A treasure trove of wisdom, wit and gratitude: Memorable Prometheus Award winners’ speeches

By Chris Hibbert

One of the things I do in my spare time is bring old issues of Prometheus onto the web. Prometheus, the LFS’ former print quarterly, was published from 1982 to 2015, and there are lots of articles of lasting value in this collection.  Well more than half the issues are now available on the web.

One thing I noticed a little while ago is that we have transcripts of many of the Prometheus Award acceptance speeches that have been given over the years, and they are worth reading again. We also have recordings of several of the ceremonies, but uploading those will be a separate project.

Here’s a quick guide to all the speeches that appeared in Prometheus:

Continue reading A treasure trove of wisdom, wit and gratitude: Memorable Prometheus Award winners’ speeches

A badge of honor: LFS logo/brand image added to Novel finalist book cover, raising visibility for the Prometheus Award

The LFS Prometheus Awards badge, created last year as an option for finalists and winners to use to further publicize their awards recognition, is starting to be used – and in a highly visible way.

When the awards badge was designed and approved last year, LFS leaders expected that it would be used occasionally but most often as art visually enhancing an author’s blog or publisher’s website on the same page announcing the good news that a particular author or work of fiction has been recognized as a finalist or winner.

Even better, though, was the way the badge has been used this year for the first time by a Best Novel finalist: Author Gordon Hanka has just added the LFS badge to the front cover of his novel A Beast Cannot Feign.

Continue reading A badge of honor: LFS logo/brand image added to Novel finalist book cover, raising visibility for the Prometheus Award

Review: Sexuality, spirituality and reflections on the human soul in J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner

Here is an Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner.

Also included below: Schulman’s Prometheus Awards acceptance speech, presented Aug. 31, 1984 before an audience of more than 2,000 sf fans at LACon, the 42nd annual World Science Fiction Convention in Los Angeles, Calif.

By Michael Grossberg

“If nothing is sacred the human body is sacred.” – Walt Whitman, “Children of Adam”

Much of the sexuality in The Rainbow Cadenza deeply disturbs, shocking readers with its graphic intensity, Yet this unusually adult coming-of-age novel, boasting some of the most scatological material to be found this side of Krafft-Ebing, arguably has no gratuitous sex scenes.

Instead, J. Neil Schulman integrates his disquieting eroticism into a complex narrative about a future Earth where birth-control advances have had a radical and damaging effect on human relationships, sexual equality and personal rights.

Given the development of such an unbalanced society, the novel’s often perverse sexuality should not surprise us. After all, the sexual act is a mirror. In reflecting consciousness and character, it offers a highly revealing glimpse of its participants’ humanity (or inhumanity).

At its best, of course, the sexual act can be a deeply satisfying expression of romantic love and spiritual intimacy, or at least a mutually enjoyable experience between consenting adults.

At its worst, the sexual act can be perverted into a neurotic and symbolic act, communicating hostility instead of affection, revenge instead of respect, dominance and submission instead of acceptance, anger and range instead of bon fide sexul passion. All this, and more, can be found in the diverse sexuality of The Rainbow Cadenza, a morality play in which those who allow themselves to be corrupted by powerlust soon find their sexual lusts corrupted as well in the inevitable workings of karmic justice.

Continue reading Review: Sexuality, spirituality and reflections on the human soul in J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner

Artistic freedom, creativity, conscription and gay marriage: An Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what LFS members and other libertarian sf/fantasy fans see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our Appreciation for J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner:

Romantic and passionate, J. Neil Schulman’s The Rainbow Cadenza explores the power of art, the thirst for creativity and the threat to such individuality and self-expression in a future Brave New World dominated by one world government.

Schulman was prescient and years ahead of his time in envisioning a positive future where gay marriage is normal and legal.
Yet, his complex story portrays a very mixed and disconcerting dystopian future where teenage women are drafted into government prostitution service for three years, clones are treated as inferior and a new underclass called Touchables are hunted for sport.

Continue reading Artistic freedom, creativity, conscription and gay marriage: An Appreciation of J. Neil Schulman’s The Rainbow Cadenza, the 1984 Prometheus Best Novel winner

R.I.P., Prometheus-winning author J. Neil Schulman has died

Very sad news: The Prometheus-winning author J. Neil Schulman, a veteran libertarian activist for decades, has died Aug. 10, 2019.

Schulman most recently was recognized for his surreal semi-autobiographical novel The Fractal Man, a 2019 Prometheus Award finalist for Best Novel.

Schulman wrote scripts for episodes of The Twilight Zone and wrote and directed several independent films, including most recently an adaptation of his Prometheus-winning novel Alongside Night.
Continue reading R.I.P., Prometheus-winning author J. Neil Schulman has died