L. Neil Smith’s The Probability Broach: The Prometheus winner that one Best Novel judge dreams of seeing on screen someday


By Michael Grossberg

It’s relatively rare for a Prometheus-winning work of pro-freedom science fiction or fantasy to be adapted into a movie or for television. But that happened this year, with the recent 2026 release of an animated film of George Orwell’s Animal Farm, inducted in 2011 into the Prometheus Hall of Fame.

While the misconceived third film version of Orwell’s anti-authoritarian and anti-communist classic fable proved disappointing, our hopes remain high for more Prometheus-winning novels or stories to be filmed – and some are already in the works.

Meanwhile, sparked by this year’s film release, I asked Libertarian Futurist Society members I work with as fellow Best Novel judges which Prometheus-winning works they’d like to see on screen.

Adam Tuchman’s top choice is The Probability Broach, L. Neil Smith’s alternate-history SF novel that won the 1982 Best Novel award.

Continue reading L. Neil Smith’s The Probability Broach: The Prometheus winner that one Best Novel judge dreams of seeing on screen someday


Richard Salman’s unusually insightful review of the flawed new Animal Farm film illuminates George Orwell’s thinking and goals in writing his 1945 satirical fable


By Michael Grossberg

Of the many reviews of the flawed new film version of George Orwell’s Animal Farm, perhaps the most insightful is one that broadens its critique to examine Orwell himself.

Richard M. Salsman, an economist and visiting assistant professor of political economy at Duke University, goes deeper than most other writers in contextualizing Andy Serkis’ widely panned animated film version.

With disturbing clarity, Salsman explains how Orwell’s evolving views led him to reverse his initial conception of Animal Farm as a critique of capitalism – but also how the British democratic socialist remained faithful to some of his deepest underlying assumptions.

This is a powerfully illuminating review and essay that deserves to be read in full at The Daily Economy, a publication of the American Institute for Economic Research.

But I also want to highlight some of Salman’s key insights, because they are so relevant to the themes and world view that shape the Prometheus Awards.

Continue reading Richard Salman’s unusually insightful review of the flawed new Animal Farm film illuminates George Orwell’s thinking and goals in writing his 1945 satirical fable


Orwell’s Animal Farm falls disappointingly short in new animated film version that distorts its anti-authoritarian themes


By Michael Grossberg

When it comes to film versions of George Orwell’s Animal Farm, the third time’s not the charm.

With visionary director-actor Andy Serkis at the helm of the recently released animated film version of Orwell’s classic anti-authoritarian fable and a host of great actors doing the voices of the farm animals, I’d hoped for the best for Animal Farm, inducted in 2011 into the Prometheus Hall of Fame.

Seth Rogen, Gaten Matarazzo, Glenn Close, Woody Harrelson, Kieran Culkin, Steve Buscemi, Kathleen Turner, Laverne Cox and Jim Parsons are among the actors voicing the animal characters in the story about pigs consolidating control on a farm in a movement for equality that is systematically corrupted.

Yet, Serkis’ long-in-gestation 2025 film, finally released in the U.S. in May 2026, has proved to be a major disappointment.

Continue reading Orwell’s Animal Farm falls disappointingly short in new animated film version that distorts its anti-authoritarian themes


Orwell’s Prometheus-winning Animal Farm being adapted into an animated film



By Michael Grossberg

One of the best known and most enduring Prometheus Hall of Fame winners for Best Classic Fiction has finally been adapted into an animated film.

Actor-director Andy Serkis has worked for years to bring to the screen a new animated film version of George Orwell’s fable Animal Farm, a Prometheus Hall of Fame inductee for Best Classic Film. Serkis’ film, which has been screened overseas at a film festival, is not yet available to watch in the United States.

Orwell’s cautionary and satirical fable focuses on a group of anthropomorphic farm animals who rebel against their human farmer, hoping to achieve a fully egalitarian society where all the animals are equal. Ultimately, the rebellion is betrayed, with a pig named Napoleon becoming dictator of the farm, which ends up in a far worse state than before.

Continue reading Orwell’s Prometheus-winning Animal Farm being adapted into an animated film



Why we post articles about references in popular culture to Prometheus-winning classics, from Orwell’s 1984 to Anderson’s “The Emperor’s New Clothes”


By Michael Grossberg

Not all literary works that win major awards continue to be widely read and influential, years or decades later. Yet, from Orwell’s Nineteen Eighty-Four to Hans Christian Andersen’s “The Emperor’s New Clothes,” those that do are worth noting, for they often reflect important aspects of our era’s intellectual currents and popular culture.

In that context, the number of Prometheus-winning works that commonly are referenced by prominent columnists, essayists and authors continues to be impressive.

Of the more than 100 novels, stories, films and other works of fantastical fiction that have won a Prometheus award for Best Novel or Best Classic Fiction (our Hall of Fame) since the first prize was presented in 1979, more than a dozen are written about frequently in magazines, newspapers, Substack columns, books or referenced in movies, plays and other realms of popular culture.

Among the many Prometheus-winning authors most commonly written about – sometimes with a purely literary focus but more often used as resonant reference points for 21st century commentary – are George Orwell, Ray Bradbury, Kurt Vonnegut, Ayn Rand, J.RR. Tolkien, Neal Stephenson and Hans Christian Andersen.

Continue reading Why we post articles about references in popular culture to Prometheus-winning classics, from Orwell’s 1984 to Anderson’s “The Emperor’s New Clothes”


Two-time Prometheus winner George Orwell honored in United Kingdom with Royal Mint coin, but “Big Brother is (still) watching you”


By Michael Grossberg

Great Britain’s Royal Mint is honoring George Orwell – also worth celebrating today on the anniversary of his birthday June 25, 1903 – with a new coin, 75 years after his death in 1950.

Best known for his Prometheus-winning classics Nineteen Eighty-Four and Animal Farm, the British novelist and essayist will be celebrated with a new  £2 coin.

In the Orwellian spirit of the well-known Nineteen Eighty-Four catch phrase that “Big Brother is watching you,” coin artist Henry Gray created a coin design that appears to be an eye, but at its center is actually a camera lens surrounded 360 degrees by the famous phrase.

Continue reading Two-time Prometheus winner George Orwell honored in United Kingdom with Royal Mint coin, but “Big Brother is (still) watching you”


Orwell’s fable Animal Farm ruefully hailed as relevant to today’s sociopolitical trends


By Michael Grossberg

George Orwell. (Creative Commons license)

Perhaps the most commonly referenced Prometheus-winning author over the past decade or two in sociopolitical discourse is George Orwell.

Yet, virtually all the commentary, editorial columns and essays mentioning Orwell tend to focus exclusively on Nineteen Eighty-Four, his classic dystopian novel inducted early on into the Prometheus Hall of Fame.

Far fewer articles reference Orwell’s evocative fable Animal Farm – yet that deceptively simple animal fable explores profound themes and deeper truths that are just as relevant to today’s dismal authoritarian trends on the extreme Left and Right.

Continue reading Orwell’s fable Animal Farm ruefully hailed as relevant to today’s sociopolitical trends


Did you know that fantasy is just as eligible as science fiction for Prometheus Awards recognition? (And that shouldn’t be news!)

By Michael Grossberg

Works of fantasy are eligible to consider for the Prometheus Awards, along with science fiction.

The Lord of the Rings, inducted in 2009 into the Prometheus Hall of Fame

Fantasy has always been eligible for nomination – which might be news to some.

Many falsely assume that the Prometheus Awards are exclusively focused on “libertarian science fiction.”

And many continue to do so, even though several notable works of fantasy have been selected this year as finalists in both annual categories for Best Novel and Best Classic Fiction (the Prometheus Hall of Fame.)

Continue reading Did you know that fantasy is just as eligible as science fiction for Prometheus Awards recognition? (And that shouldn’t be news!)

Hall of Fame finalist review: “The Trees,” a fantasy-themed rock song by Rush, resonates as cautionary tale

By Michael Grossberg

Even though they’re eligible for nomination, no songs have ever been inducted into the Prometheus Hall of Fame.

Neal Peart, Rush drummer and songwriter of “The Trees.” Credit: Creative Commons

I can’t imagine a good song more deserving of that honor, and that fits the distinctive focus of the Prometheus Awards better, than “The Trees,” a 1978 song by the Canadian rock group Rush.

Continue reading Hall of Fame finalist review: “The Trees,” a fantasy-themed rock song by Rush, resonates as cautionary tale

From Orwell’s Nineteen Eighty-Four to Andersen’s The Emperor’s New Clothes, today’s discourse often evokes Prometheus-winning classics

By Michael Grossberg

You can’t get away from it these days, for good or ill.

Just about anywhere you look, from mainstream newspapers and magazines to Substack blogs and social-media references, writers, columnists and commentators frequently are referencing classic novels, stories and fables to forge timely metaphors about today’s trends.

George Orwell (Creative Commons license)

All too many prove to be cautionary warnings about the importance of telling the truth, in the midst of so many public falsehoods… and draw upon some of the most enduring Prometheus-winning works of fiction, from George Orwell’s Nineteen Eighty-Four to Hans Christian Andersen’s “The Emperor’s New Clothes.”

Continue reading From Orwell’s Nineteen Eighty-Four to Andersen’s The Emperor’s New Clothes, today’s discourse often evokes Prometheus-winning classics