Ray Bradbury – Prometheus Blog

Forster, Bradbury, Heinlein, Le Guin, Vonnegut stories ranked among the 26 best SF stories by New Scientist 

Several Prometheus-recognized authors are included on New Scientist’s intriguing list of the 26 best science fiction/fantasy stories of all time.

E.M. Forster’s “The Machine Stops” is the only story on the magazine’s list previously inducted into the Libertarian Futurist Society’s Prometheus Hall of Fame. Yet, several other enduring and Prometheus-winning authors have classic stories on the magazine’s list – just not the ones our award has recognized.

Among them: Ray Bradbury, Robert Heinlein, Ursula K. Le Guin and Kurt Vonnegut.

It’s interesting to see which of their stories are recognized by the magazine, and why.

Continue reading Forster, Bradbury, Heinlein, Le Guin, Vonnegut stories ranked among the 26 best SF stories by New Scientist 

Heinlein, Anderson, Tolkien, Orwell, Rand, Hoyt, Vinge, Stephenson, Bradbury and Wilson among popular Prometheus-winning authors added as convenient index links on our blog

What do Poul Anderson, Ray Bradbury, Robert Heinlein, James P. Hogan, Sarah Hoyt, Victor Koman, Ursula K. Le Guin, Ken MacLeod, George Orwell, Ayn Rand, L. Neil Smith, Neal Stephenson, J.R.R. Tolkien, Vernor Vinge and F. Paul Wilson have in common?

Robert Heinlein in the 1980s (Photo courtesy of Heinlein Trust)

Some rank high among bestselling and even world famous authors; some are not quite as well known but still have sold millions of copies of their books, and a few are lesser-known writers who deserve a wider readership.

George Orwell. (Creative Commons license)

Yet they’re all writers who have written notable speculative fiction (generally science fiction and/or fantasy) that in different ways championed freedom-loving themes and exposed the evils of authoritarianism.

And all of the above have been recognized for such works by winning Prometheus Awards – some for Best Novel, some for Best Classic Fiction and several for both annual award categories.

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Orwell’s 1984, Bradbury’s Fahrenheit 451 and other Prometheus-recognized dystopian cautionary tales are popular again, post-election (but deserve a sober reading)

By Michael Grossberg

Two of the best-known Prometheus Hall of Fame winners are enjoying a surge in sales.

George Orwell’s 1984 and Ray Bradbury’s Fahrenheit 451 shot up on Amazon’s best-seller list after the recent U.S. presidential election.

So did Margaret Atwood’s The Handmaid’s Tale, a 1987 Prometheus Best Novel finalist. (The Testaments, Atwood’s sequel to her classic dystopian novel, was recognized as a Best Novel finalist in 2020.)

Both Orwell’s classic and Bradbury’s classic dystopian novels were inducted into the Prometheus Hall of Fame in 1984, only the second year of the Hall of Fame.

All three novels – well-worth reading (or rereading) – offer cautionary tales about the rise of various types of authoritarian or totalitarian governments that institutionalize massive violations of individual rights – from censorship to torture and mass murder.

Check out the Prometheus blog review-essay Appreciations of Nineteen Eighty-Four and Fahrenheit 451.

Continue reading Orwell’s 1984, Bradbury’s Fahrenheit 451 and other Prometheus-recognized dystopian cautionary tales are popular again, post-election (but deserve a sober reading)

Is “book-banning” the same as censorship or book-burning? How Bradbury’s Prometheus-winning classic Fahrenheit 451 figures in current debates

By Michael Grossberg

The late great Ray Bradbury memorably dramatized the dangers of censorship and book-burning in Fahrenheit 451.

Bradbury’s Prometheus-winning 1953 novel, inducted in 1984 into the Prometheus Hall of Fame for Best Classic Fiction, is occasionally brought up as a cautionary tale in contemporary discussions about freedom of expression, censorship, school libraries and what books are appropriate for students of different ages to read.

Fahrenheit 451 is referenced anew in an interesting Thinkspot column that challenges common media reporting about “book bans” in government-run schools and libraries across the country.

But do the lessons of Fahrenheit 451 truly apply?

Is “book banning” tantamount to book-burning and other forms of State-enforced censorship?

Continue reading Is “book-banning” the same as censorship or book-burning? How Bradbury’s Prometheus-winning classic Fahrenheit 451 figures in current debates

Taibbi on Bradbury: How Fahrenheit 451 remains relevant and resonant today as a cautionary tale of lost liberty

By Michael Grossberg

Ray Bradbury envisioned in his classic novel Fahrenheit 451 a dystopian future of censorship and destruction of literature – a paradoxically chilling world in which firemen paradoxically don’t put out fires but set them to burn books.

However haunting in its literary power, Bradbury’s dystopian vision sadly may not be as widely referenced in popular culture these days as George Orwell’s widely quoted 1984 and Animal Farm or Ayn Rand’s Atlas Shrugged or perhaps even Kurt Vonnegut’s satirical story “Harrison Bergeron.”

All of the above works have been inducted into the Prometheus Hall of Fame over the decades. Yet, not all are equally remembered and applauded as still-resonant cautionary tales with vital lessons that still should be heeded in the 21^stcentury.

That’s why it’s a pleasure to report that Matt Taibbi, a prominent journalist and independent-minded columnist, has referenced Bradbury’s novel and poignant themes in a recent essay posted on his Racket News platform.

Continue reading Taibbi on Bradbury: How Fahrenheit 451 remains relevant and resonant today as a cautionary tale of lost liberty

Review: Queen Wallis an inventive, suspenseful sequel to the dystopian alternate history of Carey’s Widowland

By Michael Grossberg

Sequels can be tricky and often disappointing, falling short of the originals in potentially all sorts of ways.

So it’s nice to report that C.J. Carey’s Queen Wallis (published by Sourcebooks in the U.S. and Quercus in the U.K.) is a worthy sequel that in several ways improves on Widowland, her 2023 Prometheus Best Novel finalist.

Overall, this feminist dystopian novel is one of the most enjoyable works of alternate history I’ve read in years.

Continue reading Review: Queen Wallis an inventive, suspenseful sequel to the dystopian alternate history of Carey’s Widowland

“The Emperor’s New Clothes” – Andersen’s fable remains a useful metaphor and illustrative lesson for today

By Michael Grossberg

One of the best choices that LFS members have made in voting annually in the Best Classic Fiction category, in my opinion, was the decision to induct “The Emperor’s New Clothes” in 2000 into the Prometheus Hall of Fame.

Hans Christian Andersen’s timeless anti-authoritarian parable isn’t merely a fable for children but a cautionary tale for everyone about the presumptions and illusions of power — not to mention the dangers of sheep-like conformity…. lessons that still apply today. (Perhaps especially today.)

Possibly because the Danish author’s 1837 story is often grouped somewhat diminutively with Anderson’s other stories as mere “children’s” literature or perhaps for other reasons, “The Emperor’s New Clothes” often seems to be overlooked or dismissed by contemporary columnists and bloggers as a still-resonant metaphor for the blind spots and knee-jerk tribalism of our increasingly conformist, censorious, culture-cancelling and fearful era.

So it’s a pleasure to come across a relatively rare reference to Andersen’s classic among today’s vast social commentary – moreover, not just a brief reference, but a full column from a regular Substack writer who makes the story central to his insightful and timely themes.

The column is even titled in honor of the fable: “The Emperor’s New Art.”

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Greg Bear, RIP: Prolific awardwinning sf author ( and Poul Anderson’s son-in-law) wrote more than 50 novels

Prolific SF/fantasy author Greg Bear has died at 71.

Greg Bear Photo by Kyle Cassidy, Creative Commons license)

Bear, who died in November after suffering several strokes during heart surgery, was widely acclaimed for his wide-ranging and epic science fiction and fantasy.

An international bestseller and Heinlein Award-winner, Bear wrote more than 50 novels and almost as many works of short fiction, and edited an important Poul Anderson anthology.

Even though Bear never won a Prometheus Award, much of his life and work were “Prometheus-adjacent.”

Continue reading Greg Bear, RIP: Prolific awardwinning sf author ( and Poul Anderson’s son-in-law) wrote more than 50 novels

Science fiction’s prophetic dystopias: Niall Ferguson Spectator essay sheds light on Prometheus winners Bradbury, Orwell, Stephenson and Zamyatin while drawing timely comparisons to Huxley

How can science fiction be used to explore and perhaps take steps to prevent the darker possibilities of the future?

Writer-historian Niall Ferguson examines the benefits and prophetic classics of science fiction in an intriguing essay in The Spectator magazine.

Several Prometheus-winning authors – including Ray Bradbury (Fahrenheit 451), Sinclair Lewis (It Can’t Happen Here), George Orwell (Nineteen Eighty-Four), Neal Stephenson (The System of the World, Snow Crash) and Yevgeny Zamyatin (We) – are discussed with intriguing and incisive commentary in Ferguson’s recent article, “How Science Fiction Novels Read the Future.”

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Self-reliance, liberty and sf: The Prometheus interview with author-singer-songwriter Leslie Fish

“(In sf fandom), the Prometheus is now considered third place after the Hugo and Nebula.” — author-songwriter Leslie Fish

Here is the first part of the Prometheus Blog interview with Leslie Fish, the Prometheus-winning author and songwriter.
Fish, interviewed by journalist and blog editor Michael Grossberg, won a 2014 Special Prometheus Award for her novella “Tower of Horses” and related filk-song “The Horseman’s Daughter.”

Leslie Fish, playing the guitar and singing her songs (Creative Commons license)

LFS: You’ve said a lot of your stories and songs contain libertarian themes. What attracts you to such themes and what kinds of stories do you find best reflect those themes?

Fish: It’s more a case of the ideas being part of me and therefore coloring all my work. I’ve noticed the nostalgic medievalism of most published Fantasy stories, and the socialistic assumptions of a lot of Science Fiction, and it tends to annoy me, so I tend to write songs and stories that push in the opposite direction. I’m surprised by how much of my own work is reactive, in this way.

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