libertarianism – Prometheus Blog

Did Academy Awards voters just give their top 2023 Oscar to an individualist and libertarian science fiction film? Yep – pretty much!

Did something significant to science fiction – actually, unprecedented – just happen at the Academy Awards?

It wasn’t really highlighted in any media reports I came across, but isn’t Everything Everywhere All at Once the first outright science fiction film to win the Oscar for Best Picture?

And not only that, but the Best Picture winner is especially intriguing to consider from a libertarian futurist perspective: Is it possible that this year’s Academy Awards recognized one of the most pro-freedom films to ever win an Oscar for best picture?

Such questions are sparked by an intriguing column on Reason magazine’s blog: “Oscar-winning Everything Everywhere All At Once Celebrates individalism, Free Will.”

Continue reading Did Academy Awards voters just give their top 2023 Oscar to an individualist and libertarian science fiction film? Yep – pretty much!

Best of the blog, part 2: Six more 2022 reviews, interviews worth rereading about libertarian science fiction

By Michael Grossberg

What were the “best” Prometheus Blog articles of 2022?

Which were the most illuminating and/or the most surprising? (No surprise that I happen to have some favorites.)

Looking back and following a recent blog post recommending six favorites from last year, I picked six more favorites among the more-than-weekly 67 blog posts of 2022, which offered a wide range of reviews, essays, author interviews, awards updates and Prometheus-Award-winner appreciations

Second chances don’t always occur in life, but the first few weeks of 2023 offers a timely opportunity to look back at some of the best Prometheus blog articles of 2022.

Continue reading Best of the blog, part 2: Six more 2022 reviews, interviews worth rereading about libertarian science fiction

The Prometheus interview with Wil McCarthy, part 2: On temptations of power, libertarianism, his favorite Prometheus authors and why he reads Reason every day

Here is the second part of the Prometheus Blog interview with Wil McCarthy, the 2022 Best Novel winner for Rich Man’s Sky.

SF author Will McCarthy in command of some sort of starship (Photo: Baen Books)

Q: Were you aware of the Prometheus Awards before receiving your first Best Novel nomination this past year?

A: I have been aware of the award, yes. I used to think of it as a purely political award, which I think perhaps it was in the early days. But when you see it going to people like Cory Doctorow (Little Brother) and Charles Stross (Glasshouse) — both excellent, thoughtful writers, and clearly not Libertarians in any traditional American sense — I think it’s easier to see it as a genuine literary prize that rewards great ideas and great storytelling.

Continue reading The Prometheus interview with Wil McCarthy, part 2: On temptations of power, libertarianism, his favorite Prometheus authors and why he reads Reason every day

The Prometheus Interview: 2022 winner Wil McCarthy on Rich Man’s Sky, Heinlein and his return from hiatus

SF author Wil McCarthy, the 2022 Prometheus Best Novel winner for Rich Man’s Sky, took a long hiatus from writing science fiction, but now he’s back – and happy to answer a few questions about his work.

In the first part of this two-part interview, McCarthy explains why he went on hiatus, admires Robert Heinlein and reads the leading libertarian magazine Reason every day.

SF writer Wil McCarthy Photo courtesy of author

Q: You’ve written quite a few sf novels and stories. Why did you go on hiatus and what have you written since you returned?

A: I took a long hiatus from writing to run a tech start-up, among other things. When I came back, the first thing I did was write two novellas, the second of which ended up winning the AnLab award.

Then I wrote two novels, the second of which is Rich Man’s Sky, so it’s nice to see people actually taking notice. It’s a nice way to ease back in.

Continue reading The Prometheus Interview: 2022 winner Wil McCarthy on Rich Man’s Sky, Heinlein and his return from hiatus

Honoring merit, fostering art and justice: Stoddard’s awards-ceremony introductory speech about why the LFS has presented the Prometheus Awards for 40 years

With our recent 2022 awards ceremony, the Libertarian Futurist Society has now presented the Prometheus Awards for 40 years.

Why do we do that? What keeps us going? What basic ethical and cultural values are at the foundation of our awards program? And why are the Prometheus Awards so important?

LFS President William H. Stoddard succinctly answers such key questions in his eloquent and thoughtful introductory speech at the start of the Aug. 13 Zoom awards ceremony, which can be viewed on YouTube.

His concise comments seem worth publishing on the Prometheus Blog for posterity:

Continue reading Honoring merit, fostering art and justice: Stoddard’s awards-ceremony introductory speech about why the LFS has presented the Prometheus Awards for 40 years

Heinlein’s Children: Tom Jackson’s fanzine essay on libertarians in sf fandom

Libertarianism and science fiction have been closely connected since their early history, a rich topic often explored here on the Prometheus Blog.

Robert Heinlein, a drawing (Creative Commons license)

Libertarian sf fan Tom Jackson explores their connections anew in his recently published essay “Heinlein’s Children: Libertarians in fandom.”

Published in “Portable Storage,” William Brieding’s sf fanzine, Jackson’s interesting and historically knowledgeable article offers a very readable introduction to the subject for the fanzine’s “The Great Sercon Issue Part One.”

Continue reading Heinlein’s Children: Tom Jackson’s fanzine essay on libertarians in sf fandom

R.I.P., L. Neil Smith: Sf writer, best known for libertarian classic The Probability Broach, leaves a lasting legacy of liberty-loving sf adventure

Libertarian science fiction writer L. Neil Smith has died, leaving a legacy of high-spirited libertarian sf adventure and of the Prometheus Award itself.

Smith, who died at 75 on Aug. 27, 2021 in Fort Collins, Colo., is best known for his explicitly libertarian novel The Probability Broach and its rambunctious alternate-history sequels in his The North American Confederacy series.

During his writing career from the 1970s into the 2010s, Smith wrote 31 books, including 29 novels, and many essays and short stories.

Quite a few of his works were nominated for Prometheus Awards because of their freewheeling adventure, sense of humor, imaginative alternate-reality scenarios and strong libertarian/individualist themes.

Continue reading R.I.P., L. Neil Smith: Sf writer, best known for libertarian classic The Probability Broach, leaves a lasting legacy of liberty-loving sf adventure

“A beacon of libertarian freedom” – Barry Longyear’s acceptance speech for The Hook, the 2021 Prometheus winner for Best Novel

What is freedom?
How can we achieve it?
How can we defend it?

Veteran sf novelist Barry B. Longyear, winner of the 2021 Prometheus Award for Best Novel, discussed those questions in his acceptance speech, which he delivered Aug. 21 during the Libertarian Futurist Society’s online 2021 Prometheus Awards ceremony.

Here is the transcript of Longyear’s speech, which discusses his 2021 winner, The Hook, Book Five of The War Whisperer:

By Barry B. Longyear

On behalf of The Hook, Book 5 of The War Whisperer, I thank the members of the Libertarian Futurist Society for their Prometheus Award.

The seven volumes of The War Whisperer are, essentially, a fictionalized think-and-do on human freedom: What it is, how it works, how to achieve it, and how to defend it.

The first four volumes, through the eyes of Jerome Track, show what the problems are as well as presenting and absorbing the elements of the solution.

In Book 5: The Hook, is at last that beacon of libertarian freedom and one possible answer to the charge that has, up until now, always led the libertarian argument down paths of compromise or fantasy: How does a society that forbids the initiation of coercive force defend itself against military invasion?

That is the libertarian hook.

Continue reading “A beacon of libertarian freedom” – Barry Longyear’s acceptance speech for The Hook, the 2021 Prometheus winner for Best Novel

A cyberspace, cyberpunk landmark: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Vernor Vinge’s story “True Names,” a 2007 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Michael Grossberg and Chris Hibbert

“True Names” is a seminal work of the cyberpunk genre.

A landmark when it was published in 1981, Vernor Vinge’s now-classic story gave the public their first glimpse of cyberspace and showed how the struggle for control might penetrate the new medium.

One of the earliest works of fiction to present a fully detailed concept of cyberspace, the story also explores themes of anarchism and trans-humanism that are of great interest to libertarian futurists.

The story follows the progress of a group of computer hackers who keep their true identities secret while being among the first to adopt a new full-immersion virtual-reality technology. They do so out of curiosity or an entrepreneurial desire to profit – both respectable and even laudable motivations from the libertarian perspective that appreciates the crucial role of innovation and free markets in advancing human progress, prosperity, well-being and knowledge.

Continue reading A cyberspace, cyberpunk landmark: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner

War, centralization, good intentions gone wrong: Poul Anderson’s “No Truce with Kings,” the 2010 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation for Poul Anderson’s story, “No Truce with Kings,” the 2010 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

In David Friedman’s first book, the libertarian classic The Machinery of Freedom, the first entry in the bibliography describes Poul Anderson’s “No Truce with Kings”: “A libertarian novelette that plays fair. The bad guys are good guys too. But wrong.”

Continue reading War, centralization, good intentions gone wrong: Poul Anderson’s “No Truce with Kings,” the 2010 Prometheus Hall of Fame winner