael Grossberg, LFS President William H. Stoddard, and veteran LFS leaders and board members Chris Hibbert, Tom Jackson, Anders Monsen, Eric Raymond, and others). In a few cases, the Appreciations will be based in part on reviews printed in the Prometheus quarterly (1982-2016) or the Prometheus blog (2017-today). Since 1979, a wide array of novels, novellas, stories, films, TV series and other works of fiction have won Prometheus awards by highlighting in fascinatingly different ways the value of voluntary social cooperation over institutionalized State coercion, the importance of respecting human rights (even for that smallest minority, the individual), and the evils of tyranny (whether on the Left or the Right).