With less than two weeks left until the Sept. 30 nominating deadline, Libertarian Futurist Society members have nominated ten works for the next Prometheus Hall of Fame for Best Classic Fiction.
Among the Hall of Fame nominees so far this year: six novels, two stories, a film and a song. That includes novels by Poul Anderson, Cecilia Holland, C.S. Lewis, Terry Pratchett and E.C. Tubb; both a novel and a story by Harry Turtledove; a story by R.A. Lafferty; a song by the Canadian art-rock group Rush; and, for the first time, a feature film written and directed by and starring Woody Allen.
Such varied forms of art and fiction reflects the broad scope of the Hall of Fame – an annual Prometheus Awards category that incorporates stories, novellas, novels, graphic novels, songs, albums, musicals, operas, plays, poems, films, TV episodes/series, anthologies or trilogies.
Read on to see the current list of nominees so far and how to nominate works (if you’re an LFS member) or submit works for consideration by members (if you’re an author, publisher or non-member).
One of the things I do in my spare time is bring old issues of Prometheus onto the web. Prometheus, the LFS’ former print quarterly, was published from 1982 to 2015, and there are lots of articles of lasting value in this collection. Well more than half the issues are now available on the web.
One thing I noticed a little while ago is that we have transcripts of many of the Prometheus Award acceptance speeches that have been given over the years, and they are worth reading again. We also have recordings of several of the ceremonies, but uploading those will be a separate project.
Here’s a quick guide to all the speeches that appeared in Prometheus:
If beauty is proverbially found in the eye of the beholder, then a sense of humor may be located in our funny bones.
Yet everyone’s sense of humor is a bit different. What you find hilarious may leave me cold (or at least lukewarm), while what fills some bellies with laughs may leave others with barely a smile on their faces.
Given how personal a sense of humor tends to be, it may be provocative but should be interesting to ask: Which Prometheus Award winners do you find most amusing?
Which are designed to make you smile, and laugh out loud – and achieve their goal?
“My experience as a writer helps me as a judge. And, my experience as a judge helps me as a writer.” – John Christmas
LFS member John Christmas, a published novelist, has served as a Prometheus Best Novel judge for about a decade now.
Christmas co-wrote KGB Banker, a contemporary political thriller recently recognized by Best Thrillers as the “Best Conspiracy Thriller of 2022.”
Christmas’s first novel was Democracy Society, a futuristic libertarian novel about fighting a corrupt government.
In this interview, Christmas discusses some of his favorite Prometheus-winning novels, how his creative writing has helped him be a better awards judge, and how serving as a Best Novel judge has benefited him as a writer.
The Christmas interview also seems timely in how it sheds light on the awards-judging process, since the Best Novel finalist judging committee is currently reading and discussing more than a dozen nominees and candidates for nomination in the final month or two before voting to select the annual slate of finalists.
Most years tend to see at least some continuity in the annual Prometheus Hall of Fame , since any eligible work can be renominated if it doesn’t win.
Since 1983, when the first classic works were inducted into the Prometheus Hall of Fame, it’s become common for works to be nominated repeatedly, often with returning nominees dominating the list of selected finalists.
Not this year, notable for several fresh contenders.
LFS members have nominated eight works for the next Prometheus Hall of Fame for Best Classic Fiction.
Among them are one song, a novelette, a collection of linked short stories, two short stories and three novels – reflecting the many forms of fiction that are eligible for consideration in this Prometheus category.
With the nominations deadline having passed in September, here is the final list of this year’s nominees:
* The End of Eternity, a 1955 novel by Isaac Asimov
* “Free Men,” a 1966 novelette by Robert Heinlein
* “Primary Education of the Camiroi,” a 1966 short story by R.A. Lafferty * That Hideous Strength, a 1945 novel by C.S. Lewis
* Circus World, a 1981 collection of linked stories by Barry B. Longyear
* “The Trees,” a 1978 song by Neal Peart and Rush * The Truth, a 2000 novel by Terry Pratchett
* “Or Give Me Death,” a 1955 short story by Donald Westlake
Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.
Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Libertymagazines to the Cato Institute) – have understood that for a long time.
Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.
Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.
According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”
Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and to make clear what libertarian futurists saw in each of our past winners that made them deserve recognition as pro-freedom sf/fantasy, we’re continuing in 2020 to present a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.
Here’s the latest Appreciation for Terry Pratchett’s Night Watch, the 2003 Prometheus winner for Best Novel:
Night Watch, the 29th book in Terry Pratchett’s bestselling Discworld series and widely hailed as one of the best, focuses in his usual tongue-in-cheek style on what it takes to build a more-modern police force that eventually will be able to keep the peace and fight violent crime in one of the most unruly cities in fiction.
Filled with individualistic, anti-authoritarian and pragmatically libertarian themes that resonate with the actual history of our own planet and how market economies and modern civilization developed, this ingenious 2002 satirical fantasy blends political intrigue and police drama in a plot that also involves time travel back to the start of a legendary street rebellion.
To highlight and honor the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are providing a reader’s guide with capsule Appreciations of past Prometheus Award-winners, starting with the Best Novel category.
If you’ve ever wondered why a particular work of fiction has been recognized with a Prometheus Award and what libertarian sf fans see in these award-winning works, then our upcoming series of Appreciations should be must reading – as well as informative and illuminating!
Or, if you’re simply looking for something enjoyable and stimulating to read within the realm of science fiction and fantasy, which also illuminates abiding questions about the perennial tensions between Liberty and Power, an excellent place to begin is with this recommended reading list of award-winning fiction (to be published here on a regular weekly (or biweekly) schedule, starting now (September 2019).
These capsule appreciations are being written and edited by LFS members (including LFS founder Michael Grossberg, LFS President William H. Stoddard, and veteran LFS leaders and board members Chris Hibbert, Tom Jackson, Anders Monsen, Eric Raymond, and others). In a few cases, the Appreciations will be based in part on reviews printed in the Prometheus quarterly (1982-2016) or the Prometheus blog (2017-today). Since 1979, a wide array of novels, novellas, stories, films, TV series and other works of fiction have won Prometheus awards by highlighting in fascinatingly different ways the value of voluntary social cooperation over institutionalized State coercion, the importance of respecting human rights (even for that smallest minority, the individual), and the evils of tyranny (whether on the Left or the Right).