J.R.R. Tolkien, widely hailed as the father of the resurgent “high fantasy” of the modern era, died 50 years ago today.
J.R.R. Tolkien in 1925 (Creative Commons license)
Tolkien, who passed at 81 on Sept. 2, 1973, is remembered by Ed West, who writes about Tolkien’s legacy and increasing influence today in his timely Substack column Wrong Side of History.
With Tolkien’s classic The Lord of the Rings having been inducted in 2009 into the Prometheus Hall of Fame for Best Classic Fiction, LFS members certainly remember and admire Tolkien.
But in his striking and thought-provoking column, West praises Tolkien in extraordinary ways – perhaps even more highly than do libertarians, who admire the British author for the mythic world-building, rich storytelling and poignant themes of his cautionary libertarian fable about the inevitable temptations and corruptions of absolute power.
West goes so far as to call Tolkien “the most important creative mind of the modern age.”
“When we started our writing career we never dreamt of winning the Prometheus Award. … Of all the awards in Science Fiction, … The Prometheus Award, above all others, became the one we truly wanted. [because] liberty must be championed and valued — of the myriad awards out there, only the Prometheus recognizes this essential fact. And the authors we respect the most have all won it.”
Eytan and Dani Kollin in 2010 (Creative Commons license)
– Eytan and Dani Kollin, co-authors of The Unincorporated Man, the 2010 Prometheus Awardwinner for Best Novel, from their Prometheus acceptance speech
Why didn’t the Eagles fly the ring to Mount Doom in The Lord of the Rings?
Even if you haven’t heard fans argue over the alleged “eagle plot hole” in J.R.R. Tolkien’s classic Prometheus-winning trilogy, you should find economist Bryan Caplan’s recent blog post illuminating – as well as Ilya Somin’s Reason posting about it.
An economics professor at George Mason University and a New York Times bestselling author, Caplan finds many parallels – and similar flaws – between such fan criticisms of Tolkien’s classic fantasy trilogy and socialist criticisms of free markets.
Did something significant to science fiction – actually, unprecedented – just happen at the Academy Awards?
It wasn’t really highlighted in any media reports I came across, but isn’t Everything Everywhere All at Once the first outright science fiction film to win the Oscar for Best Picture?
And not only that, but the Best Picture winner is especially intriguing to consider from a libertarian futurist perspective: Is it possible that this year’s Academy Awards recognized one of the most pro-freedom films to ever win an Oscar for best picture?
Such questions are sparked by an intriguing column on Reason magazine’s blog: “Oscar-winning Everything Everywhere All At Once Celebrates individalism, Free Will.”
If sci-fi fans or anyone else ever wants to know why the Libertarian Futurist Society presented a Prometheus Award to any work of fiction, and how that work reflects libertarian, classical liberal and anti-authoritarian themes, they now have an easy, quick and enjoyable way to find out.
Just visit the LFS website’s Prometheus Awards page, scroll down to any particular past winner of interest – for Best Novel, Best Classic Fiction or Special Awards – and click on the “Appreciation” link added next to its title.
To highlight and honor the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society celebrated in 2019, LFS members began writing review-essays about each past winner that summer.
“What Bujold has done is to come up with a concept of an aristocratic society that isn’t based on coercion — and from a libertarian perspective, that’s an interesting and novel theme.”
By William H. Stoddard
After bringing the Vorkosigan series (including Prometheus Hall of Fame winner Falling Free) to an apparent conclusion, Lois McMaster Bujold turned to fantasy in two series: the loosely connected World of the Five Gods novels, and the Sharing Knife series, an actual tetralogy.
Lois McMaster Bujold (Photo by Kyle Cassidy; Creative Commons license)
Both are set in invented worlds, where real-world political issues don’t arise, sparing the reader the sort of heavy-handed allegory that J.R.R. Tolkien famously objected to.
No book in either series was ever considered for a Prometheus Award. Indeed, the Sharing Knife series started out as a love story, seemingly reflected Bujold’s acknowledged fondness for authors such as Georgette Heyer. But having read it several times since its publication, I’ve come to feel that it has less obvious depths, some of which are potentially of interest to members of the Libertarian Futurist Society.
After watching just the first few episodes, fans of “The Lord of the Rings” may still be making up their minds whether the Amazon-Prime prequel “The Rings of Power” is a worthy successor to the three LOTR films and most important, whether it does justice to J.R.R. Tolkien and his powerful anti-authoritarian themes.
A bust of JRR Tolkien. File photo
But Reason magazine has weighed in with an insightful column that offers a nuanced answer to the question of how faithful is the epic new series to “Tolkien’s Anti-Statism.”
The answer, fans of the Prometheus Hall of Fame-winning trilogy will be happy and relieved to hear, is mostly yes.
Like the LFS members who voted to induct Tolkien’s fantasy trilogy into the Prometheus Hall of Fame in 2009, Reason columnist Christian Britscchgi seems well aware of the ways in which The Lord of the Rings celebrates “freedom against arbitrary government interference.”
“Power tends to corrupt; and absolute power corrupts absolutely.”
– Lord Acton (1834-1902)
“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings
Few Prometheus Award winners incorporate an anti-authoritarian theme with more haunting power than J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction.
With Amazon Prime recently unveiling its mega-budgeted and long-awaited prequel to Lord of the Rings, this is an apt moment to recall that theme – summed up so well in Lord Acton’s famous dictum and symbolized so archetypically by Tolkien in his “One Ring to rule them all.”
That’s especially timely when Rings of Power offers such a vivid contrast to House of the Dragon, the other super-expensive prequel to another landmark television-adapted fantasy, but one with a much different and more cynical view of power.
To highlight the Prometheus Awards’ four-decade history, the Libertarian Futurist Society since 2019 has been publishing a series of Appreciations of all past award winners that make clear why they were recognized. Here is our Appreciation for J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction:
“Power tends to corrupt; and absolute power corrupts absolutely.” –Lord Acton (1834-1902)
“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings
The Lord of the Rings is not only one of the greatest works of fantasy but also a cautionary libertarian fable about the inevitable temptations of power.
J.R.R. Tolkien’s classic trilogy – a three-part novel (The Fellowship of the Ring, The Two Towers and The Return of the King) published in 1954-1955 – charts a social, political, personal and supernatural struggle between freedom and absolute tyranny.
Here is a handy guide to viewing the Libertarian Futurist Society’s recorded programs – and a welcome to our new Videos page.
Below is an overview, with links and descriptions, of LFS panel discussions, podcasts, interviews and awards ceremonies over the past decade at various Worldcons (World Science Fiction Conventions) and NASFiCs (North American Science Fiction Conventions).
But first, take a look to your left – to the new VIDEOS link at the top of the left-side column of the Prometheus blog. Here is where you can go, from now on, to check out all LFS videos and podcasts, including each year’s Prometheus Awards ceremonies and related speeches and Worldcon panel discussions, as they are recorded and added each year. (The LFS is already looking forward to making plans to present our 2021 Prometheus Awards ceremony at DisCon II, the 79th Worldcon set to run Aug. 25-29, 2021, in Washington, D.C.)
In these LFS panels, podcasts and Prometheus award speeches, bestselling sf novelists and LFS members have discussed a wide variety of timely and timeless subjects that inspired their stories and novels.
Cory Doctorow (Creative Commons license)
Among the speakers: novelists C.J. Cherryh, Travis Corcoran, Cory Doctorow, Harlan Ellison, Jane Fancher, Sarah Hoyt, John Hunt, Ken MacLeod, Ramez Naam, Andy Weir, and F. Paul Wilson and LFS leaders Steve Gaalema, Michael Grossberg, Tom Jackson and LFS president William H. Stoddard.
C.J. Cherry (Creative Commons license)
Unlike typical awards acceptance speeches at the Oscars, Tonys, Grammys or Emmys, which tend to be laundry lists of names to thank, most Prometheus-Ceremony speeches tend to be wide-ranging, fascinating, thoughtful (and longer) explorations of ideas, ideals and libertarian themes, often combined with personal stories – and thus, rewarding to view even years later.
Here, in this overview of LFS videos, the most recent events are listed first, with brief descriptions of speakers and subjects, interesting excerpts and links.
