Another Prometheus-winning author has been inducted into the Canadian Science Fiction & Fantasy Association’s Hall of Fame.
Jo Walton, who won a Prometheus Award for Best Novel for Ha’Penny, is one of three Canadians inducted into Canada’s 2024 Hall of Fame.
Born in Wales, Walton has lived since 2002 in Montreal “where the food and books are much better,” according to her website and a report in File 770.
Continue reading Prometheus winner Jo Walton inducted into Canada’s SFF Hall of Fame
Publisher-editor Tom Doherty, who founded TOR Books, has won the 2024 Robert A. Heinlein Award.
The award, funded by the Heinlein Society and named after the Grand Master who has won more Prometheus Awards than anyone else, is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space.
According to a Heinlein Society press release, the Heinlein award was given to Doherty in recognition of his work “in bringing the inspiring books of hundreds of authors writing about our future in Space to public awareness.”
One of the leading publishers of sf/fantasy, TOR Publishing Group has won every major award in the sf field – including Hugo, Nebula and Prometheus awards.
Continue reading TOR Books founder Tom Doherty wins Heinlein Award
“When we started our writing career we never dreamt of winning the Prometheus Award. … Of all the awards in Science Fiction, … The Prometheus Award, above all others, became the one we truly wanted. [because] liberty must be championed and valued — of the myriad awards out there, only the Prometheus recognizes this essential fact. And the authors we respect the most have all won it.”
– Eytan and Dani Kollin, co-authors of The Unincorporated Man, the 2010 Prometheus Awardwinner for Best Novel, from their Prometheus acceptance speech
Following up on a recent Prometheus blog post, here are more classic Prometheus Award acceptance speeches to savor.
These speeches, all since 2000, offer insightful quotes that still resonate today.
Continue reading Enduring quotes from more classic Prometheus Award acceptance speeches (since 2000)
One of the things I do in my spare time is bring old issues of Prometheus onto the web. Prometheus, the LFS’ former print quarterly, was published from 1982 to 2015, and there are lots of articles of lasting value in this collection. Well more than half the issues are now available on the web.
One thing I noticed a little while ago is that we have transcripts of many of the Prometheus Award acceptance speeches that have been given over the years, and they are worth reading again. We also have recordings of several of the ceremonies, but uploading those will be a separate project.
Here’s a quick guide to all the speeches that appeared in Prometheus:
Science fiction and fantasy is written all over the world – and LFS members have nominated fiction from several continents and many countries over the decades.
More than ever, the Prometheus Awards have become truly international.
For the first time, the Libertarian Futurist Society has recognized an Australian writer as winner of the Prometheus Award for Best Novel.
Dave Freer, an Australian who lives in Tasmania, has won the 2023 Prometheus Award for Best Novel for novels published in 2022.
As an eventful year ends, the Libertarian Futurist Society (LFS) is approaching a milestone: 100 Appreciations of past Prometheus Award-winners, all posted on this LFS/Prometheus blog.
That’s a milestone to savor, especially given the ongoing efforts and commitments by LFS leaders and contributors over the past 30 months to write and post these informative and insightful review-essays.
Here’s an overview of our progress, an explanation of why the Appreciations are important (including tips on how you can use and refer to them), and a preview of some of the upcoming articles you can expect from the Prometheus Blog in 2022.
Few individuals have made more of a difference to the Libertarian Futurist Society and the Prometheus Awards in the 21st century than William H. Stoddard.
Bill, as he’s known to friends and fellow LFS members, has led the nonprofit, all-volunteer group of freedom-loving sf fans for more than a decade as president of the board of directors.
But Stoddard has done far more for many years, writing reviews of sf/fantasy for the Prometheus newsletter and more recently, this blog, and serving for decades as a key judge on both finalist-judging committees for the Best Novel and Best Classic Fiction categories of the Prometheus Award.
Here is LFS Secretary Michael Grossberg’s interview with Stoddard about how he became an sf fan, a libertarian and an active LFS member and what are some of his favorite writers and Prometheus-winning works.
Q: What Prometheus Award winners especially excited you or pleased you when they won for Best Novel?
A: For the Best Novel Award, I’d name two.
Michael Flynn’s In the Country of the Blind (1991 award) asked “what if Charles Babbage’s Analytical Engine had come into use in the nineteenth century?” in the form, not of an alternate history, but of a hidden history where multiple secretive groups used predictive social science (made possible by Analytical Engines) to create the actual history of the twentieth century from behind the scenes; it was one of my main influences when I wrote GURPS Steampunk for Steve Jackson Games in 2000.
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and to make clear what libertarian futurists saw in each of our past winners that made them deserve recognition as pro-freedom sf/fantasy, we’re presentING a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.
Here’s the latest Appreciation – and an intriguing comparison – of Harry Turtledove’s The Gladiator and Jo Walton’s Ha’Penny, co-winners of the 2008 Prometheus Award for Best Novel:
The year 2008 saw, for the first time, a tie between two Prometheus Award nominees for Best Novel: Harry Turtledove’s The Gladiator (in his Crosstime Traffic series from Tor Books) and Jo Walton’s Ha’Penny (in her Small Change series, also from Tor Books).
Ordinarily, each winner would merit its own entry; but there are interesting parallels between the two, which make it especially fitting that they shared the award, and illuminating to examine them together.
Turtledove has been known primarily as an author of alternate history, making his mark with early works such as A Different Flesh (1988), set on an Earth where the Americas are inhabited by surviving Homo erectus, and The Guns of the South, in which South African engineers help Robert E. Lee to victory, with surprising results. The six volumes of Crosstime Traffic are a young adult series about trade between parallel Earths.
Walton’s oeuvre has been more varied, but Small Change is definitely alternate history, set in a timeline where the United Kingdom came to terms with Germany in the 1930s.
It belongs to a subgenre that’s not usually considered science fictional: the cozy mystery, commonly set in a domain of wealthy and privileged people (not very different from the setting of the Jeeves and Wooster stories!) and keeping overt violence and the cruder sorts of crime offstage.
Walton mixes this with a different subgenre, the police procedural, making her continuing protagonist a Scotland Yard investigator. The science-fictional aspect comes from Walton’s careful exploration of the cultural divergence to be expected in her alternate timeline.
Continue reading Alternate history as a fruitful genre for re-imagining themes of Liberty versus Power: An Appreciation and Comparison of Harry Turtledove’s The Gladiator and Jo Walton’s Ha’Penny, co-winners of the 2008 Prometheus Award for Best Novel
A bust of J.R.R. Tolkien in the chapel of Exeter College, Oxford. (Creative Commons photo).
The Prometheus Award has been given annually since 1982, and the Hall of Fame Award since 1983. All through the twenty-first century, lists of four to six finalists have been announced for each award. And for much of that time, online comments on the nominations and awards have often questioned their rationale. There have been comments suggesting that the awards could go to virtually any book, or to winners that have no libertarian content, or indeed are actively opposed to libertarianism.
“Virtually any book” is an exaggeration.
Continue reading What Do You Mean ‘Libertarian’? (and why Tolkien’s trilogy deserved its Prometheus)
