How SF offers a critical forum to imagine new ideas and futures: Daniel Suarez’s 2024 Prometheus Award Best Novel acceptance speech for Critical Mass

By Daniel Suarez

Two-time Prometheus-winning author Daniel Suarez Photo: Steve Payne

It is wonderful to receive this award, especially for a novel that means so much to me. 

First: my thanks to the Libertarian Futurist Society — both for the principles this Prometheus Award represents and also for awarding it to me in a pivotal year for freedom of expression in science fiction. 

Authoritarianism is on the march in this world once more, and the first step in resisting it, is to be free in one’s own thoughts and imagination. That is, after all, where sci-fi lives, and the LFS is helping to keep free-thinking science fiction alive.

Continue reading How SF offers a critical forum to imagine new ideas and futures: Daniel Suarez’s 2024 Prometheus Award Best Novel acceptance speech for Critical Mass

Best Novel finalist review: Karl K. Gallagher’s Swim Among the People dramatizes heroic planetary resistance to an insidious totalitarian interstellar empire

By William H. Stoddard

Swim among the People, a 2024 Prometheus Best Novel finalist, is the fifth of six (so far) volumes in Karl K. Gallagher’s science fiction series The Fall of the Censorate.

The series as a whole begins when a merchant starship from a long isolated cluster of solar systems discovers a new route through hyperspace that leads to a much larger interstellar human civilization.

Continue reading Best Novel finalist review: Karl K. Gallagher’s Swim Among the People dramatizes heroic planetary resistance to an insidious totalitarian interstellar empire

Allegorical fable about “beastly” communism, coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

 

Here is the Prometheus Blog Appreciation of George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Michael Grossberg

The title of the allegorical work may make Animal Farm sound like a children’s fable, but it isn’t.

Oh, the short novel certainly can – and probably should – be read by teenagers and more mature younger readers, who likely will enjoy it and also grasp its perennial theme about the corruptions of power and the absolute corruption of absolute power.

Yet, the cautionary themes of George Orwell’s enduring 1945 work truly are aimed at adults.
Continue reading Allegorical fable about “beastly” communism, coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.

A dystopian landmark & cautionary tale about the Russian Revolution’s murderous consequences: Yevgeny Zamyatin’s pioneering We, the 1994 Prometheus Hall of Fame winner

To celebrate the Prometheus Awards’ four-decade history, the Libertarian Futurist Society is publishing Appreciations of all past award-winners, that make clear why each winner deserves our recognition as pro-freedom.
Here is our Appreciation for Yevgeny Zamyatin’s We, the 1994 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg

We 
imagines a world of repressive conformity and stagnant stasis within a totalitarian State.

With his landmark novel Russian writer Yevgeny Zamyatin bravely pioneered and imagined what later came to be known as dystopian literature.

For better and worse, that dark and cautionary new genre was inspired by the millions of innocent people whose lives were destroyed by the Russian Revolution under Lenin’s communism. The genre took on even more moral weight after the world witnessed the horrors of all the other statist-collectivist variants (from socialism to national socialism and fascism) whose authoritarian excesses and violent extremes of dictatorship, war, famine, poverty and social collapse so brutally marked and disfigured the 20thcentury.

We, written in 1920-1921 by the Russian writer and first published in English translation in 1924 in New York, was so critical of collectivist authoritarianism that it wasn’t published in the Soviet Union until 1988, when the era of glasnost led to its first appearance with George Orwell’s Nineteen Eighty-Four. A year later, the two dystopian novels were published together in a combined edition.

Continue reading A dystopian landmark & cautionary tale about the Russian Revolution’s murderous consequences: Yevgeny Zamyatin’s pioneering We, the 1994 Prometheus Hall of Fame winner

Transformation, interstellar liberation and “a Randian hero run amok”: Alfred Bester’s The Stars My Destination, the 1988 Prometheus Hall of Fame winner

The Libertarian Futurist Society’s Appreciation series aims to make clear why each Prometheus winner deserves recognition as a notable pro-freedom or anti-authoritarian work. Here is our Appreciation of Alfred Bester’s The Stars My Destination, the 1988 Prometheus Hall of Fame winner for Best Classic Fiction.

Alfred Bester’s The Stars My Destination explores themes of transformation and liberation.

Set in our solar system in a distant future on the verge of interstellar travel and colonization and written in beautifully stylized and lyrical language, this classic 1956 novel revolves around a lazy, gutter-talking spaceman described by LFS Director Victoria Varga in her 1994 review for the Prometheus quarterly as “a Randian hero run amok.”

Adrift with no ambition, Gully Foyle is abandoned in space with his pleas for help ignored. Consumed by a burning passion for revenge, Foyle embarks on a quest that propels a raging torrent of events.

“In the process of transformation he awakens the people of the worlds, and gives them back the right to think, dream, grow, and take command of their own lives,” Varga wrote.

Continue reading Transformation, interstellar liberation and “a Randian hero run amok”: Alfred Bester’s The Stars My Destination, the 1988 Prometheus Hall of Fame winner

Identity, mystery, bureaucrats, capitalists and green politics: An Appreciation of James P. Hogan’s The Multiplex Man, the 1993 Prometheus Best Novel winner

The Libertarian Futurist Society’s Appreciation series aims to make clear why each Prometheus winner deserves recognition as a notable pro-freedom or anti-authoritarian work. Here’s our Appreciation for James P. Hogan’s The Multiplex Man, the 1993 Best Book winner:

By Michael Grossberg

James Hogan’s 1992 hard-sf political thriller revolves around a polite schoolteacher who wakes up one day to discover he’s far from home and in a body not his own. Soon after returning home, he discovers that seven months have passed – and he can’t return to his old body or life because he died six months ago.
His suspenseful journey to solve multiple unfolding mysteries is set in an authoritarian future Earth where former Eastern/communist countries have exploited space resources to boost their economies over the faltering West, undermined by Green-dominated governments’ anti-industry regulations, education restrictions and propaganda.

In this cautionary tale, the State authorities control virtually everything about people’s lives and activities on Earth, while condemning as dangerous any dissent or unapproved behavior and viewing off-world colonies as enemies because of their competition for Earth resources.

Continue reading Identity, mystery, bureaucrats, capitalists and green politics: An Appreciation of James P. Hogan’s The Multiplex Man, the 1993 Prometheus Best Novel winner