The Libertarian Futurist Society’s Appreciation series offers review-essays of past award-winners that make clear why each deserves recognition as a pro-freedom and/or anti-authoritarian work. Here’s an appreciation for writer Alan Moore and artist David Lloyd’s graphic novel V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.
“People should not be afraid of their governments. Governments should be afraid of their people.”– V for Vendetta
By Michael Grossberg
V for Vendetta dramatizes and illustrates a horrific cautionary tale about the loss of freedom and identity itself in a chilling totalitarian future.
The 1989 graphic novel, created by British writer Alan Moore and artist David Lloyd, has been widely acclaimed as a defining work within the medium of comics and the emerging art of graphic novels – and deservedly so.
Like some of the best dystopian novels, this vivid fusion of word and image chronicles the debilitating and soul-crushing impact of living in an authoritarian police state. That’s a nightmare that few understand who haven’t experienced it, but V for Vendetta makes it palpable.
Happily, V for Vendetta isn’t just harrowing but also inspiring – for it also highlights the power of the human spirit to resist tyranny. The graphic novel earns our sympathy for a few valiant if damaged souls who find the courage to rebel against the excesses and norms of truly unlimited government.
Continue reading A vivid graphic novel about resisting a totalitarian future: Alan Moore and David Lloyd’s V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.
To highlight the Prometheus Awards’ four-decade history and make clear what makes each winner deserve recognition as notable pro-freedom sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners. Our anniversary series was launched in 2019 – 40 years after the first Prometheus Award was presented – starting with appreciation/reviews of the earliest winners in the original Best Novel category, and continuing in chronological order.
Here’s the latest Appreciation for Delia Sherman’s The Freedom Maze, one of two 2012 Prometheus Award winners for Best Novel:
By Michael Grossberg
Some stories teach the young and remind their elders of core truths about civilization, justice and humanity – such as the goodness of liberty and the evils of slavery.
One of the best is Delia Sherman’s The Freedom Maze, a young-adult historical fantasy novel that focuses on an adolescent girl of 1960 who is magically sent back in time to 1860 when her family owned slaves on a Louisiana plantation.
Sophie, 13, explores a maze while spending the summer at her grandmother’s old Bayou house, part of an old pre-Civil-War plantation, and makes an impulsive wish for escape and grand adventure. Thanks to a mysterious and tricky spirit, her wish is granted and she finds herself unexpectedly stranded a century into the past.
Continue reading Slavery, liberty, racism and the lessons of history: An Appreciation of Delia Sherman’s The Freedom Maze, a 2012 Prometheus Award winner for Best Novel
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and to make clear what libertarian futurists saw in each of our past winners that made them deserve recognition as pro-freedom sf/fantasy, we’re continuing in 2020 to present a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.
Here’s the latest Appreciation for Charles Stross’ Glasshouse, the 2007 Prometheus Award winner for Best Novel:
Charles Stross’ 2006 novel explores themes of ubiquitous State surveillance and the struggle of individuals to survive in the face of severe pressure to conform.
Set in a distant future and taking place in the same universe as Stross’ novel Accelerando, though at a much later point in its history, Glasshouse revolves around un-rehabilitated war criminals using every tool at their disposal to build a society that they can control absolutely.
At the center of the story, set in the 27th century when interstellar travel is by teleport gate, is Robin, an ex-spy who wakes up in a clinic with most memories missing. Soon, he realizes that he’s a demobilized soldier from a civil war that’s ended, and that someone is trying to kill him because of something that his earlier self knew.
Pursued by a dangerous enemy and desperate to find somewhere to hide, the post-human Robin volunteers to participate in the Glasshouse, an experimental simulation of a pre-accelerated culture in which participants are assigned anonymized identities.
Continue reading Personal identity, liberty, gender and power: An Appreciation of Charles Stross’ Glasshouse, the 2007 Prometheus Award winner for Best Novel
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and make clear what made past winners deserve recognition as pro-freedom or anti-authoritarian sf/fantasy, we’re continuing to present a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.
Here’s the latest Appreciation for The Stone Canal, by Ken MacLeod:
Ken MacLeod’s The Stone Canal ranges widely in its exploration of different political systems on different planets in a future marked by wars, revolutions, space colonization and a cyberworld in which people’s memories and personalities can be downloaded or uploading to clones on demand.
Among the many exciting ideas that MacLeod explores in his ambitious 1997 novel – Book 2 in his Fall Revolution series, but set earlier than The Cassini Division – are several of special interest to libertarian sf fans – including his complex and ambiguous depiction of capitalist anarchy on Earth, how free markets might develop on a terraformed planet in another solar system and the possibility of independent robots with individual rights.
The settings are far-flung, too, from 20thcentury Scotland to a 21stcentury extra-solar planet called New Mars with a free market. It’s a future of longer life-spans but also new kinds of death.
Continue reading Identity, anarchy, free markets, robots with rights and the politics of space colonization: An Appreciation of Ken MacLeod’s The Stone Canal, the 1998 Prometheus Best Novel winner
Here’s an Appreciation for James P. Hogan’s The Multiplex Man, the 1993 Best Book winner:
By Michael Grossberg
James Hogan’s 1992 hard-sf political thriller revolves around a polite schoolteacher who wakes up one day to discover he’s far from home and in a body not his own. Soon after returning home, he discovers that seven months have passed – and he can’t return to his old body or life because he died six months ago.
His suspenseful journey to solve multiple unfolding mysteries is set in an authoritarian future Earth where former Eastern/communist countries have exploited space resources to boost their economies over the faltering West, undermined by Green-dominated governments’ anti-industry regulations, education restrictions and propaganda.
In this cautionary anti-authoritarian story, the State authorities control virtually everything about people’s lives and activities on Earth, while condemning as dangerous any dissent or unapproved behavior and viewing off-world colonies as enemies because of their competition for Earth resources.
Continue reading Identity, mystery, body-transfer technology, bureaucrats, capitalists and green politics in a hard-sf political thriller: An Appreciation of James P. Hogan’s The Multiplex Man, the 1993 Prometheus Best Novel winner