The Prometheus Award has been presented more than 100 times, but which authors have won the most? And which of their winning works should you read first, if you aren’t familiar with them?
In the original Best Novel annual category, which I’ll focus on here, only 10 authors have won more than one – and only four writers have won as many as three.
(Try to guess their names, just for fun, without taking a peek at the LFS website’s Prometheus Awards page, which lists all past winners.)
“When we started our writing career we never dreamt of winning the Prometheus Award. … Of all the awards in Science Fiction, … The Prometheus Award, above all others, became the one we truly wanted. [because] liberty must be championed and valued — of the myriad awards out there, only the Prometheus recognizes this essential fact. And the authors we respect the most have all won it.”
Eytan and Dani Kollin in 2010 (Creative Commons license)
– Eytan and Dani Kollin, co-authors of The Unincorporated Man, the 2010 Prometheus Awardwinner for Best Novel, from their Prometheus acceptance speech
Science fiction and fantasy is written all over the world – and LFS members have nominated fiction from several continents and many countries over the decades.
More than ever, the Prometheus Awards have become truly international.
For the first time, the Libertarian Futurist Society has recognized an Australian writer as winner of the Prometheus Award for Best Novel.
Dave Freer (Photo courtesy of author)
Dave Freer, an Australian who lives in Tasmania, has won the 2023 Prometheus Award for Best Novel for novels published in 2022.
To make clear why past winners deserve recognition as pro-freedom sf/fantasy and how they fit the Prometheus Award, Appreciations of past winners have been written and posted. Here’s the Appreciation for Ken MacLeod’s Learning the World, the 2006 Prometheus Best Novel winner:
MacLeod’s inventive first-contact novel explores the politics and uncertainties involved from two perspectives: the natives of the planet and the “alien” (human) visitors.
In some ways modeled on classic Heinlein juveniles and a departure from his other future-Earth-solar-system novels exploring the implications of libertarian and Marxist ideas, Learning the World offers as a primary viewpoint character a teen girl living on an interstellar colony ship about to enter a new solar system.